Nicholas Roerich & art (1874-1947)

Mar 27, 2014 | Views: 4,909

I recently stumbled upon a Nicholas Roerich Musuem website and I was very very amazed by his collection of art works. I am so surprised to see spiritual paintings and depictions of Tibet, Lama Tsongkhapa and Buddha Maitreya in his collections. I am so happy to see this and I thank the Nicholas Roerich’s Museum of New York for having his art preserved and shared online. It is a treasure of the past we can certainly learn and appreciate from. I have placed the paintings and information here to create more awareness on this great explorer, philosopher, traveler and spiritualist. For more, you must go to his websites.

Apparently Nicholas and his wife Helena Roerich were thought to be Russian superheroes. They inspired the path for spiritual growth and life similar to what in America is called “global awakening”. This is a philosophy that encompasses all peoples and faiths. They both saw through their travels, the different religions and practices, but these all pointed to the same ‘truth’ in different ways. And this different way-of-looking was also the cause for war. They opened the doors to Buddhism and the search form mysticism in their country when it was not mainstream.

Their art trails the path they explored and traveled, from the Middle Eastern land right up to the Himalayas and they continuously visited ‘Shambala’. Many people in Russia liked them for their appearance, manners, simplicity, and generosity. They were great artists, creating wonderful paintings and writings that were thought-provoking. They also were known as philosophers, speakers, teachers, scientists, patrons of the arts, public figures, and cultural workers.

Nicholas and his wife Helena conveyed their understanding and experiences in their beautiful enchanting art and writings of Eastern practices, and thoughts of the Ascended Masters. They were certainly spiritual seekers and many of Nicholas’s paintings featured hidden treasure in the mountains or in water, symbolizing the search in high places for the truth that is hidden within us.

Below I’ve shared with you his biography and also selected a few of his beautiful paintings that I thought you may appreciate and enjoy…I am definitely a fan of his mystical and magical paintings. Gazing upon them brings me to another dimension. Another time. Another reality. His art is imbued with a special blessing that comes from deep within the soul. Within ourselves. We are all looking for the Shangrila that Nicholas Roerich searched for in the vastness of Northern Asia. Through his art we glimpse something ethereal and deep.

Tsem Rinpoche

 


 

Selected Galleries of Nicholas Roerich
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One of Diaghilev’s first achievements was the founding, with Princess Maria Tenisheva and others, of the magazine The World of Art. This magazine enjoyed a relatively short life but had an important influence in Russian art circles. The magazine declared itself the enemy of the academicians, the sentimentalists, and the realists. It introduced to its readership, which was made up mostly of the intelligentsia, the vital elements of Russian artistic circles, European post-impressionism, and the modernist movement. Roerich contributed to it and sat on its editorial board. Other Russian painters involved were Alexandre Benois and Leon Bakst, who later became Roerich’s co-workers in the early days of Diaghilev’s Ballets Russes.

After finishing his university thesis, Roerich planned to set off for a year in Europe to visit the museums, exhibitions, studios, and salons of Paris and Berlin. Just before leaving he met Helena, daughter of the architect Shaposhnikov and niece of the composer Mussorgsky. There seems to have been an immediate mutual attraction, and they were soon engaged to be married. On his return from Europe their marriage took place.

Helena Roerich was an unusually gifted woman, a talented pianist, and author of many books, including The Foundations of Buddhism and a Russian translation of Helena Blavatsky’s Secret Doctrine. Her collected Letters, in two volumes, are an example of the wisdom, spiritual insight, and simple advice she shared with a multitude of correspondents — friends, foes, and co-workers alike.

Later, in New York, Nicholas and Helena Roerich founded the Agni Yoga Society, which espoused a living ethic encompassing and synthesizing the philosophies and religious teachings of all ages.

Prompted by the need to provide some income for his new household, Roerich applied for and won the position of Secretary of the School of the Society for the Encouragement of Art, later becoming its head, the first of many positions that Roerich would occupy as a teacher and spokesman for the arts.

Roerich determined to overhaul the Society and rescue it from the academic mediocrity it had foundered in for many years. He instituted a system of training in art that seems revolutionary even by today’s standards: to teach all the arts — painting, music, singing, dance, theater, and the so-called “industrial arts”, such as ceramics, painting on porcelain, pottery, and mechanical drawing — under one roof, and to give his faculty free rein to design their own curriculum.

The cross-fertilization of the arts that Roerich promoted was evidence of his inclination to harmonize, bring together, and find correspondences between apparent conflicts or opposites in all areas of life. This was a hallmark of his thinking, and one sees it demonstrated in all the disciplines he explored. He constantly sought to break down compartmentalization, and, indeed, even in his own art he defied categorization and created a universe uniquely personal. In his writings on ethics also, it can be seen that he constantly sought to connect ethical problems with scientific knowledge of the surrounding world.

It was Roerich’s gift that these “connections” appeared so natural to him and presented themselves in all life’s manifestations. And it was this talent for synthesis, which he admired in others and encouraged in the young, that enabled him to correlate the subjective with the objective, the philosophical with the scientific, Eastern wisdom with Western knowledge, and to build bridges of understanding between such apparent contradictions. He reminded us that these contradictions were often the result of man’s ignorance, and that an expanding consciousness, which each individual was duty-bound to pursue, would lead to eventual recognition of the illusoriness, or relativity, of things. As Garabed Paelian affirms in his book Nicholas Roerich: Roerich “…learned things ignored by other men; perceived relations between seemingly isolated phenomena, and unconsciously felt the presence of an unknown treasure.” Perhaps it is this “unknown treasure” that in Roerich’s paintings speaks to the viewer who is attuned to that underlying meaning, and further explains the transcendental feelings that some experience through his canvases.

In 1902, the Roerichs celebrated the birth of their first son, George, and in the summers of 1903 and 1904, they set off on an extended tour of forty cities throughout Russia. Roerich’s purpose was to contrast the styles and historical context of Russian architecture. The voyage was one of discovery, for wherever they went he was able to locate the remnants of Russia’s past — ancient monuments, churches, city walls, and castles. He found that these had, in many instances, been neglected for centuries. As an archeologist and art historian he was aware of what an important key they were to Russia’s cultural history. He determined to draw attention to the situation and somehow arrange to have them protected and preserved, and with this goal in mind painted a series of seventy-five works depicting the structures. The experience of this journey had a lasting effect, for on his return in 1904, Roerich promulgated the plan that he hoped would create protection everywhere for such cultural treasures, a plan consummated thirty-one years later in the Roerich Pact. This kind of thinking was not common in those days, and anticipated the importance that, today, most countries of the world place upon preservation of their cultural heritage.

In 1904 Roerich painted the first of his paintings on religious themes. These mostly dealt with Russian saints and legends, and included Message to Tiron, Fiery Furnace, and The Last Angel, subjects that he returned to with numerous variants in later years. The Treasure of the Angels was described by one writer: “A host of angels in white garments stand silently row after row guarding a mysterious treasure with which are bound up the destinies of the world. It is a blue black stone with an image of the crucifix cut into it, glowing with emerald hues.” The angels are an early depiction of the hierarchical Masters that peopled the heart of Roerich’s belief in a Great Brotherhood, watching over and guiding humanity in its eternal journey of evolution. The “stone” pictured by Roerich is the representation of an image that recurs in different forms in his paintings and throughout his writings. The word “treasure” figures prominently in the titles of many of Roerich’s paintings, as, for instance, in The Treasure of the Mountain and Hidden Treasure. It is clearly not material wealth that he refers to, but rather the spiritual treasures that lie buried, yet available to those with the will to unearth them.

Meanwhile Roerich’s search for archeological treasures continued. The Stone Age particularly intrigued him, and he amassed a large collection of artifacts from that era. His paintings frequently reflected this interest, as in Three Glaives in which the subject matter is archeological in nature, and relates to an ancient legend. Roerich wrote about the unusual similarity of Stone Age techniques and methods of ornamentation in far-separated regions of the globe. In comparing these correspondences, he came to instructive conclusions as to the commonality of human expression and creativity.

 

T H E  T H E A T R I C A L  Y E A R S

In 1906, in the first of many entrepreneurial efforts that were to bring Russian art and music to the attention of Europeans, Sergei Diaghilev arranged an exhibition of Russian paintings in Paris. These included sixteen works by Nicholas Roerich. The next year, Diaghilev introduced Fyodor Chaliapin to Paris audiences, along with the music of Mussorgsky, Rimsky-Korsakov, Borodin, Rachmaninov, Scriabin, Glazunov, Stravinsky, and others. In 1909 he presented Chaliapin in Rimsky-Korsakov’s Ivan the Terrible, with costumes and sets designed by Roerich. In the Polovtsian Dances from Borodin’s Prince Igor, also designed by Roerich, and in other ballets, Diaghilev introduced a corps of Russian dancers that later became famous as the Ballets Russes, which included Pavlova, Fokine, and Nijinsky. Roerich’s designs furthered his reputation for the telling depiction of ancient cultures and their practices.

Diaghilev pioneered an art form that involved the collaboration of the designer as “auteur.” Thus Alexandre Benois influenced the creation of the ballet Petrouchka, and Nicholas Roerich was the prime mover and, with Igor Stravinsky, the co-creator of the ballet Le Sacre du Printemps, or, The Rite of Spring.

At first entitled The Great Sacrifice: a Tableau of Pagan Russia, the motif for the ballet grew out of Roerich’s absorption with antiquity and, as he wrote in a letter to Diaghilev, “the beautiful cosmogony of earth and sky.” In the ballet Roerich sought to express the primitive rites of ancient man as he welcomed spring, the life-giver, and made sacrifice to Yarilo, the Sun God. It was a story unlike that of any ballet before it. Stravinsky’s score and Nijinsky’s choreography were equally unexpected, and provoked controversy that was to continue for many years.

At the opening in Paris on May 29, 1913, one of the audience described the scene: “Nothing that has ever been written about the battle of Le Sacre du Printemps has given a faint idea of what actually took place. The theater seemed to be shaken by an earthquake. It shuddered. People shouted insults, howled and whistled, drowning out the music. There was slapping and even punching…the ballet was astoundingly beautiful.”

Interpreting what could have been described as negative, barbaric behavior, Roerich later wrote: “I remember how during the first performance the audience whistled and roared so that nothing could even be heard. Who knows, perhaps at that very moment they were inwardly exultant and expressing this feeling like the most primitive of peoples. But I must say, this wild primitivism had nothing in common with the refined primitiveness of our ancestors, for whom rhythm, the sacred symbol, and refinement of gesture were great and sacred concepts.”

Sacre represented the culmination of Roerich’s collaboration with Diaghilev. He recognized in the impresario a true champion of Russian art, and after Diaghilev’s death in 1929 wrote: “We may regard the…achievement of Diaghilev as that of a great individual, but it would be still more exact to regard him as the true representative of an entire movement of synthesis, an eternally young representative of the great moment when modern art shattered so many conventions and superficialities.”

 

T H E  C L O U D S  O F  W A R

In the years immediately preceding World War I, Roerich sensed an impending cataclysm, and his paintings symbolically depicted the awful scale of the conflict he felt descending upon the world. These works marked the birth of Roerich the “prophet.”

In Battle in the Heavens Roerich used the violent contrast of light and darkness to suggest the terrible events that would soon overtake Russia and all Europe.

By this time, in his depiction of both historical and natural themes, symbolism and the use of allegory had become essential ingredients in his work. As one critic wrote: “He populated his world not with participants in transitory dramas and comedies, but with spokesmen for the most steadfast ideas about the truth of life, the millennial struggle of good and evil, the triumphal procession of a bright future for all.”

 

T R A V E L  T O  O T H E R  S H O R E S

In 1915 Roerich became ill with pneumonia, and was sent by his doctor to recuperate with his family in Sortavala, Finland. This was a period of great unrest the world over, and no less so in the lives of the Roerich family. In Roerich’s paintings of the period, such as Karelia — Eternal Expectation and The Waiting Woman the cold, austere countryside of rocks and uninhabited shores of the north seems to express a sense of poignant longing. In The Waiting Woman, her gaze is fixed on the horizon as if she awaits some sign of the return of long-gone voyagers.

By 1917 the revolution was raging in Russia and returning there would have been dangerous. The family began making plans to visit India, whose magnetic appeal had been felt increasingly during these years. This became a possibility in 1918 when Roerich was invited by a Swedish entrepreneur to exhibit his paintings in Stockholm. From there the family proceeded to London, where Sir Thomas Beecham had invited Roerich to design a new production of Prince Igor for the Covent Garden Opera.

