Nicholas Roerich & art (1874-1947)

Mar 27, 2014 | Views: 3,163

I recently stumbled upon a Nicholas Roerich Musuem website and I was very very amazed by his collection of art works. I am so surprised to see spiritual paintings and depictions of Tibet, Lama Tsongkhapa and Buddha Maitreya in his collections. I am so happy to see this and I thank the Nicholas Roerich’s Museum of New York for having his art preserved and shared online. It is a treasure of the past we can certainly learn and appreciate from. I have placed the paintings and information here to create more awareness on this great explorer, philosopher, traveler and spiritualist. For more, you must go to his websites.

Apparently Nicholas and his wife Helena Roerich were thought to be Russian superheroes. They inspired the path for spiritual growth and life similar to what in America is called “global awakening”. This is a philosophy that encompasses all peoples and faiths. They both saw through their travels, the different religions and practices, but these all pointed to the same ‘truth’ in different ways. And this different way-of-looking was also the cause for war. They opened the doors to Buddhism and the search form mysticism in their country when it was not mainstream.

Their art trails the path they explored and traveled, from the Middle Eastern land right up to the Himalayas and they continuously visited ‘Shambala’. Many people in Russia liked them for their appearance, manners, simplicity, and generosity. They were great artists, creating wonderful paintings and writings that were thought-provoking. They also were known as philosophers, speakers, teachers, scientists, patrons of the arts, public figures, and cultural workers.

Nicholas and his wife Helena conveyed their understanding and experiences in their beautiful enchanting art and writings of Eastern practices, and thoughts of the Ascended Masters. They were certainly spiritual seekers and many of Nicholas’s paintings featured hidden treasure in the mountains or in water, symbolizing the search in high places for the truth that is hidden within us.

Below I’ve shared with you his biography and also selected a few of his beautiful paintings that I thought you may appreciate and enjoy…I am definitely a fan of his mystical and magical paintings. Gazing upon them brings me to another dimension. Another time. Another reality. His art is imbued with a special blessing that comes from deep within the soul. Within ourselves. We are all looking for the Shangrila that Nicholas Roerich searched for in the vastness of Northern Asia. Through his art we glimpse something ethereal and deep.

Tsem Rinpoche

 


 

Selected Galleries of Nicholas Roerich
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One of Diaghilev’s first achievements was the founding, with Princess Maria Tenisheva and others, of the magazine The World of Art. This magazine enjoyed a relatively short life but had an important influence in Russian art circles. The magazine declared itself the enemy of the academicians, the sentimentalists, and the realists. It introduced to its readership, which was made up mostly of the intelligentsia, the vital elements of Russian artistic circles, European post-impressionism, and the modernist movement. Roerich contributed to it and sat on its editorial board. Other Russian painters involved were Alexandre Benois and Leon Bakst, who later became Roerich’s co-workers in the early days of Diaghilev’s Ballets Russes.

After finishing his university thesis, Roerich planned to set off for a year in Europe to visit the museums, exhibitions, studios, and salons of Paris and Berlin. Just before leaving he met Helena, daughter of the architect Shaposhnikov and niece of the composer Mussorgsky. There seems to have been an immediate mutual attraction, and they were soon engaged to be married. On his return from Europe their marriage took place.

Helena Roerich was an unusually gifted woman, a talented pianist, and author of many books, including The Foundations of Buddhism and a Russian translation of Helena Blavatsky’s Secret Doctrine. Her collected Letters, in two volumes, are an example of the wisdom, spiritual insight, and simple advice she shared with a multitude of correspondents — friends, foes, and co-workers alike.

Later, in New York, Nicholas and Helena Roerich founded the Agni Yoga Society, which espoused a living ethic encompassing and synthesizing the philosophies and religious teachings of all ages.

Prompted by the need to provide some income for his new household, Roerich applied for and won the position of Secretary of the School of the Society for the Encouragement of Art, later becoming its head, the first of many positions that Roerich would occupy as a teacher and spokesman for the arts.

Roerich determined to overhaul the Society and rescue it from the academic mediocrity it had foundered in for many years. He instituted a system of training in art that seems revolutionary even by today’s standards: to teach all the arts — painting, music, singing, dance, theater, and the so-called “industrial arts”, such as ceramics, painting on porcelain, pottery, and mechanical drawing — under one roof, and to give his faculty free rein to design their own curriculum.

The cross-fertilization of the arts that Roerich promoted was evidence of his inclination to harmonize, bring together, and find correspondences between apparent conflicts or opposites in all areas of life. This was a hallmark of his thinking, and one sees it demonstrated in all the disciplines he explored. He constantly sought to break down compartmentalization, and, indeed, even in his own art he defied categorization and created a universe uniquely personal. In his writings on ethics also, it can be seen that he constantly sought to connect ethical problems with scientific knowledge of the surrounding world.

It was Roerich’s gift that these “connections” appeared so natural to him and presented themselves in all life’s manifestations. And it was this talent for synthesis, which he admired in others and encouraged in the young, that enabled him to correlate the subjective with the objective, the philosophical with the scientific, Eastern wisdom with Western knowledge, and to build bridges of understanding between such apparent contradictions. He reminded us that these contradictions were often the result of man’s ignorance, and that an expanding consciousness, which each individual was duty-bound to pursue, would lead to eventual recognition of the illusoriness, or relativity, of things. As Garabed Paelian affirms in his book Nicholas Roerich: Roerich “…learned things ignored by other men; perceived relations between seemingly isolated phenomena, and unconsciously felt the presence of an unknown treasure.” Perhaps it is this “unknown treasure” that in Roerich’s paintings speaks to the viewer who is attuned to that underlying meaning, and further explains the transcendental feelings that some experience through his canvases.