 

A M E R I C A

Meanwhile, an invitation to come to America was extended by the Chicago Art Institute. It was accepted, and the tour opened successfully at the Kingore Gallery in New York in 1920. In addition to exhibiting over 400 paintings there and in many cities throughout the United States, Roerich designed the scenery and costumes for productions of The Snow Maiden, and Tristan and Isolde for the Chicago Opera Company. During his travels in America, Roerich painted a series in New Mexico, and the Ocean Series in Monhegan, Maine, where the family spent a summer. He responded to the spirit of enterprise he found in America and frequently wrote about the positive influence its developing technology would have on the world. Seeds were planted and the lives of individuals influenced by Roerich’s magnetism and sense of mission.

In 1921, in New York, he founded the Master Institute of United Arts, in which he planned to realize the educational concepts he had incorporated into the curriculum in St. Petersburg. He attracted a talented group of instructors. They included Deems Taylor, teaching musical theory and composition, Robert Edmund Jones and Lee Simonson, teaching theater design, and top quality instructors in courses that included all musical instruments, aspects of painting and drawing, design and illustration, sculpture, architecture, ballet, drama, journalism, and languages — and lectures were presented by noted individuals such as George Bellows, Claude Bragdon, Norman Bel Geddes, and Stark Young.

The Master Institute flourished, but it did not survive beyond 1937. While the country was in the grips of the Great Depression and the Roerich family was on expedition in the Far East, funds ran out and events caused a complete collapse of the organization that Roerich and his supporters had labored to build.

It was not until 1949 that, under the direction of Sina Fosdick, one of the founding board members and an Institute faculty member, the institution was reborn as Nicholas Roerich Museum, in a brownstone on West 107th Street, where it has remained until the present. Many paintings from the original collection can now be seen there, and in the intervening years major works have been added, making it one of the most comprehensive collections of the artist’s work in the world.

During their stay in America the Roerichs continued to plan for the voyage to India. An orientation toward Eastern spiritual values is reflected in much of Roerich’s creative work of the time. This is seen in his Ocean Series — the three paintings, Himself Came, The Bridge of Glory, and Miracle demonstrate the spiritual power that was beginning to characterize his work. In The Bridge of Glory, Saint Sergius of Radonezh walks in contemplation before a blue bridge formed by the aurora borealis, Roerich’s metaphor for the future spiritual bridge that will connect heaven and earth.

Between 1916 and 1919 Roerich had written a collection of sixty-four blank verse poems that were published in Berlin, in Russian, under the title Flowers of Morya, and subsequently published in English as Flame in Chalice. In them we find Roerich’s inner journey charted and his commitment to spiritual search stated. These poems evoke some of the images that Roerich later used in his paintings, and in a way help us to understand the symbols and meanings that lie behind some of them.

In her essay Flowers of Morya: the Theme of Spiritual Pilgrimage in the Poetry of Nicholas Roerich, Irina Corten writes: “At the core of Roerich’s belief system is the Hindu concept of a beginningless and endless universe which manifests itself in recurring cycles of creation and dissolution of material forms caused by the pulsation of divine energy. On the human plane, this means the rise and fall of civilizations and, in terms of individual life, the reincarnation of a soul…” As Roerich, the poet, writes, in the poem About the Eternal:

Brother, let us abandon all that rapidly changes.
Otherwise we will not have time to turn our thoughts to thatwhich is changeless for all.
To the eternal.

In May, 1923, the Roerichs were at last on their way to India, where, in that ageless land, amid the snows of the Himalayan range, they sought to turn their thoughts to the Eternal.

 

I N D I A

The Roerichs landed in Bombay in December, 1923, and began a tour of cultural centers and historic sites, meeting Indian scientists, scholars, artists, and writers along the way. By the end of December they were already in Sikkim on the southern slopes of the Himalayas, and it is clear by the speed with which they reached the mountains that the Himalayas were where their interest lay.

They initiated a journey of exploration that would take them into Chinese Turkestan, Altai, Mongolia and Tibet. It was an expedition into untracked regions where they planned to study the religions, languages, customs, and culture of the inhabitants.

Roerich wrote about this first Central Asiatic Expedition in his book Heart of Asia, and he creates for the reader a vivid account of the wonder of the land and its people. However, the images are nowhere as vivid as in the five hundred or so paintings that resulted from the trek. In Kanchenjunga, Sikkim Pass, His Country, The Great Spirit of the Himalayas, and the Banners of the East series, we can see philosophical concepts and ideas giving birth to visual images, and the splendor of Northern India providing the physical setting.

In The Path, the figure of Christ leads the way along a tortuous path through crags and peaks of the Himalayas, a metaphor for the hazardous obstacles confronting the spiritual journeyer. Eastern religious figures and concepts appear in the paintings, important among these being the images of the Lord Maitreya — the Buddhist Messiah, the Kalki-Avatar of the Puranas, Rigden Jyepo of Mongolia, or the White Burkhan of Altai — all of whom are described in legends that link them with the Ruler of Shambhala, who is “destined to appear on earth for the final destruction of the wicked, the renovation of creation and the restoration of purity.”(quoted from The Theosophical Glossary, by H. P. Blavatsky)

The trek was at times arduous. Roerich tells us that thirty-five mountain passes from fourteen to twenty-one thousand feet in elevation were crossed. But these were the challenges he felt born for, believing that the rigor of the mountains helped a man to find courage and develop strength of spirit. And in spite of obstacles, wherever they went the Roerichs’ belief in the essential goodness of life and the spirituality of man was reinforced. Roerich’s Banners of the East series of nineteen paintings depicting the world’s religious teachers, Mohammed, Jesus, Moses, Confucius, and Buddha, and the Indian and Christian saints and sages, was a testimonial to the unity of religious striving and the common roots of man’s faith.

At counterpoint to these themes in Roerich’s painting is the image of Woman and her destined role in the coming era, and we can assume that what Helena Roerich wrote to a friend in 1937 reflects Nicholas’ own point of view: “…woman should realize that she herself contains all forces, and the moment she shakes off the age-old hypnosis of her seemingly lawful subjugation and mental inferiority and occupies herself with a manifold education, she will create in collaboration with man a new and better world… Cosmos affirms the greatness of woman’s creative principle. Woman is a personification of nature, and it is nature that teaches man, not man nature. Therefore, may all women realize the grandeur of their origin, and may they strive for knowledge.” (published in Letters of Helena Roerich 1935-1939, vol. II)

Nicholas Roerich depicted the great female deities in such paintings as She Who Leads, Madonna Laboris, and The Mother of the World. This latter conception, equivalent to the Lakshmi and Kali of India, is one of Roerich’s most inspiring images, rendered with majesty in deep tones of blue and violet. Helena Roerich’s contribution in the life and work of Nicholas cannot be overestimated. Their union could be best described as a lifetime collaboration in fields of mutual endeavor. Her philosophy, comprising a living ethic, was shared by Nicholas and motivated him in his work and his life. At some time in their late years an anniversary approached and he wrote in his diary: “Forty years — no less than forty. On such a long voyage, meeting many storms and dangers from without, together we overcame all obstacles. And obstacles turned into possibilities. I dedicated my books to Helena, my wife, friend, traveling companion, inspirer! Each of these concepts was tested in the fire of life. And in Petersburg, Scandinavia, England, America, and in all Asia we worked, we studied, we broadened our consciousness. Together we created, and not without reason is it said that the work should bear two names — a feminine and a masculine.”

At the end of their major expedition, in 1928, the family settled in the Kullu Valley at an elevation of 6,500 feet in the Himalayan foothills, with a magnificent view of the valley and the surrounding mountains. Here they established their home and the headquarters of the Urusvati Himalayan Research Institute, which was organized to study the results of their expedition, and of those explorations that were yet to come. The Institute’s activities included botanical and ethnological-linguistic studies, and the exploration of archeological sites. Under the direction of their father the two Roerich sons, George and Svetoslav, established a collection of medicinal herbs, and made extensive studies in botany and ancient medical lore, as well as in Tibetan and Chinese pharmacopoeia.

In the following year, on a trip back to New York for the opening of the Roerich Museum’s new premises, Roerich raised an issue that had been close to his heart for many years. Using the Red Cross as an example, he proposed a treaty for the protection of cultural treasures during times of both war and peace — a proposal he had unsuccessfully tried to promote in 1914. In consultation with lawyers versed in international law, he drafted a Pact, and suggested that a flag would be flown over all places under its protection. This flag he called the Banner of Peace. The design of the Banner shows three spheres surrounded by a circle, in magenta color on a white background. Of the many national and individual interpretations of this symbol, the most usual are perhaps those of Religion, Art and Science as aspects of Culture, which is the surrounding circle; or of past, present, and future achievements of humanity guarded within the circle of Eternity. The symbol can be seen in the seal of Tamerlane, in Tibetan, Caucasian, and Scandinavian jewelry, and on Byzantine and Roman artifacts. The image of the Strasbourg Madonna is adorned with it. It can be seen in many of Roerich’s paintings, most notably Madonna Oriflamma, in which Woman is depicted as the carrier and defender of the Banner. In this sign and the motto, Pax Cultura, that accompanies it, is symbolized Roerich’s vision for humanity. As he wrote: “Let us be united — you will ask in what way? You will agree with me: in the easiest way, to create a common and sincere language. Perhaps in Beauty and Knowledge.” Roerich’s efforts to promulgate such a treaty resulted, finally, on April 15, 1935, in the signing by the nations of the Americas — members of the Pan American Union — of The Roerich Pact, in the White House in Washington. This is a treaty still in force. Many individuals, groups, and associations around the world continue to promote awareness of the Pact, the Banner, and their underlying principles.

It is in his Himalayan paintings that one most easily finds evidence of the loftiness of spirit and sense of mission that led Roerich to attempt the tasks he set for himself. In them can be seen the sense of drama, the urgency of a message to send or receive, a traveler to greet, a mission to perform, a path to travel. The towering mountains stand for the spiritual goals that humanity must set for itself. Roerich urges people on to their spiritual destiny and reminds them of their duty to prepare for the New Era in which Rigden Jyepo will gather his army and under the Banner of Light defeat the host of darkness. Roerich the warrior was already armed and mounted; he sought to muster his army for the battle, and bid that their breastplates bear the word “culture.”

The pursuit of refinement and beauty was sacred for Roerich. He believed that although earthly temples and artifacts may perish, the thought that brings them into existence does not die but is part of an eternal stream of consciousness — man’s aspirations nourished by his directed will and by the energy of thought. Finally, he believed that peace on Earth was a prerequisite to planetary survival and the continuing process of spiritual evolution, and he exhorted his fellow man to help achieve that peace by uniting in the common language of Beauty and Knowledge.

Nicholas Roerich died in Kullu on December 13, 1947. His body was cremated and its ashes buried on a slope facing the mountains he loved and portrayed in many of his nearly seven thousand works.

Or view the video on the server at:
https://video.tsemtulku.com/videos/NicholasRoerichDocumentary.mp4

 


 

MANJU KAK ON NICHOLAS ROERICH

Nicholas Roerich’s influence and legacy in the fields of art, exploration and spirituality cannot be underestimated. There have been a number of books written about his life and works, and one of them is edited by award winning writer Manju Kak. She is an author, critic, and art and cultural historian. She holds a Ph.D. in Art History from the National Museum, New Delhi, and has worked as a Visiting Professor at learning institutions all over the world, including in the UK, and Hong Kong. It is in the book entitled ‘Nicholas Roerich – A Quest & A Legacy’ that the 21 scholarly articles give details about Nicholas being an artist and spiritual thinker. The book seeks to answer the controversies surrounding him from various perspectives, showcasing his brilliance in an illuminating manner.

NicholasRoerichBook

 

Or view the video on the server at:
https://video.tsemtulku.com/videos/ManjuKakOnNicholasRoerich.mp4

Manju Kak was interviewed about the book by journalist Sunil Sethi, and explains her fascination with Himalayan ethnography and culture, as well as what makes Nicholas Roerich and his work so special.