In 1902, the Roerichs celebrated the birth of their first son, George, and in the summers of 1903 and 1904, they set off on an extended tour of forty cities throughout Russia. Roerich’s purpose was to contrast the styles and historical context of Russian architecture. The voyage was one of discovery, for wherever they went he was able to locate the remnants of Russia’s past — ancient monuments, churches, city walls, and castles. He found that these had, in many instances, been neglected for centuries. As an archeologist and art historian he was aware of what an important key they were to Russia’s cultural history. He determined to draw attention to the situation and somehow arrange to have them protected and preserved, and with this goal in mind painted a series of seventy-five works depicting the structures. The experience of this journey had a lasting effect, for on his return in 1904, Roerich promulgated the plan that he hoped would create protection everywhere for such cultural treasures, a plan consummated thirty-one years later in the Roerich Pact. This kind of thinking was not common in those days, and anticipated the importance that, today, most countries of the world place upon preservation of their cultural heritage.

In 1904 Roerich painted the first of his paintings on religious themes. These mostly dealt with Russian saints and legends, and included Message to Tiron, Fiery Furnace, and The Last Angel, subjects that he returned to with numerous variants in later years. The Treasure of the Angels was described by one writer: “A host of angels in white garments stand silently row after row guarding a mysterious treasure with which are bound up the destinies of the world. It is a blue black stone with an image of the crucifix cut into it, glowing with emerald hues.” The angels are an early depiction of the hierarchical Masters that peopled the heart of Roerich’s belief in a Great Brotherhood, watching over and guiding humanity in its eternal journey of evolution. The “stone” pictured by Roerich is the representation of an image that recurs in different forms in his paintings and throughout his writings. The word “treasure” figures prominently in the titles of many of Roerich’s paintings, as, for instance, in The Treasure of the Mountain and Hidden Treasure. It is clearly not material wealth that he refers to, but rather the spiritual treasures that lie buried, yet available to those with the will to unearth them.

Meanwhile Roerich’s search for archeological treasures continued. The Stone Age particularly intrigued him, and he amassed a large collection of artifacts from that era. His paintings frequently reflected this interest, as in Three Glaives in which the subject matter is archeological in nature, and relates to an ancient legend. Roerich wrote about the unusual similarity of Stone Age techniques and methods of ornamentation in far-separated regions of the globe. In comparing these correspondences, he came to instructive conclusions as to the commonality of human expression and creativity.

 

T H E  T H E A T R I C A L  Y E A R S

In 1906, in the first of many entrepreneurial efforts that were to bring Russian art and music to the attention of Europeans, Sergei Diaghilev arranged an exhibition of Russian paintings in Paris. These included sixteen works by Nicholas Roerich. The next year, Diaghilev introduced Fyodor Chaliapin to Paris audiences, along with the music of Mussorgsky, Rimsky-Korsakov, Borodin, Rachmaninov, Scriabin, Glazunov, Stravinsky, and others. In 1909 he presented Chaliapin in Rimsky-Korsakov’s Ivan the Terrible, with costumes and sets designed by Roerich. In the Polovtsian Dances from Borodin’s Prince Igor, also designed by Roerich, and in other ballets, Diaghilev introduced a corps of Russian dancers that later became famous as the Ballets Russes, which included Pavlova, Fokine, and Nijinsky. Roerich’s designs furthered his reputation for the telling depiction of ancient cultures and their practices.

Diaghilev pioneered an art form that involved the collaboration of the designer as “auteur.” Thus Alexandre Benois influenced the creation of the ballet Petrouchka, and Nicholas Roerich was the prime mover and, with Igor Stravinsky, the co-creator of the ballet Le Sacre du Printemps, or, The Rite of Spring.

At first entitled The Great Sacrifice: a Tableau of Pagan Russia, the motif for the ballet grew out of Roerich’s absorption with antiquity and, as he wrote in a letter to Diaghilev, “the beautiful cosmogony of earth and sky.” In the ballet Roerich sought to express the primitive rites of ancient man as he welcomed spring, the life-giver, and made sacrifice to Yarilo, the Sun God. It was a story unlike that of any ballet before it. Stravinsky’s score and Nijinsky’s choreography were equally unexpected, and provoked controversy that was to continue for many years.

At the opening in Paris on May 29, 1913, one of the audience described the scene: “Nothing that has ever been written about the battle of Le Sacre du Printemps has given a faint idea of what actually took place. The theater seemed to be shaken by an earthquake. It shuddered. People shouted insults, howled and whistled, drowning out the music. There was slapping and even punching…the ballet was astoundingly beautiful.”

Interpreting what could have been described as negative, barbaric behavior, Roerich later wrote: “I remember how during the first performance the audience whistled and roared so that nothing could even be heard. Who knows, perhaps at that very moment they were inwardly exultant and expressing this feeling like the most primitive of peoples. But I must say, this wild primitivism had nothing in common with the refined primitiveness of our ancestors, for whom rhythm, the sacred symbol, and refinement of gesture were great and sacred concepts.”