 


 

Nicholas Roerich (1874 – 1947)

Tsong-Kha-Pa. Drawing. 1924

Maitreya. Album leaf. 1932

 

Hidden Treasure. From “Heroica” suite. 1917.
Oil tempera on canvas. 48.5 x 76.5 cm

Bridge of Glory 1923.
Tempera on canvas. 82 x 163 cm

Drops of Life. From “Sikkim” series. 1924.
Tempera on canvas. 74 x 117.5 cm

Mother of the World. 1930s
Tempera on canvas mounted on cardboard. 98 x 65.5 cm

Path to Tibet. 1925
Tempera on canvas mounted on cardboard. 30.5 x 40.5 cm.
Nicholas Roerich Museum, New York

Krishna. From “Kulu” series. 1929
Tempera on canvas. 74 x 118 cm

St. Panteleimon the Healer. 1931
Tempera on canvas. 44.5 x 78.5 cm

The Greatest and Holiest of Tangla. 1932
Tempera on canvas. 61.5 x 97 cm.
Nicholas Roerich Museum, New York

Himalayas. 1933
Tempera on canvas. 74.5 x 118 cm.
Nicholas Roerich Museum, New York

Most Sacred (Treasure of the Mountain). 1933
Tempera on canvas. 73.5 x 117 cm.
Nicholas Roerich Museum, New York

Mount of Five Treasures (Two Worlds).
From “Holy Mountains” series. 1933
Tempera on canvas. 47 x 79 cm

Path to Shambhala. 1933.
Tempera on canvas. 46.5 x 78.5 cm

Tibet. Himalayas. 1933.
Tempera on canvas. 74 x 117 cm

Great Spirit of the Himalayas. 1934
Tempera on canvas. 76.5 x 103 cm.
Nicholas Roerich Museum, New York

Kanchenjunga. 1936
Tempera on canvas. 60.5 x 99 cm.
Nicholas Roerich Museum, New York

Star of the Hero. 1936.
Variant of “Star of the Hero” (1932)
Tempera on canvas. 92 x 122 cm

Tempera on canvas mounted on cardboard. 98 x 65.5 cm

Overseas Guests. 1901
Oil on canvas. 85 x 112.5 cm.
State Tretyakov Gallery, Moscow

Building the Ships. 1903
Oil on canvas. 108 x 142.5 cm.
State Museum of Oriental Art, Moscow

Uglich. Monastery of the Resurrection. 1904
From “Studies from journey through old Russian towns”.
Oil on panel. 46 x 83 cm.
State Russian Museum, St. Petersburg

Slavs on the Dnieper. 1905
Tempera on cardboard. 67 x 89 cm.
State Russian Museum, St. Petersburg

Treasure of the Angels. Mural design. 1905
Oil on canvas. 321.5 x 367 cm.
Private collection

Polovtsian Camp. Décor for Borodin’s opera “Prince Igor”. 1908 (from a reproduction)
For Diaghilev’s production, Théâtre Châtelet, Paris, 1909
Pastel, gouache, charcoal on paper mounted on cardboard. 52 x 70.5 cm
State Tretyakov Gallery, Moscow

Idols (Pagan Russia). 1910 (begun in 1901) (from a reproduction)
Tempera on canvas. 157.5 x 170 cm.
Whereabouts unknown

Battle in the Heavens. 1912
Tempera on cardboard. 66 x 95 cm.
State Russian Museum, St. Petersburg

Kiss to the Earth. 2nd variant.
Décor for Stravinsky’s ballet “Le Sacre du Printemps”. 1912
For Diaghilev’s production, Théâtre des Champs-Élysées, Paris, 1913
Tempera and pastel on cardboard. 62 x 94 cm.
State Russian Museum, St. Petersburg

Décor for Ostrovsky’s play “Snegurochka”. 1912
For Ostrovsky’s play; Reineke Russian Theatre, St.Petersburg, 1912
Tempera on cardboard. 56 x 70 cm.
State Russian Museum, St. Petersburg

Cry of the Serpent. 1914
Tempera on panel. 84 x 98 cm.
Pskov History and Art Museum, Russia

Procopius the Blessed Prays for the Unknown Travelers. 1914.
Tempera on cardboard. 70 x 105 cm.
State Russian Museum, St. Petersburg

Birds of the Morning (Messengers of Morn). 1917
Oil tempera on canvas. 49 x 77 cm.
Private collection

Holy Island. 1917.
Tempera on canvas. 49 x 77 cm.
State Russian Museum, St. Petersburg

Knight of the Evening.
From “Eques Æternus” suite. 1918
Oil tempera on panel. 44.5 x 72.5 cm.
University of North Carolina, Charlotte, USA

Karelia landscape (Lake Ladoga). 1918 .
Oil tempera on panel. 47 x 84 cm.
Private collection, USA

Red Mountains. Santa Fe. 1921 .
Tempera on cardboard. 45.5 x 77 cm.
N.Roerich International Centre-Museum, Moscow

Monhegan, Maine. From “Ocean” series. 1922
Tempera on cardboard. 54.5 x 81 cm.
N.Roerich International Centre-Museum, Moscow

And We Open the Gates. From “Sancta” series. 1922
Tempera on canvas. 71 x 101.5 cm.
N.Roerich International Centre-Museum, Moscow

The Miracle. From “Messiah” series. 1923
Tempera on canvas. 74 x 209.5 cm.
State Museum of Oriental Art, Moscow

She Who Leads. From “His Country” series. 1924
Tempera on canvas. 89 x 116.5 cm.
N.Roerich International Centre-Museum, Moscow

Buddha, the Conqueror.
From “Banners of the East” series. 1925
Tempera on canvas. 73.5 x 118 cm.
Private collection, Moscow

Maitreya, the Conqueror.
From “Maitreya” suite. 1926 (or end of 1925)
Tempera on canvas. 73 x 101 cm.
Nizhnii Novgorod State Art Museum, Russia

Steed of Good Fortune.
From “Maitreya” suite. 1926 (or end of 1925)
Tempera on canvas. 72 x 101 cm.
Nizhnii Novgorod State Art Museum, Russia

Command of Rigden Djapo. 1926–27
Tempera on canvas. 61 x 120 cm.
Private collection, Moscow

Rocks of the Buddhist Caves. 1927 or 1928
Tempera on canvas mounted on cardboard. 29 x 40 cm.
Private collection, USA

Shekar Dzong. 1928
Tempera on canvas. 76 x 142 cm.
Private collection, Moscow

Flowers of Timur. 1931 .
Tempera on canvas. 75 x 118 cm.
State Museum of Oriental Art, Moscow

Devidar Narsinga. 1932 .
Tempera on canvas. 74 x 117 cm.
Allahabad Museum, India

Stronghold of Tibet. 1932
Tempera on canvas. 46.5 x 79 cm.
State Museum of Art, Riga, Latvia

All ridge. 1924
Himalayan Mountains

Descent into Hell. 1933
Tempera on canvas. 61 x 50 cm.
State Museum of Oriental Art, Moscow

St. Sergius Chapel. 1936.
Tempera on canvas. 61 x 99.5 cm.
State Museum of Art, Riga, Latvia

Himalayas. 1936
Tempera on cardboard. 30.5 x 45.5 cm.
State Museum of Art, Riga, Latvia

Compassion. 1936
Tempera on canvas. 61.5 x 92.5 cm.
State Museum of Art, Riga, Latvia

Mongolia. 1937 or 1938
Tempera on canvas. 92 x 123 cm.
State Museum of Oriental Art, Moscow

Voice of Mongolia. 1937
Tempera on canvas. 45.5 x 78.5 cm.
State Museum of Oriental Art, Moscow

Changthang. Northern Tibet. 1939
Tempera on canvas. 61 x 91.5 cm.
State Museum of Oriental Art, Moscow

Message to Tiron. 1940 .
Tempera on canvas. 76 x 124 cm.
State Museum of Oriental Art, Moscow

Northern Midnight. 1940
Tempera on canvas. 76 x 123 cm.
State Russian Museum, St. Petersburg

Awaiting One. 1941 Variant of “They Are Waiting” (1917)
Tempera on canvas. 62 x 123 cm.
State Russian Museum, St. Petersburg

Gesar Khan. 1941 .
Tempera on canvas. 91 x 152.5 cm.
Private collection, Moscow

Beneficial Herbs (Vasilisa the Beautiful). 1941
Tempera on canvas. 76 x 121.5 cm.
State Museum of Oriental Art, Moscow

Boris and Gleb. 1942
Tempera on canvas. 61 x 123 cm.
State Russian Museum, St. Petersburg

Prince Igor’s Campaign. 1942
Tempera on canvas. 62 x 122 cm.
State Russian Museum, St. Petersburg

Lao Tze. 1943
Tempera on canvas. 38 x 122 cm.
State Museum of Oriental Art, Moscow

Song of Shambhala. 1943
Tempera on canvas. 79 x 137 cm.
State Museum of Oriental Art, Moscow

Mountain Lake. Baralacha Pass. 1944
Tempera on canvas. 61 x 123 cm.
State Russian Museum, St. Petersburg

Beda the Preacher. 1945
Tempera on canvas. 71.5 x 130 cm.
State Art Museum, Novosibirsk, Russia

Brahmaputra. 1945
Tempera on canvas. 41 x 103 cm.
State Museum of Oriental Art, Moscow

Krishna. 1946
Tempera on canvas. 79 x 154 cm.
State Russian Museum, St. Petersburg

Abode of Gesar. 1947
Tempera on canvas. 61 x 102 cm.
State Museum of Oriental Art, Moscow

Command of the Master. 1947 Last work of the artist.
Variant of “Command of the Master” (1931)
Tempera on canvas. 84 x 153 cm.
State Museum of Oriental Art, Moscow

Hidden Treasure. 1947 Variant of “Hidden Treasure” (1917) Tempera on canvas.
91 x 150 cm. State Museum of Oriental Art, Moscow

Lhasa. 1947
Tempera on canvas. 92 x 154 cm.
State Russian Museum, St. Petersburg

Lights on the Ganges. 1947
Tempera on canvas. 82 x 137 cm.
State Russian Museum, St. Petersburg

In Thought. 1946
Tempera on canvas. 60.5 x 103 cm.
State Museum of Oriental Art, Moscow

Himalayas. c. 1936–47
Tempera on cardboard. 28 x 44 cm.


Banner of the East

Buddha, the Conqueror. 1925
Tempera on canvas. 73.5 x 118 cm.
Private collection, Moscow

Confucius, the Just One. 1925
Tempera on canvas. 73.5 x 117 cm.
Bolling collection, USA

Dorje, the Daring One. 1925
Tempera on canvas. 74 x 117.5 cm.
Nicholas Roerich Museum, New York

En-no-Gyoja, the Friend of the Travelers. 1925
Tempera on canvas. 74 x 118 cm.
Private collection, Russia

Lao Tze. 1924
Tempera on canvas. 73.5 x 117 cm.
Bolling collection, USA

Milarepa, the One Who Harkened. 1925
Tempera on canvas. 73.5 x 117.5 cm.
Nicholas Roerich Museum, New York

Mohammed on Mount Hira. 1925
Tempera on canvas. 73 x 117 cm.
Private collection, Moscow

Moses, the Leader. 1925 Tempera on canvas. 73.5 x 119.5 cm.
Private collection, Russia

Nagarjuna, the Conqueror of the Serpent. 1925
Tempera on canvas. 73.5 x 117.5 cm.
N.Roerich International Centre-Museum, Moscow

Oirot, the Messenger of the White Burkhan. 1925
Tempera on canvas. 73 x 117 cm.
N.Roerich International Centre-Museum, Moscow

Padma Sambhava. 1924
Tempera on canvas. 74 x 117 cm.
Nicholas Roerich Museum, New York

The Chalice of Christ. 1925
Tempera on canvas. 75 x 117 cm.
Private collection, Moscow

The Serpent of Wisdom. 1924
Tempera on canvas. 74 x 117 cm.
Private collection, Moscow

Tsong-Kha-Pa. 1924 (from a reproduction)
Tempera on canvas. 73.5 x 117 cm.
Private collection


Buddhist Art

Wular Lake.
From “Lakes and Gilgit Path” series. 1925
Tempera and charcoal on paper mounted on cardboard. 25 x 35.5 cm
Private collection, New York

The Holies.
From “Tibetan Path” series. 1924 (from a monotone print)
Tempera. 31 x 47 cm.
Private collection, New York

The Holies.
From “Tibetan Path” series. 1924
Private collection

NR066 Temple of Naggar.
From “Kulu” series. 1929
Tempera on canvas. 74.5 x 118 cm.
Private collection, USA

Song of the Waterfall. Décorative panel.
From “Dreams of Wisdom” series. 1920
Tempera on canvas. 235 x 122 cm.
Nicholas Roerich Museum, New York

Pir Panjal.
From the series of the same title. 1925
Tempera on canvas mounted on cardboard. 65.5 x 98 cm.
Nicholas Roerich Museum, New York

Path to Kailas.
From “Holy Mountains” series. 1933
Tempera on canvas. 46.5 x 79 cm.
Nicholas Roerich Museum, New York

Nag Lake.
From “Lakes and Gilgit Path” series. 1925
Tempera on canvas. 47 x 79.5 cm.
Private collection

Mount of Five Treasures (Two Worlds).
From “Holy Mountains” series. 1933
Tempera on canvas. 47 x 79 cm.
Nicholas Roerich Museum, New York

Himalayas.
From “Holy Mountains” series. 1933
Tempera on canvas. 47 x 79 cm.
State Museum of Oriental Art, Moscow

Gobshi.
From “Tibetan Path” series. 1924
Tempera on canvas mounted on cardboard. 31 x 47.5 cm
N.Roerich International Centre-Museum, Moscow

Bharagarh Fort.
From “Kulu” series. 1929
Tempera on canvas mounted on cardboard. 32 x 41.5 cm.
Nicholas Roerich Museum, New York