Sacre represented the culmination of Roerich’s collaboration with Diaghilev. He recognized in the impresario a true champion of Russian art, and after Diaghilev’s death in 1929 wrote: “We may regard the…achievement of Diaghilev as that of a great individual, but it would be still more exact to regard him as the true representative of an entire movement of synthesis, an eternally young representative of the great moment when modern art shattered so many conventions and superficialities.”

 

T H E  C L O U D S  O F  W A R

In the years immediately preceding World War I, Roerich sensed an impending cataclysm, and his paintings symbolically depicted the awful scale of the conflict he felt descending upon the world. These works marked the birth of Roerich the “prophet.”

In Battle in the Heavens Roerich used the violent contrast of light and darkness to suggest the terrible events that would soon overtake Russia and all Europe.

By this time, in his depiction of both historical and natural themes, symbolism and the use of allegory had become essential ingredients in his work. As one critic wrote: “He populated his world not with participants in transitory dramas and comedies, but with spokesmen for the most steadfast ideas about the truth of life, the millennial struggle of good and evil, the triumphal procession of a bright future for all.”

 

T R A V E L  T O  O T H E R  S H O R E S

In 1915 Roerich became ill with pneumonia, and was sent by his doctor to recuperate with his family in Sortavala, Finland. This was a period of great unrest the world over, and no less so in the lives of the Roerich family. In Roerich’s paintings of the period, such as Karelia — Eternal Expectation and The Waiting Woman the cold, austere countryside of rocks and uninhabited shores of the north seems to express a sense of poignant longing. In The Waiting Woman, her gaze is fixed on the horizon as if she awaits some sign of the return of long-gone voyagers.

By 1917 the revolution was raging in Russia and returning there would have been dangerous. The family began making plans to visit India, whose magnetic appeal had been felt increasingly during these years. This became a possibility in 1918 when Roerich was invited by a Swedish entrepreneur to exhibit his paintings in Stockholm. From there the family proceeded to London, where Sir Thomas Beecham had invited Roerich to design a new production of Prince Igor for the Covent Garden Opera.

 

A M E R I C A

Meanwhile, an invitation to come to America was extended by the Chicago Art Institute. It was accepted, and the tour opened successfully at the Kingore Gallery in New York in 1920. In addition to exhibiting over 400 paintings there and in many cities throughout the United States, Roerich designed the scenery and costumes for productions of The Snow Maiden, and Tristan and Isolde for the Chicago Opera Company. During his travels in America, Roerich painted a series in New Mexico, and the Ocean Series in Monhegan, Maine, where the family spent a summer. He responded to the spirit of enterprise he found in America and frequently wrote about the positive influence its developing technology would have on the world. Seeds were planted and the lives of individuals influenced by Roerich’s magnetism and sense of mission.

In 1921, in New York, he founded the Master Institute of United Arts, in which he planned to realize the educational concepts he had incorporated into the curriculum in St. Petersburg. He attracted a talented group of instructors. They included Deems Taylor, teaching musical theory and composition, Robert Edmund Jones and Lee Simonson, teaching theater design, and top quality instructors in courses that included all musical instruments, aspects of painting and drawing, design and illustration, sculpture, architecture, ballet, drama, journalism, and languages — and lectures were presented by noted individuals such as George Bellows, Claude Bragdon, Norman Bel Geddes, and Stark Young.

The Master Institute flourished, but it did not survive beyond 1937. While the country was in the grips of the Great Depression and the Roerich family was on expedition in the Far East, funds ran out and events caused a complete collapse of the organization that Roerich and his supporters had labored to build.

It was not until 1949 that, under the direction of Sina Fosdick, one of the founding board members and an Institute faculty member, the institution was reborn as Nicholas Roerich Museum, in a brownstone on West 107th Street, where it has remained until the present. Many paintings from the original collection can now be seen there, and in the intervening years major works have been added, making it one of the most comprehensive collections of the artist’s work in the world.

During their stay in America the Roerichs continued to plan for the voyage to India. An orientation toward Eastern spiritual values is reflected in much of Roerich’s creative work of the time. This is seen in his Ocean Series — the three paintings, Himself Came, The Bridge of Glory, and Miracle demonstrate the spiritual power that was beginning to characterize his work. In The Bridge of Glory, Saint Sergius of Radonezh walks in contemplation before a blue bridge formed by the aurora borealis, Roerich’s metaphor for the future spiritual bridge that will connect heaven and earth.

Between 1916 and 1919 Roerich had written a collection of sixty-four blank verse poems that were published in Berlin, in Russian, under the title Flowers of Morya, and subsequently published in English as Flame in Chalice. In them we find Roerich’s inner journey charted and his commitment to spiritual search stated. These poems evoke some of the images that Roerich later used in his paintings, and in a way help us to understand the symbols and meanings that lie behind some of them.

In her essay Flowers of Morya: the Theme of Spiritual Pilgrimage in the Poetry of Nicholas Roerich, Irina Corten writes: “At the core of Roerich’s belief system is the Hindu concept of a beginningless and endless universe which manifests itself in recurring cycles of creation and dissolution of material forms caused by the pulsation of divine energy. On the human plane, this means the rise and fall of civilizations and, in terms of individual life, the reincarnation of a soul…” As Roerich, the poet, writes, in the poem About the Eternal:

Brother, let us abandon all that rapidly changes.
Otherwise we will not have time to turn our thoughts to thatwhich is changeless for all.
To the eternal.