Gumran.
From “Lahul” series. 1932
Tempera on canvas. 47 x 79.5 cm.
State Museum of Oriental Art, Moscow

Arjuna.
From “Kulu” series. 1929
Tempera on canvas. 74.5 x 118 cm.
N.Roerich International Centre-Museum, Moscow

Dal Lake.
From “Lakes and Gilgit Path” series. 1925
Tempera on canvas. 62.5 x 81.5 cm.
Private collection

Palden Lhamo.
1932. Tempera on canvas. 81.4×127 cm.
Nicholas Roerich Museum, New York


Major Collection

Bhagavan. 1931
Tempera on canvas. 45 x 79 cm

Compassion. 1936
Tempera on canvas. 61.5 x 92.5 cm

Fujiyama. 1936
Tempera on cardboard. 30.5 x 45.5 cm

Ladakh. 1937
Tempera on cardboard. 31 x 46 cm

Lake of the Nagas. Kashmir. 1937
Tempera on cardboard. 31 x 46 cm

Madonna Laboris. Study. 1936
Tempera on cardboard. 31 x 46 cm

Maitreya. Album leaf. 1932
Tempera on paper. 25 x 36.5 cm

Maitreya. Album leaf. 1932
Tempera on paper. 25 x 36.5 cm

Om Mani Padme Hum. 1932
Tempera on canvas. 45 x 79 cm

On the Heights (Tumo). 1936
Tempera on canvas. 92 x 122 cm

St. Sergius Chapel. 1936
Tempera on canvas. 61 x 99.5 cm

Stronghold of Tibet. 1932
Tempera on canvas. 46.5 x 79 cm

The Path. 1936
Tempera on canvas. 91.5 x 122 cm

Tibet. Evening. 1937
Tempera on cardboard. 31 x 46 cm

Tsong-Kha-Pa. Drawing. 1924
Black chalk, gouache on paper. 51 x 32 cm


His Country 1924

Book of Wisdom. 1924
Tempera on canvas. 88.5 x 117 cm.
Bolling collection, USA

He Who Hastens. 1924
Tempera on canvas. 89.5 x 116.5 cm.
Nicholas Roerich Museum, New York

Higher than the Mountains. 1924
Tempera on canvas. 73.5 x 117 cm.
Private collection, Russia

Lower than the Depths. 1924
Tempera on canvas. 90 x 115.5 cm.
Private collection

“Remember” 1924
Tempera on canvas. 87.5 x 117.5 cm.
Nicholas Roerich Museum, New York

She Who Leads. 1924
Tempera on canvas. 89 x 116.5 cm.
N.Roerich International Centre-Museum, Moscow

Treasure of the World. 1924
Tempera on canvas. 88.5 x 116.5 cm.
Nicholas Roerich Museum, New York


Sikkim 1924

Drops of Life. 1924
Tempera on canvas. 74 x 117.5 cm.
Nicholas Roerich Museum, New York

Himalayas. 1924
Tempera on canvas. 73 x 116 cm.
Private collection, USA

Mother of Tourfan. 1924
Tempera on canvas.
Private collection, USA

Namtse. 1924
Tempera on canvas. 73 x 116 cm.
Private collection, USA

Pemayangtse. 1924 (from a monochrome photograph)
Tempera on canvas.
Whereabouts unknown

Red Lama. 1924
Tempera on canvas. 73.5 x 142 cm.
Private collection, USA

Rinchenpong. 1924
Tempera on canvas. 73.5 x 118 cm.
Private collection, USA

Sacred Gift. 1924
Tempera on canvas. 90 x 118 cm.
State Museum of Oriental Art, Moscow

Sangacheling. 1924
Tempera on canvas. 73.5 x 117 cm.
Private collection, New York

Silhouette. 1924
Tempera on canvas. 73.5 x 117 cm.
Private collection, USA

Steps to the Himalayas. 1924
Tempera on canvas. 72 x 114.5 cm.
Private collection, USA

Suburgan of Tashiding. 1924
Tempera on canvas. 88.5 x 117 cm.
Private collection, USA

Suburgan of Tashiding. 1924
Tempera on canvas. 88.5 x 117 cm.
Private collection, USA


Maitreya 1924

Banners of the Coming One. 1926 (or end of 1925)
Tempera on canvas. 72 x 100.5 cm.
Nizhnii Novgorod State Art Museum, Russia

Power of the Caves. 1926 (or end of 1925)
Tempera on canvas. 72.5 x 101 cm.
Nizhnii Novgorod State Art Museum, Russia

Steed of Good Fortune. 1926 (or end of 1925)
Tempera on canvas. 72 x 101 cm.
Nizhnii Novgorod State Art Museum, Russia

The March of Shambhala. 1926 (or end of 1926)
(from a monochrome photograph)
Tempera. Whereabouts unknown

Walled Stronghold. 1926 (or end of 1925)
Tempera on canvas. 73 x 101 cm.
Nizhnii Novgorod State Art Museum, Russia

Whispers of the Desert. 1926 (or end of 1925)
Tempera on canvas. 72.5 x 100.5 cm.
Nizhnii Novgorod State Art Museum, Russia


Others

Waves of Mist. 1924
Tempera on canvas mounted on cardboard. 30 x 40 cm.
Nicholas Roerich Museum, New York

The Great Sacrifice. 2nd variant. 1912
For Diaghilev’s production, Théâtre des Champs-Élysées, Paris, 1913
Tempera on cardboard. 51.5 x 73 cm.
N.Roerich International Centre-Museum, Moscow

The Great Sacrifice. 1st variant. 1910 (from a reproduction)
For Diaghilev’s production, Théâtre des Champs-Élysées, Paris, 1913
Tempera and pastel on cardboard. 54 x 75 cm.
Ia.A.Umanskaia collection, Kiev

Sanctuaries and Citadels. 1926
Tempera on canvas. 66 x 99 cm.
Private collection, USA

Sanctuaries and Citadels. 1925
Tempera on canvas mounted on cardboard. 65 x 96.5 cm.
Private collection

Sanctuaries and Citadels. 1925
Tempera on canvas. 50.5 x 70.5 cm.
N.Roerich International Centre-Museum, Moscow

Sanctuaries and Citadels. 1925
Tempera on canvas. 66 x 99 cm.
Private collection, USA

Kiss to the Earth. 2nd variant. 1912
For Diaghilev’s production, Théâtre des Champs-Élysées, Paris, 1913
Tempera and pastel on cardboard. 62 x 94 cm.
State Russian Museum, St. Petersburg

Kiss to the Earth. 3rd variant. Scenery sketch. 1912
For Diaghilev’s production, Théâtre des Champs-Élysées, Paris, 1913
Watercolor and ceruse on paper. 14.7 x 19.5 cm.
I.V.Koretskaia collection, Moscow

Kiss to the Earth. 1st variant. 1912
For Diaghilev’s production, Théâtre des Champs-Élysées, Paris, 1913
Tempera on cardboard. 56 x 81 cm.
State Russian Museum, St. Petersburg

 

 
Source: http://www.roerich.org/wwp.html
 
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23 Responses to Nicholas Roerich & art (1874-1947)

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  1. Samfoonheei on Apr 7, 2018 at 12:00 pm

    Nicholas Roerich a man of multi talent , was a Russian painter, writer, archaeologist, theosophist, perceived by some in Russia as an enlightener, philosopher, and so forth. Even though he was a an artist by training and a lawyer but he was more interested in literature. He was a dedicated activist for the cause of preserving art and architecture during times of war. His paintings can be seen in several museums worldwide and had earned several awards for his works. His art collections was amazing which includes spiritual paintings and depictions of Tibet, Lama Tsongkhapa and Buddha Maitreya . Each of the paintings tells us a beautiful story which I loved to see. We are indeed fortunate to see those beautiful paintings from a great artist. Those paintings speaks a thousands words.
    Thank you Rinpoche for this interesting sharing and beautiful paintings.

  2. Stella Cheang on Nov 26, 2016 at 4:06 pm

    Thank you very much Rinpoche, for sharing with us the biography of Nicholas Roerich as well as a selection of his beautiful paintings. The captivating artwork is a representation of the life of a great explorer, philosopher, traveler and spiritualist, And I agree too that the work has a deep sense of soulfulness that goes beyond mere skin deep beauty. They are very enriching in a spiritual sense.

  3. sandra on Feb 26, 2015 at 2:03 am

    Clearly Nicholas was a very intelligent, creative, talented and well- travelled man. I love his paintings- those of the Himalayas look exquisite and very easy to do although I am sure that is not the case. I might share this article with a sister/acquaintance who is interested in art and will study it at university in the new term. I think she’d like it. Thank you Rinpoche for the extensive collection you have compiled here.

  4. Cheats Destiny on Oct 20, 2014 at 8:19 am

     No coincido en consonancia con nada en absoluto de lo
    que has blogueado. No hay documentacion ni da la impresion que te
    hayas informado con anterioridad de escribir.

  5. Dolma on Aug 15, 2014 at 9:40 pm

    Tashi Delek,
    There is a big Roerich gallery in nagar in Himachal Pradesh ( in between kullu and manali) I am tibetan born and brought up in that region and there is no doubt of Roerich envision and travelogue expressed in his arts.. I always wondered about his paints, drawings of the Himalayan landscape and his journeys of his time..
    I am new to your blog but it gave me lots of informations and I look forward reading me.
    Thank you
    Dolma

  6. Edwin Tan on May 4, 2014 at 3:29 pm

    Thank you Rinpoche, for sharing Nicholas Roerich’s artworks.

    They are all vividly painted. He is so talented in all fields and did his best to have the Pact drawn up to protect the Arts and Culture.

    I like how he is so inclined to spirituality and have many of the works done of different religions and portray them so stunningly.

    Thank you.

  7. Irene Lim on Apr 2, 2014 at 6:26 am

    Such exquisite expression of spirituality, experiences, travelogue and architectural all captured through brush and paint in canvas. Through Nicholas Roerich’s paintings, they each tell a story of a subject and from each painting it also revealed the openness, knowledge and intelligence of Nicholas Roerich.

  8. Li Kheng on Mar 31, 2014 at 2:46 pm

    Wow, wow, wow!!!

    Powerful knowledge to read about a man of vision who taught us about “cross fertilization” and the benefits of connection of differences harmoniously. Individuals like Roerich prompts to be buck up because we are supposed to the the advanced generation who is reaping the benefits of outer and inner wealth accumulated for us by our forefathers and mothers.

    How could it be that, we, people of the 21st century act with rejection to differences when, 1 century ago, Roerich has already established a pact to promoted connectivity and harmony of religion, culture, tradition and resources?

    This vision of Roerich especially strikes me because it is aligned to the vision of Tsem Rinpoche for Kechara Forest Retreat where Rinpoche intend to build a conscious community based on 7 tenets that include: embrace difference because it enriches us.

    Thank you Rinpoche for this mind-opening blog. May more read it and enjoy the message as much as I did!

  9. Ruby Khong on Mar 30, 2014 at 8:40 am

    This is an excerpt that I stumbled upon on http://www.artexpertswebsite.com/pages/artists/roerich.php. Such was Roerich’s and his family’s fascination and interest with the Himalayans and Central Asia, against all odds:

    The Roerichs – together with their son George and six friends – went on the five-year long ‘Roerich American Expedition’ that, in Roerich’s own words: “started from Sikkim through Punjab, Kashmir, Ladakh, Karakorem mountains, Khotan, Kashgar, Qara Shar, Urumchi, Irtysh, Altai Mountains, Oryot region of Mongolia, Central Gobi, Kansu, Tsaidam, Tibet.” with a detour through Siberia to Moscow in 1926. Between Summer 1927 and June 1928 the expedition was thought to be lost, since all contact from them ceased for a year. They had been attacked in Tibet and only the “Superiority of our firearms prevented bloodshed. … In spite of Tibet passports, expedition forcibly stopped by Tibetan authorities”. The Expedition was detained by the government for five months, and forced to live in tents in sub-zero conditions and meagre rations. Five men of the expedition died at this time. In March of 1928 they were allowed to leave Tibet, and trekked south to settle in India, where they founded a research center, the Himalayan Research Institute.

  10. Sean Wang on Mar 29, 2014 at 11:24 pm

    Thank you, Rinpoche for sharing with us the brilliant masterpieces by Nicholas Roerich. His art is unique and I value uniquity and individuality. The hues are vibrant with the colours of the times showing strong emotions he had towards Buddhism.

  11. Sharon Ong on Mar 28, 2014 at 11:52 pm

    Thank you for this fantastic post, Rinpoche. Admittedly, I am not well acquainted with Roerich’s works until your post. He has many gorgeous pieces but I really like those pieces that reminds me of Monet’s famous pastel hued masterpieces. I can’t help but wonder if his Mother of the World is his interpretation of Tara or Mother Mary. The fact that he painted her face partially hidden adds to the mystery. I wonder what is Rinpoche’s take on this. With folded hands.

  12. Patsy on Dec 2, 2013 at 4:42 pm

    I love all the paintings! Nicholas Roerich is such a talented painter and he expressed well his thoughts and feelings through all these beautiful and mystical masterpieces!!! Thank you, Rinpoche, for sharing.

  13. henry ooi on Dec 2, 2013 at 3:57 pm

    Beautiful and awesome works of art splendidly expressed on art materials.
    Thank you, Rinpoche, for reposting.

  14. Low KHJB on May 12, 2013 at 9:49 pm

    Thank you for the sharing Rinpoche.Nicholas Roerich style of art is indeed timeless.He must have spent a lot of time traveling to different continents to understand the world better before developing his creative inspiration to bring life to the canvas.We could see in his creations that he has a tendency to highlight the embodiment of nature and human quest of serenity through religion of various forms.
    His interpretation of Buddhism art is profound and tastefully expressed through an westerner eyes.

  15. Sharon Saw on May 11, 2013 at 11:06 pm

    Nicholas Roerich is such a prolific artist… and a spiritual one too. I love his different treatments of different scenes, which are very evocative. Religious art can be so inspiring for people’s faith. I would dearly love to travel and sketch similar scenes one day. It’s been awhile since i did that and never in Asia. The Kiss to the Earth (first variant) reminds me of Kechara Forest Retreat!

  16. Wan Wai Meng on May 2, 2013 at 12:33 am

    The paintings are so alive and beautiful each and everyone one of them, seems like animated as well.

  17. Joy on May 2, 2013 at 12:01 am

    Amazing I looooove all his paintings. I wish I could paint like that!

    Brother, let us abandon

    all that rapidly changes.

    Otherwise we will not have time

    to turn our thoughts to that

    which is changeless for all.

    To the eternal.

    Not only is he an artist that paints, he is also a poet… I do not just see an artist… I see a spiritual artisan who is expressing his spiritual journey, experiences through art, and well as they say… a picture paints a thousand words. His is truly captivating that grows on to you beyond time because it has deep meaning behind it. Nicholas manages to capture the moment of the enchanting sacred mystical land and practices of Tibetan Buddhism. Every single painting tells a different story, environments and energy. Totally adore them!

  18. uncle eddie on Apr 20, 2013 at 5:19 pm

    Nicholas and his wife, Helena were said to be spiritual seekers, using and conveying their great understanding and experiences in their knowledge of the beauty of enchanting arts to promote spirituality. That’s why it can be seen that most of their paintings were featured in hidden treasures in mountains and water, said to be symbolising the search in high places for the truth that is hidden within us. Being great artists, they always create wonderful and beautiful paintings that were thoughts provoking, coupled with a deep sense of mysticism. In them can be seen the deep sense of Drama, the urgency of a message to send or receive a mission to be performed, and a path to be travelled. They believed that peace on earth was a prerequisite to planetary survival and exhorted all fellow beings to help achieve that peace, by “uniting in the common language of Beauty and knowledge.”

  19. Lim Han Nee on Apr 19, 2013 at 11:33 pm

    Nicholas and Helena Roerich were truly the superheroes of Russia in terms of their exploration of religion,mysticism, spirituality and philosophy through art and writing(Helena). I remember having come across Helena’s book on Buddhism and was intrigued that a Russian lady could have written on Buddhism.

    The art of Nicholas Roerich is like a paean of joy, a sacred tribute to spirituality and religion. From Jesus to Buddha, Maitreya, Tsongkhapa, Krishna and Brahmaputra,Confucius and Lao Tze,this pageant of religious figures reflect Nicholas’ belief in the oneness out of this diversity.There appears to be ,however, a distinct focus on Buddhism and Tibetan Buddhism.

    His love of mountains, particularly the Himalayas,is seen in the many paintings of mountain scenes in such lovely hues. The eternal spirit seems to dwell in these paintings.

  20. Leann Lim on Apr 17, 2013 at 6:39 pm

    Thank you Rinpoche for sharing this wonderful artwork from Mr. & Ms. Roerich. All the artwork so attracted our eyes, and repeat again and again to view the painting.

    With a great inspiration & open mind they have create this greatest painting ever have.. And it’s show through art & painting it’s another way of spiritual practice, as through the painting can deeply feel their higher spiritual mind they have.

    The painting i love so much is the Mother of the world and Moses, The Leader …so impressive…

  21. Sean Wang on Apr 16, 2013 at 7:36 pm

    I really love Nicholas Roerichs work. The contrasts seem to make his masterpieces out of time and surreal. I like how he likes to paint religious figures and does not just stay with one! He sparked a great milestone in term of influence for the Buddhist path of the west. A true hero of Dharma!

  22. David Lai on Apr 15, 2013 at 7:52 pm

    I love Nicholas Roerich too! I loved how he bathe his artwork with wonderful hues that seems to evoke a different time and place. I love all of his works particularly those of Tibet, its saints and deities because his work render them in a different manner. Its interesting because his discovery of Tibet coincides with the start of the Theosophical Society of Madame Blavatsky and because of her, there was a growing interest in the spiritual traditions of Asia, particularly of Buddhism. Although this marks a remarkable milestone in the West’s discovery of Buddhism. Anyway, the artwork itself is beautiful pieces and I particularly like the March from Shambala, which I found to be a refreshing perspective from the usual 2-D rendition in traditional depiction of a deity-warrior-king

  23. Jace Chong on Apr 14, 2013 at 7:34 pm

    Thanks Rinpoche for sharing with us the brilliant artworks from Mr. and Mr.s Roerich. The paintings are very very nice!

    I am surprised to read that they have such open mind during that era. They must had a fruitful mind trip after visiting so many places and got to know about different cultures and living.

    The painting that I like the most is Palden Lhamo =)

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KECHARA FOREST RETREAT PROGRESS UPDATES

Here is the latest news and pictorial updates, as it happens, of our upcoming forest retreat project.

The Kechara Forest Retreat is a unique holistic retreat centre focused on the total wellness of body, mind and spirit. This is a place where families and individuals will find peace, nourishment and inspiration in a natural forest environment. At Kechara Forest Retreat, we are committed to give back to society through instilling the next generation with universal positive values such as kindness and compassion.

For more information, please read here (english), here (chinese), or the official site: retreat.kechara.com.

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  • Samfoonheei
    Thursday, Sep 29. 2022 12:55 PM
    nteresting read of a great Lama Tsarchen Losal Gyatso who is the founder of the Sakya tradition. One of the three branches of the Sakya School, which is part of Tibetan Buddhism. Interesting story of how his illness was occurred and meeting the mysterious lady at monastery courtyard well. The lady who gave him a small Tibetan pecha manuscript wrapped in cloth before vanishing. Apparently Vajrayogini had appeared to him leading him to the great master Doringpa at Tashi Lhunpo. Since then he studied with 63 masters of all traditions. He had travelled tremendously to various place to perform great deeds, giving teachings and benefiting all whom he encountered along his journey.
    Thank you Rinpoche and Pastor David for this wonderful sharing.

    https://www.tsemrinpoche.com/tsem-tulku-rinpoche/buddhas-dharma/tsarchen-losal-gyatso-lineage-holder-of-vajrayoginis-tantra.html
  • Samfoonheei
    Thursday, Sep 29. 2022 12:53 PM
    interesting read of Kentrul Thubten Lamsang Rinpoche, one of our Guru previous life. He was one of the most important disciples of Kyabje Trijang Lobsang Yeshe Tenzin Gyatso. Kentrul Rinpoche had spent many years in remote areas like Phari on the Tibet-India border. Where he worked tirelessly to improve the condition of local monasteries and built large Buddha statues. He even built a three-storey statue of Maitreya Buddha. Highly respected by many locals and remembered by monks of the monastery for his work. Kentrul Rinpoche was also known for performing extensive pujas for people of the area. Kentrul Rinpoche will always be remembered as the lama who remained devoted to his teacher until his final moments. He went out of his way to help the sufferings, in desperate situations. His is a legacy that is timeless and beyond compare. Both Kentrul Rinpoche and our Guru Tsem Rinpoche’s activities did exhibit an unquenchable thirst and curiosity for Dharma, Guru devotion . Both have the similarities after-all. Interesting read, shared by Pastor Jean Ai on Tsem Rinpoche ‘s previous reincarnation.
    Thank you Rinpoche.

    https://www.tsemrinpoche.com/tsem-tulku-rinpoche/autobiography/kentrul-thubten-lamsang.html
  • Samfoonheei
    Thursday, Sep 29. 2022 12:51 PM
    Very interesting article of great Lamas whom I never find it bored reading over and over again. Anything related to history had me feeling excited.
    Tulku Drakpa Gyeltsen was a great master, meditator, teacher, logician, yogi, siddha and erudite scholar. He was an important Gelugpa lama and a contemporary of the 5th Dalai Lama’s time. Even more than three hundred years ago he was eliminated yet he continued reincarnating until present day as been confirmed by many great beings. Tulku Drakpa Gyeltsen in fulfilling the promise he made to Nechung protector arose as World Peace Protector Dorje Shugden, merely to serve the teachings of Je Tsongkapa and sentient beings. After realising the mistakes done by his officers 5th Dalai Lama built a Dorje Shugden chapel and even composed a prayers texts to Tulku Drakpa Gyeltsen. He named the Chapel as Trode Khangsar which still exist to this day at Lhasa, Tibet .May more people reading this article to understand more who is Tulku Drakpa Gyeltsen was. An interesting read.
    Thank you Rinpoche and Pastor David for this sharing.

    https://www.tsemrinpoche.com/tsem-tulku-rinpoche/buddhas-dharma/who-is-tulku-drakpa-gyeltsen.html
  • Samfoonheei
    Thursday, Sep 29. 2022 12:48 PM
    The Kangxi Emperor was the third emperor of the Qing dynasty. He is considered by historians to be one of the greatest emperors in the history of China. Having ruled China over 61 years, he was the longest-reigning Chinese emperors in dynastic history. He was thought of as one of the greatest emperors because, under his rule, the Qing empire started to prosper, dynastic succession was stabilized, and he was comparatively benevolent. He was also highly educated and was known as a hardworking emperor who ruled diligently. His rule was a period of expansion, stability, and prosperity for the Chinese Empire. Kangxi gave religious freedom to all religions and had sponsored many literary works, monasteries, monks and teachers all over China, Tibet and Mongolia. He was considered an extremely modern Emperor at that time whom was loved by many. He was said to be the reincarnation of Tulku Drakpa Gyaltsen and an emanation of Manjushri as recorded in the ancient scriptures.
    Thank you Rinpoche for this interesting sharing.

    https://www.tsemrinpoche.com/tsem-tulku-rinpoche/art-architecture/emperor-kangxi.html
  • Samfoonheei
    Thursday, Sep 22. 2022 01:28 PM
    The unmistaken incarnation of Panchen Sonam Drakpa was proclaimed to be Sonam Yeshe Wangpo. From birth, he spoke with clairvoyance and seemed to remember people and events of his past life. Even as a young man , he travelled tremendously as part of his retinue, with the 3rd Dalai Lama and gave various teachings as well. Throughout the journey, he had even composed verses to praise and commentaries on the teachings.
    Thank you Rinpoche and Pastor David for this sharing.

    https://www.tsemrinpoche.com/tsem-tulku-rinpoche/great-lamas-masters/sonam-yeshe-wangpo.html
  • Samfoonheei
    Thursday, Sep 22. 2022 01:26 PM
    Master Hongyi, a multitalented Buddhist Monk famous for being a talented writer and musician . He was one of the most celebrated and admired Buddhist monks in modern Chinese history. Born in wealthy family yet he choose to he was ordained as a Buddhist monk. Already, even as a child, developed an extraordinarily where he could memorised Buddhist text. Master Hongyi dedicated the rest of his life to Buddhist practice and became one of the most prominent monks of 20 Century China. Interesting read.
    Thank you Rinpoche and Pastor Adeline for this sharing of a great Lama Master.

    https://www.tsemrinpoche.com/tsem-tulku-rinpoche/great-lamas-masters/master-hongyi-the-maverick-patriarch-of-the-chinese-buddhism.html
  • Samfoonheei
    Saturday, Sep 17. 2022 04:24 PM
    Spirits and unseen beings are everywhere not only actually restricted to specific areas. Places such as cemeteries, abandoned houses or places where death occurred. There are many different types of spirits around us, unseen to the naked eye, but for some they could see it or sense their presence. Many people of different faith reported having experienced sense the presence of spirits. Interesting rather scary reading Steven Wong ghostly experienced in the motel . I have encounter such before staying in hotel . More scary I can say. That’s past history, since coming to Buddhism I am not scare at all , I will recite DS Mantra . Later do prayers and dedicate to them .
    Thank you Rinpoche for this sharing.