In May, 1923, the Roerichs were at last on their way to India, where, in that ageless land, amid the snows of the Himalayan range, they sought to turn their thoughts to the Eternal.

 

I N D I A

The Roerichs landed in Bombay in December, 1923, and began a tour of cultural centers and historic sites, meeting Indian scientists, scholars, artists, and writers along the way. By the end of December they were already in Sikkim on the southern slopes of the Himalayas, and it is clear by the speed with which they reached the mountains that the Himalayas were where their interest lay.

They initiated a journey of exploration that would take them into Chinese Turkestan, Altai, Mongolia and Tibet. It was an expedition into untracked regions where they planned to study the religions, languages, customs, and culture of the inhabitants.

Roerich wrote about this first Central Asiatic Expedition in his book Heart of Asia, and he creates for the reader a vivid account of the wonder of the land and its people. However, the images are nowhere as vivid as in the five hundred or so paintings that resulted from the trek. In Kanchenjunga, Sikkim Pass, His Country, The Great Spirit of the Himalayas, and the Banners of the East series, we can see philosophical concepts and ideas giving birth to visual images, and the splendor of Northern India providing the physical setting.

In The Path, the figure of Christ leads the way along a tortuous path through crags and peaks of the Himalayas, a metaphor for the hazardous obstacles confronting the spiritual journeyer. Eastern religious figures and concepts appear in the paintings, important among these being the images of the Lord Maitreya — the Buddhist Messiah, the Kalki-Avatar of the Puranas, Rigden Jyepo of Mongolia, or the White Burkhan of Altai — all of whom are described in legends that link them with the Ruler of Shambhala, who is “destined to appear on earth for the final destruction of the wicked, the renovation of creation and the restoration of purity.”(quoted from The Theosophical Glossary, by H. P. Blavatsky)

The trek was at times arduous. Roerich tells us that thirty-five mountain passes from fourteen to twenty-one thousand feet in elevation were crossed. But these were the challenges he felt born for, believing that the rigor of the mountains helped a man to find courage and develop strength of spirit. And in spite of obstacles, wherever they went the Roerichs’ belief in the essential goodness of life and the spirituality of man was reinforced. Roerich’s Banners of the East series of nineteen paintings depicting the world’s religious teachers, Mohammed, Jesus, Moses, Confucius, and Buddha, and the Indian and Christian saints and sages, was a testimonial to the unity of religious striving and the common roots of man’s faith.

At counterpoint to these themes in Roerich’s painting is the image of Woman and her destined role in the coming era, and we can assume that what Helena Roerich wrote to a friend in 1937 reflects Nicholas’ own point of view: “…woman should realize that she herself contains all forces, and the moment she shakes off the age-old hypnosis of her seemingly lawful subjugation and mental inferiority and occupies herself with a manifold education, she will create in collaboration with man a new and better world… Cosmos affirms the greatness of woman’s creative principle. Woman is a personification of nature, and it is nature that teaches man, not man nature. Therefore, may all women realize the grandeur of their origin, and may they strive for knowledge.” (published in Letters of Helena Roerich 1935-1939, vol. II)

Nicholas Roerich depicted the great female deities in such paintings as She Who Leads, Madonna Laboris, and The Mother of the World. This latter conception, equivalent to the Lakshmi and Kali of India, is one of Roerich’s most inspiring images, rendered with majesty in deep tones of blue and violet. Helena Roerich’s contribution in the life and work of Nicholas cannot be overestimated. Their union could be best described as a lifetime collaboration in fields of mutual endeavor. Her philosophy, comprising a living ethic, was shared by Nicholas and motivated him in his work and his life. At some time in their late years an anniversary approached and he wrote in his diary: “Forty years — no less than forty. On such a long voyage, meeting many storms and dangers from without, together we overcame all obstacles. And obstacles turned into possibilities. I dedicated my books to Helena, my wife, friend, traveling companion, inspirer! Each of these concepts was tested in the fire of life. And in Petersburg, Scandinavia, England, America, and in all Asia we worked, we studied, we broadened our consciousness. Together we created, and not without reason is it said that the work should bear two names — a feminine and a masculine.”

At the end of their major expedition, in 1928, the family settled in the Kullu Valley at an elevation of 6,500 feet in the Himalayan foothills, with a magnificent view of the valley and the surrounding mountains. Here they established their home and the headquarters of the Urusvati Himalayan Research Institute, which was organized to study the results of their expedition, and of those explorations that were yet to come. The Institute’s activities included botanical and ethnological-linguistic studies, and the exploration of archeological sites. Under the direction of their father the two Roerich sons, George and Svetoslav, established a collection of medicinal herbs, and made extensive studies in botany and ancient medical lore, as well as in Tibetan and Chinese pharmacopoeia.

In the following year, on a trip back to New York for the opening of the Roerich Museum’s new premises, Roerich raised an issue that had been close to his heart for many years. Using the Red Cross as an example, he proposed a treaty for the protection of cultural treasures during times of both war and peace — a proposal he had unsuccessfully tried to promote in 1914. In consultation with lawyers versed in international law, he drafted a Pact, and suggested that a flag would be flown over all places under its protection. This flag he called the Banner of Peace. The design of the Banner shows three spheres surrounded by a circle, in magenta color on a white background. Of the many national and individual interpretations of this symbol, the most usual are perhaps those of Religion, Art and Science as aspects of Culture, which is the surrounding circle; or of past, present, and future achievements of humanity guarded within the circle of Eternity. The symbol can be seen in the seal of Tamerlane, in Tibetan, Caucasian, and Scandinavian jewelry, and on Byzantine and Roman artifacts. The image of the Strasbourg Madonna is adorned with it. It can be seen in many of Roerich’s paintings, most notably Madonna Oriflamma, in which Woman is depicted as the carrier and defender of the Banner. In this sign and the motto, Pax Cultura, that accompanies it, is symbolized Roerich’s vision for humanity. As he wrote: “Let us be united — you will ask in what way? You will agree with me: in the easiest way, to create a common and sincere language. Perhaps in Beauty and Knowledge.” Roerich’s efforts to promulgate such a treaty resulted, finally, on April 15, 1935, in the signing by the nations of the Americas — members of the Pan American Union — of The Roerich Pact, in the White House in Washington. This is a treaty still in force. Many individuals, groups, and associations around the world continue to promote awareness of the Pact, the Banner, and their underlying principles.

It is in his Himalayan paintings that one most easily finds evidence of the loftiness of spirit and sense of mission that led Roerich to attempt the tasks he set for himself. In them can be seen the sense of drama, the urgency of a message to send or receive, a traveler to greet, a mission to perform, a path to travel. The towering mountains stand for the spiritual goals that humanity must set for itself. Roerich urges people on to their spiritual destiny and reminds them of their duty to prepare for the New Era in which Rigden Jyepo will gather his army and under the Banner of Light defeat the host of darkness. Roerich the warrior was already armed and mounted; he sought to muster his army for the battle, and bid that their breastplates bear the word “culture.”

The pursuit of refinement and beauty was sacred for Roerich. He believed that although earthly temples and artifacts may perish, the thought that brings them into existence does not die but is part of an eternal stream of consciousness — man’s aspirations nourished by his directed will and by the energy of thought. Finally, he believed that peace on Earth was a prerequisite to planetary survival and the continuing process of spiritual evolution, and he exhorted his fellow man to help achieve that peace by uniting in the common language of Beauty and Knowledge.

Nicholas Roerich died in Kullu on December 13, 1947. His body was cremated and its ashes buried on a slope facing the mountains he loved and portrayed in many of his nearly seven thousand works.

Or view the video on the server at:
https://video.tsemtulku.com/videos/NicholasRoerichDocumentary.mp4

 


 

MANJU KAK ON NICHOLAS ROERICH

Nicholas Roerich’s influence and legacy in the fields of art, exploration and spirituality cannot be underestimated. There have been a number of books written about his life and works, and one of them is edited by award winning writer Manju Kak. She is an author, critic, and art and cultural historian. She holds a Ph.D. in Art History from the National Museum, New Delhi, and has worked as a Visiting Professor at learning institutions all over the world, including in the UK, and Hong Kong. It is in the book entitled ‘Nicholas Roerich – A Quest & A Legacy’ that the 21 scholarly articles give details about Nicholas being an artist and spiritual thinker. The book seeks to answer the controversies surrounding him from various perspectives, showcasing his brilliance in an illuminating manner.

NicholasRoerichBook

 

Or view the video on the server at:
https://video.tsemtulku.com/videos/ManjuKakOnNicholasRoerich.mp4

Manju Kak was interviewed about the book by journalist Sunil Sethi, and explains her fascination with Himalayan ethnography and culture, as well as what makes Nicholas Roerich and his work so special.

 


 

Nicholas Roerich (1874 – 1947)

Tsong-Kha-Pa. Drawing. 1924

Maitreya. Album leaf. 1932

 

Hidden Treasure. From “Heroica” suite. 1917.
Oil tempera on canvas. 48.5 x 76.5 cm

Bridge of Glory 1923.
Tempera on canvas. 82 x 163 cm

Drops of Life. From “Sikkim” series. 1924.
Tempera on canvas. 74 x 117.5 cm

Mother of the World. 1930s
Tempera on canvas mounted on cardboard. 98 x 65.5 cm

Path to Tibet. 1925
Tempera on canvas mounted on cardboard. 30.5 x 40.5 cm.
Nicholas Roerich Museum, New York

Krishna. From “Kulu” series. 1929
Tempera on canvas. 74 x 118 cm

St. Panteleimon the Healer. 1931
Tempera on canvas. 44.5 x 78.5 cm

The Greatest and Holiest of Tangla. 1932
Tempera on canvas. 61.5 x 97 cm.
Nicholas Roerich Museum, New York

Himalayas. 1933
Tempera on canvas. 74.5 x 118 cm.
Nicholas Roerich Museum, New York

Most Sacred (Treasure of the Mountain). 1933
Tempera on canvas. 73.5 x 117 cm.
Nicholas Roerich Museum, New York

Mount of Five Treasures (Two Worlds).
From “Holy Mountains” series. 1933
Tempera on canvas. 47 x 79 cm

Path to Shambhala. 1933.
Tempera on canvas. 46.5 x 78.5 cm

Tibet. Himalayas. 1933.
Tempera on canvas. 74 x 117 cm

Great Spirit of the Himalayas. 1934
Tempera on canvas. 76.5 x 103 cm.
Nicholas Roerich Museum, New York