    https://www.tsemrinpoche.com/tsem-tulku-rinpoche/paranormal/paranormal-stories/paranormal-experiences-occur-everywhere-part-1.html
  • Samfoonheei
    Saturday, Sep 17. 2022 04:21 PM
    Reading this article written by Tsering Shakya, again as it tells us more and understand better of the situation suffered by Tibetan people. Due to the Dorje Shugden controversy many Tibetans suffered . Many of them migrated to other countries to the west for better opportunities. Tibetan culture and identity is inseparably linked to Tibetan Buddhism. Somehow once in a foreign land they tend to lose their traditions and cultures slowly over times. Living in foreign land , it difficult to maintain their true identity. For them Tibetans maintaining links to the homeland presents a very unique challenges tasks. If only the Tibetan leadership more opened, forgo the past and accepts as what HH Dalai Lama said that Dorje Shugden is no evil and do no harm. Tibetan Buddhist could continue practicing the Dorje Shugden’s practice. Tibetan should stand united to protect the Tibetan heritage and culture instead discrimination against Dorje Shugden practitioners so much so had divided the Tibetans. Many of them left and migrated else where to look for better livelihood.
    Tsem Rinpoche had gone through a rough time , rejected twice from the moment of birth from Taiwan to US and travelling to India where Rinpoche found a place called home then. Later to Malaysia as advice by his Guru.
    To this end, the discrimination against Dorje Shugden practitioners must end for the sake of the all Tibetans living in India and Nepal .
    A very good article by Tsering Shakya, more people should read it to understand better.
    Thank you Rinpoche for this sharing

    https://www.tsemrinpoche.com/tsem-tulku-rinpoche/current-affairs/tibetans-rejected-twice.html
  • Samfoonheei
    Saturday, Sep 17. 2022 04:19 PM
    Wow…that’s great , rejoice Pastor Joy, you have painted over a thousand Buddha statues over the years. Pastor you have a painter’s fine hands. I saw those Buddha ‘s images beautifully painted without formal training is a great achievement. Pastor has turn un-groomed images into something beautiful. A great painter that have put a lot of work into it and it has paid off .
    Thank you Rinpoche and Pastor Joy for sharing this with us for-most looking at most of the painted Buddha images tells us a thousand words.

    https://www.tsemrinpoche.com/tsem-tulku-rinpoche/one-minute-story/painting-buddha-statues
  • Samfoonheei
    Thursday, Sep 15. 2022 12:44 PM
    Feeling disappointed when someone a Sangha supposed to promote peace, harmony and helps to give teachings to those who are new instead promoting hatred, cursing another person. Its wrong to tell people to break their samaya with their teachers. They must be given the wrong information about Dorje Shugden and Shugden Buddhist practitioners . The Tibetan Leadership has spread their lies and causing misunderstanding among the Tibetans. The rights of Dorje Shugden practitioners were denied just because for practicing their religion as they have done for the past 400 years. Dorje Shugden practitioners are side-lined from their own community, denied medical care, education and even employment in government offices. The Tibetan Leadership has instituted this ban against Dorje Shugden causing sufferings among many. Sad indeed hopefully these controversy will dissolve soon as more people understand and know that Dorje Shugden is not an evil as claimed by the Tibetan leadership.
    Thank you Rinpoche and Pastor Jean Ai for this sharing.

    https://www.tsemrinpoche.com/tsem-tulku-rinpoche/guest-contributors/go-on-break-your-samaya.html
  • Samfoonheei
    Thursday, Sep 15. 2022 12:42 PM
    Buddhism is one of the most popular religions all over the world. Buddha statues have different shapes, sizes, different gestures or mudras and styles of presentation. Well said by Tsem Rinpoche the bigger and more Buddha statues makes a difference in our life. It gives out more powerful positive and relaxing energy to help us. concentrate better. One of the methods for us to purify our karma to suit our current karma-bound situation. By circumambulating 500 mantra stones one time we could accumulate much more merits in just one round of circumambulation. All thanks to Rinpoche having this idea with many mantra stones as possible for us to circumambulate. The larger the Buddha image, the more merits are collected the greatest amount of benefit for one who sincerely circumambulating.
    Thank you Rinpoche for this amazing post and explaining all the details for us to understand more.

    https://www.tsemrinpoche.com/tsem-tulku-rinpoche/kechara-13-depts/bigger-and-more-buddha-statues-makes-a-difference.html
  • Samfoonheei
    Thursday, Sep 15. 2022 12:37 PM
    Ra Lotsawa said to be an emanation of Manjushri was a great tantric master who had used wrathful means to subjugate his opponents. He was declared to be a saint and a fully enlightened Buddha. Many viewed as a murderous villain with magical powers and by some as a liberator of human suffering. Ra Lotsawa used his power and magical abilities to defeat his enemies rather rivals to accumulate wealth. He received many Empowerments and practices, which came into conflict with other lamas. His life offers a rare view into the often overlooked roles of magic and sorcery in the Buddhist tradition. In the book The All-Pervading Melodious Drumbeat tells the story of Ra Lotsawa Dorjé Drak . It was written by Ra Yeshe Sengye, and translated for the first time into English. Despite this obsessed legacy, his fame also rests on an illustrious career as a translator of Buddhist scriptures. Ra Lotsawa was so revered in Tibetan Buddhism even though he was so evil where nobody can denied. Interesting read an classic account of one of the most colourful and memorable figures in Tibetan Buddhist history.
    Thank you Rinpoche for this sharing.

    https://www.tsemrinpoche.com/tsem-tulku-rinpoche/buddhas-dharma/ra-lotsawa-the-yamantaka-hero.html
  • Samfoonheei
    Tuesday, Sep 13. 2022 01:04 PM
    Thank you Rinpoche for this wonderful sharing of Mumu , Such an adorable doggie and fortunate one staying with Rinpoche. All I can say is Mumu was energetic, intelligent, affectionate and could obey under the care , love of Rinpoche.

    https://www.tsemrinpoche.com/tsem-tulku-rinpoche/funnies/mumu-goes-bye-bye.html
  • Samfoonheei
    Tuesday, Sep 13. 2022 01:01 PM
    The true story of HH Dalai Lama fantastic escapes in comic form. Thats interesting as its simple, easy which is suitable for every one to read and see especially children. Children could see and understand through pictures. All thanks to Rinpoche and Kechara Comic Publication team for coming up with this book in comic form. The truth should make known to all , how Dorje Shugden has helped in the escape.

    https://www.tsemrinpoche.com/tsem-tulku-rinpoche/buddhas-dharma/the-greatest-escape-in-history.html
  • Samfoonheei
    Tuesday, Sep 13. 2022 01:00 PM
    Tibetan incense is natural incense used in Tibetan Buddhism rituals for 1,300 years. In Tibet, for many centuries, incense has been a part of their daily lives. Widely used for relaxation, meditation and the cleansing of the home environment. Incense is also widely used in Buddhist temples and monasteries, as an offerings. In Buddhism, symbolic offerings are made to the Triple Gem, giving rise to contemplative gratitude and inspiration. Offering incense is a symbol of purification. It is a very powerful way to revitalize environment ,removing obstacles and purifying one’s karma. Incense offering to our Dharma Protector Dorje Shugden is indeed very helpful and beneficial. It helps in many ways as such to clear any obstacles ,and so on.All thanks to our Guru Tsem Rinpoche for sharing this practice .
    Thank you Rinpoche and Beatrice Ooi for this sharing and explaining the details of incense. We are so fortunate to learn, understand and practice it.

    https://www.tsemrinpoche.com/tsem-tulku-rinpoche/prayers-and-sadhanas/incense-offering-to-dorje-shugden.html

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The Unknown

The Known and unknown are both feared,
Known is being comfortable and stagnant,
The unknown may be growth and opportunities,
One shall never know if one fears the unknown more than the known.
Who says the unknown would be worse than the known?
But then again, the unknown is sometimes worse than the known. In the end nothing is known unless we endeavour,
So go pursue all the way with the unknown,
because all unknown with familiarity becomes the known.
~Tsem Rinpoche

Photos On The Go

Click on the images to view the bigger version. And scroll down and click on "View All Photos" to view more images.
According to legend, Shambhala is a place where wisdom and love reign, and there is no crime. Doesn\'t this sound like the kind of place all of us would love to live in? https://www.tsemrinpoche.com/?p=204874
3 years ago
According to legend, Shambhala is a place where wisdom and love reign, and there is no crime. Doesn't this sound like the kind of place all of us would love to live in? https://www.tsemrinpoche.com/?p=204874
108 candles and sang (incense) offered at our Wish-Fulfilling Grotto, invoking Dorje Shugden\'s blessings for friends, sponsors and supporters, wonderful!
3 years ago
108 candles and sang (incense) offered at our Wish-Fulfilling Grotto, invoking Dorje Shugden's blessings for friends, sponsors and supporters, wonderful!
Dharmapalas are not exclusive to Tibetan culture and their practice is widespread throughout the Buddhist world - https://www.tsemrinpoche.com/?p=193645
3 years ago
Dharmapalas are not exclusive to Tibetan culture and their practice is widespread throughout the Buddhist world - https://www.tsemrinpoche.com/?p=193645
One of our adorable Kechara Forest Retreat\'s doggies, Tara, happy and safe, and enjoying herself in front of Wisdom Hall which has been decorated for Chinese New Year
3 years ago
One of our adorable Kechara Forest Retreat's doggies, Tara, happy and safe, and enjoying herself in front of Wisdom Hall which has been decorated for Chinese New Year
Fragrant organic Thai basil harvested from our very own Kechara Forest Retreat farm!
3 years ago
Fragrant organic Thai basil harvested from our very own Kechara Forest Retreat farm!
On behalf of our Puja House team, Pastor Tat Ming receives food and drinks from Rinpoche. Rinpoche wanted to make sure the hardworking Puja House team are always taken care of.
3 years ago
On behalf of our Puja House team, Pastor Tat Ming receives food and drinks from Rinpoche. Rinpoche wanted to make sure the hardworking Puja House team are always taken care of.
By the time I heard about Luang Phor Thong, he was already very old, in his late 80s. When I heard about him, I immediately wanted to go and pay my respects to him. - http://bit.ly/LuangPhorThong
3 years ago
By the time I heard about Luang Phor Thong, he was already very old, in his late 80s. When I heard about him, I immediately wanted to go and pay my respects to him. - http://bit.ly/LuangPhorThong
It\'s very nice to see volunteers helping maintain holy sites in Kechara Forest Retreat, it\'s very good for them. Cleaning Buddha statues is a very powerful and effective way of purifying body karma.
3 years ago
It's very nice to see volunteers helping maintain holy sites in Kechara Forest Retreat, it's very good for them. Cleaning Buddha statues is a very powerful and effective way of purifying body karma.
Kechara Forest Retreat is preparing for the upcoming Chinese New Year celebrations. This is our holy Vajra Yogini stupa which is now surrounded by beautiful lanterns organised by our students.
3 years ago
Kechara Forest Retreat is preparing for the upcoming Chinese New Year celebrations. This is our holy Vajra Yogini stupa which is now surrounded by beautiful lanterns organised by our students.
One of the most recent harvests from our Kechara Forest Retreat land. It was grown free of chemicals and pesticides, wonderful!
3 years ago
One of the most recent harvests from our Kechara Forest Retreat land. It was grown free of chemicals and pesticides, wonderful!
Third picture-Standing Manjushri Statue at Chowar, Kirtipur, Nepal.
Height: 33ft (10m)
3 years ago
Third picture-Standing Manjushri Statue at Chowar, Kirtipur, Nepal. Height: 33ft (10m)
Second picture-Standing Manjushri Statue at Chowar, Kirtipur, Nepal.
Height: 33ft (10m)
3 years ago
Second picture-Standing Manjushri Statue at Chowar, Kirtipur, Nepal. Height: 33ft (10m)
First picture-Standing Manjushri Statue at Chowar, Kirtipur, Nepal.
Height: 33ft (10m)
3 years ago
First picture-Standing Manjushri Statue at Chowar, Kirtipur, Nepal. Height: 33ft (10m)
The first title published by Kechara Comics is Karuna Finds A Way. It tells the tale of high-school sweethearts Karuna and Adam who had what some would call the dream life. Everything was going great for them until one day when reality came knocking on their door. Caught in a surprise swindle, this loving family who never harmed anyone found themselves out of luck and down on their fortune. Determined to save her family, Karuna goes all out to find a solution. See what she does- https://bit.ly/2LSKuWo
3 years ago
The first title published by Kechara Comics is Karuna Finds A Way. It tells the tale of high-school sweethearts Karuna and Adam who had what some would call the dream life. Everything was going great for them until one day when reality came knocking on their door. Caught in a surprise swindle, this loving family who never harmed anyone found themselves out of luck and down on their fortune. Determined to save her family, Karuna goes all out to find a solution. See what she does- https://bit.ly/2LSKuWo
Very powerful story! Tibetan Resistance group Chushi Gangdruk reveals how Dalai Lama escaped in 1959- https://bit.ly/2S9VMGX
3 years ago
Very powerful story! Tibetan Resistance group Chushi Gangdruk reveals how Dalai Lama escaped in 1959- https://bit.ly/2S9VMGX
At Kechara Forest Retreat land we have nice fresh spinach growing free of chemicals and pesticides. Yes!
3 years ago
At Kechara Forest Retreat land we have nice fresh spinach growing free of chemicals and pesticides. Yes!
See beautiful pictures of Manjushri Guest House here- https://bit.ly/2WGo0ti
3 years ago
See beautiful pictures of Manjushri Guest House here- https://bit.ly/2WGo0ti
Beginner’s Introduction to Dorje Shugden~Very good overview https://bit.ly/2QQNfYv
3 years ago
Beginner’s Introduction to Dorje Shugden~Very good overview https://bit.ly/2QQNfYv
Fresh eggplants grown on Kechara Forest Retreat\'s land here in Malaysia
3 years ago
Fresh eggplants grown on Kechara Forest Retreat's land here in Malaysia
Most Venerable Uppalavanna – The Chief Female Disciple of Buddha Shakyamuni - She exhibited many supernatural abilities gained from meditation and proved to the world females and males are equal in spirituality- https://bit.ly/31d9Rat
3 years ago
Most Venerable Uppalavanna – The Chief Female Disciple of Buddha Shakyamuni - She exhibited many supernatural abilities gained from meditation and proved to the world females and males are equal in spirituality- https://bit.ly/31d9Rat
Thailand’s ‘Renegade’ Yet Powerful Buddhist Nuns~ https://bit.ly/2Z1C02m
3 years ago
Thailand’s ‘Renegade’ Yet Powerful Buddhist Nuns~ https://bit.ly/2Z1C02m
Mahapajapati Gotami – the first Buddhist nun ordained by Lord Buddha- https://bit.ly/2IjD8ru
3 years ago
Mahapajapati Gotami – the first Buddhist nun ordained by Lord Buddha- https://bit.ly/2IjD8ru
The Largest Buddha Shakyamuni in Russia | 俄罗斯最大的释迦牟尼佛画像- https://bit.ly/2Wpclni
3 years ago
The Largest Buddha Shakyamuni in Russia | 俄罗斯最大的释迦牟尼佛画像- https://bit.ly/2Wpclni
Sacred Vajra Yogini
3 years ago
Sacred Vajra Yogini
Dorje Shugden works & archives - a labour of commitment - https://bit.ly/30Tp2p8
3 years ago
Dorje Shugden works & archives - a labour of commitment - https://bit.ly/30Tp2p8
Mahapajapati Gotami, who was the first nun ordained by Lord Buddha.
3 years ago
Mahapajapati Gotami, who was the first nun ordained by Lord Buddha.
Mahapajapati Gotami, who was the first nun ordained by Lord Buddha. She was his step-mother and aunt. Buddha\'s mother had passed away at his birth so he was raised by Gotami.
3 years ago
Mahapajapati Gotami, who was the first nun ordained by Lord Buddha. She was his step-mother and aunt. Buddha's mother had passed away at his birth so he was raised by Gotami.
Another nun disciple of Lord Buddha\'s. She had achieved great spiritual abilities and high attainments. She would be a proper object of refuge. This image of the eminent bhikkhuni (nun) disciple of the Buddha, Uppalavanna Theri.
3 years ago
Another nun disciple of Lord Buddha's. She had achieved great spiritual abilities and high attainments. She would be a proper object of refuge. This image of the eminent bhikkhuni (nun) disciple of the Buddha, Uppalavanna Theri.
Wandering Ascetic Painting by Nirdesha Munasinghe
3 years ago
Wandering Ascetic Painting by Nirdesha Munasinghe
High Sri Lankan monks visit Kechara to bless our land, temple, Buddha and Dorje Shugden images. They were very kind-see pictures- https://bit.ly/2HQie2M
3 years ago
High Sri Lankan monks visit Kechara to bless our land, temple, Buddha and Dorje Shugden images. They were very kind-see pictures- https://bit.ly/2HQie2M
This is pretty amazing!