Kanchenjunga. 1936
Tempera on canvas. 60.5 x 99 cm.
Nicholas Roerich Museum, New York

Star of the Hero. 1936.
Variant of “Star of the Hero” (1932)
Tempera on canvas. 92 x 122 cm

Tempera on canvas mounted on cardboard. 98 x 65.5 cm

Overseas Guests. 1901
Oil on canvas. 85 x 112.5 cm.
State Tretyakov Gallery, Moscow

Building the Ships. 1903
Oil on canvas. 108 x 142.5 cm.
State Museum of Oriental Art, Moscow

Uglich. Monastery of the Resurrection. 1904
From “Studies from journey through old Russian towns”.
Oil on panel. 46 x 83 cm.
State Russian Museum, St. Petersburg

Slavs on the Dnieper. 1905
Tempera on cardboard. 67 x 89 cm.
State Russian Museum, St. Petersburg

Treasure of the Angels. Mural design. 1905
Oil on canvas. 321.5 x 367 cm.
Private collection

Polovtsian Camp. Décor for Borodin’s opera “Prince Igor”. 1908 (from a reproduction)
For Diaghilev’s production, Théâtre Châtelet, Paris, 1909
Pastel, gouache, charcoal on paper mounted on cardboard. 52 x 70.5 cm
State Tretyakov Gallery, Moscow

Idols (Pagan Russia). 1910 (begun in 1901) (from a reproduction)
Tempera on canvas. 157.5 x 170 cm.
Whereabouts unknown

Battle in the Heavens. 1912
Tempera on cardboard. 66 x 95 cm.
State Russian Museum, St. Petersburg

Kiss to the Earth. 2nd variant.
Décor for Stravinsky’s ballet “Le Sacre du Printemps”. 1912
For Diaghilev’s production, Théâtre des Champs-Élysées, Paris, 1913
Tempera and pastel on cardboard. 62 x 94 cm.
State Russian Museum, St. Petersburg

Décor for Ostrovsky’s play “Snegurochka”. 1912
For Ostrovsky’s play; Reineke Russian Theatre, St.Petersburg, 1912
Tempera on cardboard. 56 x 70 cm.
State Russian Museum, St. Petersburg

Cry of the Serpent. 1914
Tempera on panel. 84 x 98 cm.
Pskov History and Art Museum, Russia

Procopius the Blessed Prays for the Unknown Travelers. 1914.
Tempera on cardboard. 70 x 105 cm.
State Russian Museum, St. Petersburg

Birds of the Morning (Messengers of Morn). 1917
Oil tempera on canvas. 49 x 77 cm.
Private collection

Holy Island. 1917.
Tempera on canvas. 49 x 77 cm.
State Russian Museum, St. Petersburg

Knight of the Evening.
From “Eques Æternus” suite. 1918
Oil tempera on panel. 44.5 x 72.5 cm.
University of North Carolina, Charlotte, USA

Karelia landscape (Lake Ladoga). 1918 .
Oil tempera on panel. 47 x 84 cm.
Private collection, USA

Red Mountains. Santa Fe. 1921 .
Tempera on cardboard. 45.5 x 77 cm.
N.Roerich International Centre-Museum, Moscow

Monhegan, Maine. From “Ocean” series. 1922
Tempera on cardboard. 54.5 x 81 cm.
N.Roerich International Centre-Museum, Moscow

And We Open the Gates. From “Sancta” series. 1922
Tempera on canvas. 71 x 101.5 cm.
N.Roerich International Centre-Museum, Moscow

The Miracle. From “Messiah” series. 1923
Tempera on canvas. 74 x 209.5 cm.
State Museum of Oriental Art, Moscow

She Who Leads. From “His Country” series. 1924
Tempera on canvas. 89 x 116.5 cm.
N.Roerich International Centre-Museum, Moscow

Buddha, the Conqueror.
From “Banners of the East” series. 1925
Tempera on canvas. 73.5 x 118 cm.
Private collection, Moscow

Maitreya, the Conqueror.
From “Maitreya” suite. 1926 (or end of 1925)
Tempera on canvas. 73 x 101 cm.
Nizhnii Novgorod State Art Museum, Russia

Steed of Good Fortune.
From “Maitreya” suite. 1926 (or end of 1925)
Tempera on canvas. 72 x 101 cm.
Nizhnii Novgorod State Art Museum, Russia

Command of Rigden Djapo. 1926–27
Tempera on canvas. 61 x 120 cm.
Private collection, Moscow

Rocks of the Buddhist Caves. 1927 or 1928
Tempera on canvas mounted on cardboard. 29 x 40 cm.
Private collection, USA

Shekar Dzong. 1928
Tempera on canvas. 76 x 142 cm.
Private collection, Moscow

Flowers of Timur. 1931 .
Tempera on canvas. 75 x 118 cm.
State Museum of Oriental Art, Moscow

Devidar Narsinga. 1932 .
Tempera on canvas. 74 x 117 cm.
Allahabad Museum, India

Stronghold of Tibet. 1932
Tempera on canvas. 46.5 x 79 cm.
State Museum of Art, Riga, Latvia

All ridge. 1924
Himalayan Mountains

Descent into Hell. 1933
Tempera on canvas. 61 x 50 cm.
State Museum of Oriental Art, Moscow