First Sri Lankan Buddhist temple opened in Dubai!!!
3 years ago
This is pretty amazing! First Sri Lankan Buddhist temple opened in Dubai!!!
My Dharma boy (left) and Oser girl loves to laze around on the veranda in the mornings. They enjoy all the trees, grass and relaxing under the hot sun. Sunbathing is a favorite daily activity. I care about these two doggies of mine very much and I enjoy seeing them happy. They are with me always. Tsem Rinpoche

Always be kind to animals and eat vegetarian- https://bit.ly/2Psp8h2
3 years ago
My Dharma boy (left) and Oser girl loves to laze around on the veranda in the mornings. They enjoy all the trees, grass and relaxing under the hot sun. Sunbathing is a favorite daily activity. I care about these two doggies of mine very much and I enjoy seeing them happy. They are with me always. Tsem Rinpoche Always be kind to animals and eat vegetarian- https://bit.ly/2Psp8h2
After you left me Mumu, I was alone. I have no family or kin. You were my family. I can\'t stop thinking of you and I can\'t forget you. My bond and connection with you is so strong. I wish you were by my side. Tsem Rinpoche
3 years ago
After you left me Mumu, I was alone. I have no family or kin. You were my family. I can't stop thinking of you and I can't forget you. My bond and connection with you is so strong. I wish you were by my side. Tsem Rinpoche
This story is a life-changer. Learn about the incredible Forest Man of India | 印度“森林之子”- https://bit.ly/2Eh4vRS
3 years ago
This story is a life-changer. Learn about the incredible Forest Man of India | 印度“森林之子”- https://bit.ly/2Eh4vRS
Part 2-Beautiful billboard in Malaysia of a powerful Tibetan hero whose life serves as a great inspiration- https://bit.ly/2UltNE4
3 years ago
Part 2-Beautiful billboard in Malaysia of a powerful Tibetan hero whose life serves as a great inspiration- https://bit.ly/2UltNE4
Part 1-Beautiful billboard in Malaysia of a powerful Tibetan hero whose life serves as a great inspiration- https://bit.ly/2UltNE4
3 years ago
Part 1-Beautiful billboard in Malaysia of a powerful Tibetan hero whose life serves as a great inspiration- https://bit.ly/2UltNE4
The great Protector Manjushri Dorje Shugden depicted in the beautiful Mongolian style. To download a high resolution file: https://bit.ly/2Nt3FHz
3 years ago
The great Protector Manjushri Dorje Shugden depicted in the beautiful Mongolian style. To download a high resolution file: https://bit.ly/2Nt3FHz
The Mystical land of Shambhala is finally ready for everyone to feast their eyes and be blessed. A beautiful post with information, art work, history, spirituality and a beautiful book composed by His Holiness the 6th Panchen Rinpoche. ~ https://bit.ly/309MHBi
3 years ago
The Mystical land of Shambhala is finally ready for everyone to feast their eyes and be blessed. A beautiful post with information, art work, history, spirituality and a beautiful book composed by His Holiness the 6th Panchen Rinpoche. ~ https://bit.ly/309MHBi
Beautiful pictures of the huge Buddha in Longkou Nanshan- https://bit.ly/2LsBxVb
3 years ago
Beautiful pictures of the huge Buddha in Longkou Nanshan- https://bit.ly/2LsBxVb
The reason-Very interesting thought- https://bit.ly/2V7VT5r
3 years ago
The reason-Very interesting thought- https://bit.ly/2V7VT5r
NEW Bigfoot cafe in Malaysia! Food is delicious!- https://bit.ly/2VxdGau
3 years ago
NEW Bigfoot cafe in Malaysia! Food is delicious!- https://bit.ly/2VxdGau
DON\'T MISS THIS!~How brave Bonnie survived by living with a herd of deer~ https://bit.ly/2Lre2eY
3 years ago
DON'T MISS THIS!~How brave Bonnie survived by living with a herd of deer~ https://bit.ly/2Lre2eY
Global Superpower China Will Cut Meat Consumption by 50%! Very interesting, find out more- https://bit.ly/2V1sJFh
3 years ago
Global Superpower China Will Cut Meat Consumption by 50%! Very interesting, find out more- https://bit.ly/2V1sJFh
You can download this beautiful Egyptian style Dorje Shugden Free- https://bit.ly/2Nt3FHz
3 years ago
You can download this beautiful Egyptian style Dorje Shugden Free- https://bit.ly/2Nt3FHz
Beautiful high file for print of Lord Manjushri. May you be blessed- https://bit.ly/2V8mwZe
3 years ago
Beautiful high file for print of Lord Manjushri. May you be blessed- https://bit.ly/2V8mwZe
Mongolian (Oymiakon) Shaman in Siberia, Russia. That is his real outfit he wears. Very unique. TR
3 years ago
Mongolian (Oymiakon) Shaman in Siberia, Russia. That is his real outfit he wears. Very unique. TR
Find one of the most beautiful temples in the world in Nara, Japan. It is the 1,267 year old Todai-ji temple that houses a 15 meter Buddha Vairocana statue who is a cosmic and timeless Buddha. Emperor Shomu who sponsored this beautiful temple eventually abdicated and ordained as a Buddhist monk. Very interesting history and story. One of the places everyone should visit- https://bit.ly/2VgsHhK
3 years ago
Find one of the most beautiful temples in the world in Nara, Japan. It is the 1,267 year old Todai-ji temple that houses a 15 meter Buddha Vairocana statue who is a cosmic and timeless Buddha. Emperor Shomu who sponsored this beautiful temple eventually abdicated and ordained as a Buddhist monk. Very interesting history and story. One of the places everyone should visit- https://bit.ly/2VgsHhK
Manjusri Kumara (bodhisattva of wisdom), India, Pala dynesty, 9th century, stone, Honolulu Academy of Arts
3 years ago
Manjusri Kumara (bodhisattva of wisdom), India, Pala dynesty, 9th century, stone, Honolulu Academy of Arts
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    3 yearss ago
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    3 yearss ago
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  • Our Malaysian Prime Minister Dr. Mahathir speaks so well, logically and regarding our country’s collaboration with China for growth. It is refreshing to listen to Dr. Mahathir’s thoughts. He said our country can look to China for many more things such as technology and so on. Tsem Rinpoche
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    This dog thanks his hero in such a touching way. Tsem Rinpoche
  • Join Tsem Rinpoche in prayer for H.H. Dalai Lama’s long life~ https://www.youtube.com/watch?v=gYy7JcveikU&feature=youtu.be
    3 yearss ago
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    3 yearss ago
    Get ready to laugh real hard. This is Kechara’s version of “Whatever Happened to Baby Jane!” We have some real talents in this video clip.
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    4 yearss ago
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    This happens daily in slaughterhouse so you can get your pork and Bak ku teh. Stop eating meat.

ASK A PASTOR


Ask the Pastors

A section for you to clarify your Dharma questions with Kechara’s esteemed pastors.

Just post your name and your question below and one of our pastors will provide you with an answer.

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CHAT PICTURES

Is this where Rinpoche received the thangkha of Dream Manjushri?
2 months ago
Is this where Rinpoche received the thangkha of Dream Manjushri?
Is this the ruins of Zimkhang Gongma established by Panchen Sonam Drakpa. -Choong
2 months ago
Is this the ruins of Zimkhang Gongma established by Panchen Sonam Drakpa. -Choong
We hold our DS puja weekly without fail. We welcome you to join us. Penang DS puja @ 3pm~ by Jacinta
2 months ago
We hold our DS puja weekly without fail. We welcome you to join us. Penang DS puja @ 3pm~ by Jacinta
DS PUJA @ Penang. A close up of the offerings. What a feast! #Throwback 23/7/2022.
2 months ago
DS PUJA @ Penang. A close up of the offerings. What a feast! #Throwback 23/7/2022.
#Throwback 23/7/2022. Our weekly DS puja attendees. All of us were getting ready to invite Buddhas to come forth, joining and blessing us during DS puja. Kechara Penang Study Group ~by Jacinta
2 months ago
#Throwback 23/7/2022. Our weekly DS puja attendees. All of us were getting ready to invite Buddhas to come forth, joining and blessing us during DS puja. Kechara Penang Study Group ~by Jacinta
#Throwback23/7/2022 Welcoming Buddha Shakyamuni, Gyenze, Shize & Namgyalma to Penang chapel. Abundance offerings, including sensory offerings were nicely set up and offered up to Buddha surfing our weekly DS puja @ 3pm, Jalan Seang Tek, Penang ~by Jacinta
2 months ago
#Throwback23/7/2022 Welcoming Buddha Shakyamuni, Gyenze, Shize & Namgyalma to Penang chapel. Abundance offerings, including sensory offerings were nicely set up and offered up to Buddha surfing our weekly DS puja @ 3pm, Jalan Seang Tek, Penang ~by Jacinta
Kechara Earth Project 17 July 2022
2 months ago
Kechara Earth Project 17 July 2022
Kechara Earth Project 12 June 2022
3 months ago
Kechara Earth Project 12 June 2022
#Throwback. Visitation of Ven. Zawa Tulku Rinpoche and Ven. Geshe Jangchup Gyaltsen to Kechara Penang Chapel on 17/5/2022. We did a short prayers together. Really happy for the short visit. Kechara Penang Study Group~ by Jacinta
4 months ago
#Throwback. Visitation of Ven. Zawa Tulku Rinpoche and Ven. Geshe Jangchup Gyaltsen to Kechara Penang Chapel on 17/5/2022. We did a short prayers together. Really happy for the short visit. Kechara Penang Study Group~ by Jacinta
Photo from JC
4 months ago
Photo from JC
Trying to WE-fie. Do we get that just alright, lol? Come and join us next time at Jalan Seang Tek, Kechara Penang Chapel. Celebrate Wesak with us ~ by Jacinta
4 months ago
Trying to WE-fie. Do we get that just alright, lol? Come and join us next time at Jalan Seang Tek, Kechara Penang Chapel. Celebrate Wesak with us ~ by Jacinta
Trying to "WE-fie". Do we get that just alright, lol? Come and join us next time at Jalan Seang Tek, Kechara Penang Chapel. Celebrate Wesak with us ~ by Jacinta
4 months ago
Trying to "WE-fie". Do we get that just alright, lol? Come and join us next time at Jalan Seang Tek, Kechara Penang Chapel. Celebrate Wesak with us ~ by Jacinta
Celebrated Wesak Day 2022 in Penang, with a group of fun, committed, helpful and also devoted friends & family. Kechara Penang Study Group 15/5/2022 ~by Jacinta
4 months ago
Celebrated Wesak Day 2022 in Penang, with a group of fun, committed, helpful and also devoted friends & family. Kechara Penang Study Group 15/5/2022 ~by Jacinta
Vesak Day 2022 - Bird liberation. Kechara Penang Study Group ~by Jacinta
4 months ago
Vesak Day 2022 - Bird liberation. Kechara Penang Study Group ~by Jacinta
All attendees are paying homage to Rinpoche and Buddhas before the start of our weekly Dorje Shugden puja. Outwardly, it seems that Dorje Shugden helps practitioners overcoming their obstacles and problems but ultimately Dorje Shugden’s supreme purpose is to help practitioners on their path to Enlightenment. Do join in our weekly DS puja, every Saturday @3 pm at Jalan Seang Tek, Penang. ~by Jacinta
5 months ago
All attendees are paying homage to Rinpoche and Buddhas before the start of our weekly Dorje Shugden puja. Outwardly, it seems that Dorje Shugden helps practitioners overcoming their obstacles and problems but ultimately Dorje Shugden’s supreme purpose is to help practitioners on their path to Enlightenment. Do join in our weekly DS puja, every Saturday @3 pm at Jalan Seang Tek, Penang. ~by Jacinta
All of us are practicing on how to properly use dorje(Vajra), bell and damaru ~ Kechara Penang Study Group by Jacinta
5 months ago
All of us are practicing on how to properly use dorje(Vajra), bell and damaru ~ Kechara Penang Study Group by Jacinta
After inviting Dorje Shugden Wangze, Pastor Seng Piow teaches us how to use ritual objects and the full set of prayer accompanying it. Kechara Penang Study Group ~by Jacinta
5 months ago
After inviting Dorje Shugden Wangze, Pastor Seng Piow teaches us how to use ritual objects and the full set of prayer accompanying it. Kechara Penang Study Group ~by Jacinta
With great happiness, merits and excitement that Penang Group have invited Buddha Wangzey to Penang chapel, complete with full rituals and prayer. 30th April 2022 Kechara Penang Study Group ~by Jacinta
5 months ago
With great happiness, merits and excitement that Penang Group have invited Buddha Wangzey to Penang chapel, complete with full rituals and prayer. 30th April 2022 Kechara Penang Study Group ~by Jacinta
Come and get your blessing from Lama Tsongkhapa and Dorje Shugden in Penang @ Jalan Seang Tek ~ by Jacinta.
5 months ago
Come and get your blessing from Lama Tsongkhapa and Dorje Shugden in Penang @ Jalan Seang Tek ~ by Jacinta.
Special thanks to one of our dedicated Penang group members, Choong for superb tormas. Swift Return Puja @ every Saturday, 3pm. Do contact William for more info ~ by Jacinta
5 months ago
Special thanks to one of our dedicated Penang group members, Choong for superb tormas. Swift Return Puja @ every Saturday, 3pm. Do contact William for more info ~ by Jacinta
Thanks to William for being the Umze for Swift Return Puja at Penang Centre. ~ by Jacinta
5 months ago
Thanks to William for being the Umze for Swift Return Puja at Penang Centre. ~ by Jacinta
The members of Kechara Penang Study Group are offering serkym to Dorje Shugden and His entourage. There's puja every Saturday @ 3 pm at Penang Chapel, Jalan Seang Tek. All are welcome. ~by Jacinta
5 months ago
The members of Kechara Penang Study Group are offering serkym to Dorje Shugden and His entourage. There's puja every Saturday @ 3 pm at Penang Chapel, Jalan Seang Tek. All are welcome. ~by Jacinta
We are in the third week of Ramadan this year, and kind volunteers have never failed to feed people in need since Tengku Zatashah started this meaningful #zerofoodwastage initiative in 2016. The aim is to benefit the underprivileged with nice surplus food collected from Ramadan buffets. Every night during the month of Ramadan, volunteers collect surplus cooked food from hotels and distribute it to charity homes and low-income families. THANK YOU, Tengku, dedicated volunteers and hotel partners, for making this Ramadan special for the underprivileged. #kecharasoupkitchen #kecharafoodbank #kecharaempowerment - KSK @ Vivian
5 months ago
We are in the third week of Ramadan this year, and kind volunteers have never failed to feed people in need since Tengku Zatashah started this meaningful #zerofoodwastage initiative in 2016. The aim is to benefit the underprivileged with nice surplus food collected from Ramadan buffets. Every night during the month of Ramadan, volunteers collect surplus cooked food from hotels and distribute it to charity homes and low-income families. THANK YOU, Tengku, dedicated volunteers and hotel partners, for making this Ramadan special for the underprivileged. #kecharasoupkitchen #kecharafoodbank #kecharaempowerment - KSK @ Vivian
We were chanting Migsetma mantra at the time this picture was taken. Thanks to all our Penang members who are very committed to attend Swift Return puja weekly. Kechara Penang Study Group, every Saturday @ 3pm. ~by Jacinta
5 months ago
We were chanting Migsetma mantra at the time this picture was taken. Thanks to all our Penang members who are very committed to attend Swift Return puja weekly. Kechara Penang Study Group, every Saturday @ 3pm. ~by Jacinta
William, who is our leader/ Umze is cleaning the pantry and Gordon offered up 4 carton of packet drinks today. We cannot thank you enough for all kind hearted who sponsored various offerings weekly. Kechara Penang Study Group ~by Jacinta
5 months ago
William, who is our leader/ Umze is cleaning the pantry and Gordon offered up 4 carton of packet drinks today. We cannot thank you enough for all kind hearted who sponsored various offerings weekly. Kechara Penang Study Group ~by Jacinta
Siew Hong came with a basket of fruits while Choong, who is expert in baking offered tormas today for our Swift Return Puja. Kechara Penang Study Group ~by Jacinta
5 months ago
Siew Hong came with a basket of fruits while Choong, who is expert in baking offered tormas today for our Swift Return Puja. Kechara Penang Study Group ~by Jacinta
Dedicated sisters, Sharyn and Swee Bee. They always make sure our puja offerings, especially fruits are arranged nicely. Kechara Penang Study Group ~ by Jacinta
5 months ago
Dedicated sisters, Sharyn and Swee Bee. They always make sure our puja offerings, especially fruits are arranged nicely. Kechara Penang Study Group ~ by Jacinta
Committed and hardworking Kechara Penang members, Mr. Tang and Mr. Huey. Really appreciate having you both at our weekly puja . Kechara Penang Study Group ~ by Jacinta
5 months ago
Committed and hardworking Kechara Penang members, Mr. Tang and Mr. Huey. Really appreciate having you both at our weekly puja . Kechara Penang Study Group ~ by Jacinta
KSK medic personnel have been tending to the needs of the clients every week. Their consistent kindness helps improve the medical welfare of those without a home. Thank you for serving and making them your priority on your weekends. #medicteam #kecharasoupkitchen #kecharafoodbank #kecharaempowerment
6 months ago
KSK medic personnel have been tending to the needs of the clients every week. Their consistent kindness helps improve the medical welfare of those without a home. Thank you for serving and making them your priority on your weekends. #medicteam #kecharasoupkitchen #kecharafoodbank #kecharaempowerment
In the midst of chaos, let's start healing. We have Dorje Shugden Puja every Saturday @ 3 pm. Contact William for more info. Kechara Penang Study Group. ~ by Jacinta.
7 months ago
In the midst of chaos, let's start healing. We have Dorje Shugden Puja every Saturday @ 3 pm. Contact William for more info. Kechara Penang Study Group. ~ by Jacinta.
7 months ago
Pastor is in da' house!!!! Kechara Penang Study Group @ Saturday, 3 pm. Contact William for more info ~ by Jacinta
7 months ago
Pastor is in da' house!!!! Kechara Penang Study Group @ Saturday, 3 pm. Contact William for more info ~ by Jacinta
7 months ago
8 months ago
After Dorje Shugden puja @Penang Chapel, Jalan Seang Tek, members went to a nearby vegetarian shop for gathering. #CNY2022 #HappyReunion by Jacinta.
8 months ago
After Dorje Shugden puja @Penang Chapel, Jalan Seang Tek, members went to a nearby vegetarian shop for gathering. #CNY2022 #HappyReunion by Jacinta.
In 2021, we've encountered far too many challenges—Pandemic, months-long lockdown, landslide, and flood. We are proud to witness Malaysians helping one another as these agonies come sequentially. Looking back to 2021, Kechara Soup Kitchen has made significant progress, with more to come in 2022. Every year, we move a little closer to our vision. We are immensely thankful to have such dedicated teams of volunteers willing to go above and beyond for our clients. Not to mention our sponsors and donors; none of this would have been possible without you. Thank you. Thank you for being you. Thank you for helping the underprivileged to a better future. Have a blessed year ahead from our hearts to your hearts. #2022 #newyear #kecharasoupkitchen #kecharafoodbank #kecharaempowerment
9 months ago
In 2021, we've encountered far too many challenges—Pandemic, months-long lockdown, landslide, and flood. We are proud to witness Malaysians helping one another as these agonies come sequentially. Looking back to 2021, Kechara Soup Kitchen has made significant progress, with more to come in 2022. Every year, we move a little closer to our vision. We are immensely thankful to have such dedicated teams of volunteers willing to go above and beyond for our clients. Not to mention our sponsors and donors; none of this would have been possible without you. Thank you. Thank you for being you. Thank you for helping the underprivileged to a better future. Have a blessed year ahead from our hearts to your hearts. #2022 #newyear #kecharasoupkitchen #kecharafoodbank #kecharaempowerment
Ipoh members were taking turns to offer Serkym and lights to Dorje Shugden. So Kin Hoe (KISG)
10 months ago
Ipoh members were taking turns to offer Serkym and lights to Dorje Shugden. So Kin Hoe (KISG)
Kechara Ipoh members were preparing for Dorje Shugden puja. So Kin Hoe (KISG)
10 months ago
Kechara Ipoh members were preparing for Dorje Shugden puja. So Kin Hoe (KISG)
Kechara Ipoh Study Group has carried out Dorje Shugden puja in Ipoh on 4th Dec 2021. So Kin Hoe (KISG)
10 months ago
Kechara Ipoh Study Group has carried out Dorje Shugden puja in Ipoh on 4th Dec 2021. So Kin Hoe (KISG)
Jun, our new Ipoh member, offered lights to Lama Tsongkhapa, Dorje Shugden & The Three Jewels. So Kin Hoe (KISG)
10 months ago
Jun, our new Ipoh member, offered lights to Lama Tsongkhapa, Dorje Shugden & The Three Jewels. So Kin Hoe (KISG)
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Dorje Shugden
Click to watch my talk about Dorje Shugden....