St. Sergius Chapel. 1936.
Tempera on canvas. 61 x 99.5 cm.
State Museum of Art, Riga, Latvia

Himalayas. 1936
Tempera on cardboard. 30.5 x 45.5 cm.
State Museum of Art, Riga, Latvia

Compassion. 1936
Tempera on canvas. 61.5 x 92.5 cm.
State Museum of Art, Riga, Latvia

Mongolia. 1937 or 1938
Tempera on canvas. 92 x 123 cm.
State Museum of Oriental Art, Moscow

Voice of Mongolia. 1937
Tempera on canvas. 45.5 x 78.5 cm.
State Museum of Oriental Art, Moscow

Changthang. Northern Tibet. 1939
Tempera on canvas. 61 x 91.5 cm.
State Museum of Oriental Art, Moscow

Message to Tiron. 1940 .
Tempera on canvas. 76 x 124 cm.
State Museum of Oriental Art, Moscow

Northern Midnight. 1940
Tempera on canvas. 76 x 123 cm.
State Russian Museum, St. Petersburg

Awaiting One. 1941 Variant of “They Are Waiting” (1917)
Tempera on canvas. 62 x 123 cm.
State Russian Museum, St. Petersburg

Gesar Khan. 1941 .
Tempera on canvas. 91 x 152.5 cm.
Private collection, Moscow

Beneficial Herbs (Vasilisa the Beautiful). 1941
Tempera on canvas. 76 x 121.5 cm.
State Museum of Oriental Art, Moscow

Boris and Gleb. 1942
Tempera on canvas. 61 x 123 cm.
State Russian Museum, St. Petersburg

Prince Igor’s Campaign. 1942
Tempera on canvas. 62 x 122 cm.
State Russian Museum, St. Petersburg

Lao Tze. 1943
Tempera on canvas. 38 x 122 cm.
State Museum of Oriental Art, Moscow

Song of Shambhala. 1943
Tempera on canvas. 79 x 137 cm.
State Museum of Oriental Art, Moscow

Mountain Lake. Baralacha Pass. 1944
Tempera on canvas. 61 x 123 cm.
State Russian Museum, St. Petersburg

Beda the Preacher. 1945
Tempera on canvas. 71.5 x 130 cm.
State Art Museum, Novosibirsk, Russia

Brahmaputra. 1945
Tempera on canvas. 41 x 103 cm.
State Museum of Oriental Art, Moscow

Krishna. 1946
Tempera on canvas. 79 x 154 cm.
State Russian Museum, St. Petersburg

Abode of Gesar. 1947
Tempera on canvas. 61 x 102 cm.
State Museum of Oriental Art, Moscow

Command of the Master. 1947 Last work of the artist.
Variant of “Command of the Master” (1931)
Tempera on canvas. 84 x 153 cm.
State Museum of Oriental Art, Moscow

Hidden Treasure. 1947 Variant of “Hidden Treasure” (1917) Tempera on canvas.
91 x 150 cm. State Museum of Oriental Art, Moscow

Lhasa. 1947
Tempera on canvas. 92 x 154 cm.
State Russian Museum, St. Petersburg

Lights on the Ganges. 1947
Tempera on canvas. 82 x 137 cm.
State Russian Museum, St. Petersburg

In Thought. 1946
Tempera on canvas. 60.5 x 103 cm.
State Museum of Oriental Art, Moscow

Himalayas. c. 1936–47
Tempera on cardboard. 28 x 44 cm.


Banner of the East

Buddha, the Conqueror. 1925
Tempera on canvas. 73.5 x 118 cm.
Private collection, Moscow

Confucius, the Just One. 1925
Tempera on canvas. 73.5 x 117 cm.
Bolling collection, USA

Dorje, the Daring One. 1925
Tempera on canvas. 74 x 117.5 cm.
Nicholas Roerich Museum, New York

En-no-Gyoja, the Friend of the Travelers. 1925
Tempera on canvas. 74 x 118 cm.
Private collection, Russia

Lao Tze. 1924
Tempera on canvas. 73.5 x 117 cm.
Bolling collection, USA

Milarepa, the One Who Harkened. 1925
Tempera on canvas. 73.5 x 117.5 cm.
Nicholas Roerich Museum, New York

Mohammed on Mount Hira. 1925
Tempera on canvas. 73 x 117 cm.
Private collection, Moscow

Moses, the Leader. 1925 Tempera on canvas. 73.5 x 119.5 cm.
Private collection, Russia

Nagarjuna, the Conqueror of the Serpent. 1925
Tempera on canvas. 73.5 x 117.5 cm.
N.Roerich International Centre-Museum, Moscow

Oirot, the Messenger of the White Burkhan. 1925
Tempera on canvas. 73 x 117 cm.
N.Roerich International Centre-Museum, Moscow

Padma Sambhava. 1924
Tempera on canvas. 74 x 117 cm.
Nicholas Roerich Museum, New York

The Chalice of Christ. 1925
Tempera on canvas. 75 x 117 cm.
Private collection, Moscow

The Serpent of Wisdom. 1924
Tempera on canvas. 74 x 117 cm.
Private collection, Moscow

Tsong-Kha-Pa. 1924 (from a reproduction)
Tempera on canvas. 73.5 x 117 cm.
Private collection


Buddhist Art

Wular Lake.
From “Lakes and Gilgit Path” series. 1925
Tempera and charcoal on paper mounted on cardboard. 25 x 35.5 cm
Private collection, New York

The Holies.
From “Tibetan Path” series. 1924 (from a monotone print)
Tempera. 31 x 47 cm.
Private collection, New York

The Holies.
From “Tibetan Path” series. 1924
Private collection

NR066 Temple of Naggar.
From “Kulu” series. 1929
Tempera on canvas. 74.5 x 118 cm.
Private collection, USA

Song of the Waterfall. Décorative panel.
From “Dreams of Wisdom” series. 1920
Tempera on canvas. 235 x 122 cm.
Nicholas Roerich Museum, New York

Pir Panjal.
From the series of the same title. 1925
Tempera on canvas mounted on cardboard. 65.5 x 98 cm.
Nicholas Roerich Museum, New York

Path to Kailas.
From “Holy Mountains” series. 1933
Tempera on canvas. 46.5 x 79 cm.
Nicholas Roerich Museum, New York

Nag Lake.
From “Lakes and Gilgit Path” series. 1925
Tempera on canvas. 47 x 79.5 cm.
Private collection

Mount of Five Treasures (Two Worlds).
From “Holy Mountains” series. 1933
Tempera on canvas. 47 x 79 cm.
Nicholas Roerich Museum, New York

Himalayas.
From “Holy Mountains” series. 1933
Tempera on canvas. 47 x 79 cm.
State Museum of Oriental Art, Moscow

Gobshi.
From “Tibetan Path” series. 1924
Tempera on canvas mounted on cardboard. 31 x 47.5 cm
N.Roerich International Centre-Museum, Moscow

Bharagarh Fort.
From “Kulu” series. 1929
Tempera on canvas mounted on cardboard. 32 x 41.5 cm.
Nicholas Roerich Museum, New York

Gumran.
From “Lahul” series. 1932
Tempera on canvas. 47 x 79.5 cm.
State Museum of Oriental Art, Moscow

Arjuna.
From “Kulu” series. 1929
Tempera on canvas. 74.5 x 118 cm.
N.Roerich International Centre-Museum, Moscow

Dal Lake.
From “Lakes and Gilgit Path” series. 1925
Tempera on canvas. 62.5 x 81.5 cm.
Private collection

Palden Lhamo.
1932. Tempera on canvas. 81.4×127 cm.
Nicholas Roerich Museum, New York


Major Collection

Bhagavan. 1931
Tempera on canvas. 45 x 79 cm

Compassion. 1936
Tempera on canvas. 61.5 x 92.5 cm

Fujiyama. 1936
Tempera on cardboard. 30.5 x 45.5 cm

Ladakh. 1937
Tempera on cardboard. 31 x 46 cm

Lake of the Nagas. Kashmir. 1937
Tempera on cardboard. 31 x 46 cm

Madonna Laboris. Study. 1936
Tempera on cardboard. 31 x 46 cm

Maitreya. Album leaf. 1932
Tempera on paper. 25 x 36.5 cm

Maitreya. Album leaf. 1932
Tempera on paper. 25 x 36.5 cm

Om Mani Padme Hum. 1932
Tempera on canvas. 45 x 79 cm

On the Heights (Tumo). 1936
Tempera on canvas. 92 x 122 cm

St. Sergius Chapel. 1936
Tempera on canvas. 61 x 99.5 cm

Stronghold of Tibet. 1932
Tempera on canvas. 46.5 x 79 cm

The Path. 1936
Tempera on canvas. 91.5 x 122 cm

Tibet. Evening. 1937
Tempera on cardboard. 31 x 46 cm

Tsong-Kha-Pa. Drawing. 1924
Black chalk, gouache on paper. 51 x 32 cm


His Country 1924

Book of Wisdom. 1924
Tempera on canvas. 88.5 x 117 cm.
Bolling collection, USA

He Who Hastens. 1924
Tempera on canvas. 89.5 x 116.5 cm.
Nicholas Roerich Museum, New York

Higher than the Mountains. 1924
Tempera on canvas. 73.5 x 117 cm.
Private collection, Russia

Lower than the Depths. 1924
Tempera on canvas. 90 x 115.5 cm.
Private collection

“Remember” 1924
Tempera on canvas. 87.5 x 117.5 cm.
Nicholas Roerich Museum, New York

She Who Leads. 1924
Tempera on canvas. 89 x 116.5 cm.
N.Roerich International Centre-Museum, Moscow

Treasure of the World. 1924
Tempera on canvas. 88.5 x 116.5 cm.
Nicholas Roerich Museum, New York


Sikkim 1924

Drops of Life. 1924
Tempera on canvas. 74 x 117.5 cm.
Nicholas Roerich Museum, New York

Himalayas. 1924
Tempera on canvas. 73 x 116 cm.
Private collection, USA

Mother of Tourfan. 1924
Tempera on canvas.
Private collection, USA

Namtse. 1924
Tempera on canvas. 73 x 116 cm.
Private collection, USA

Pemayangtse. 1924 (from a monochrome photograph)
Tempera on canvas.
Whereabouts unknown

Red Lama. 1924
Tempera on canvas. 73.5 x 142 cm.
Private collection, USA

Rinchenpong. 1924
Tempera on canvas. 73.5 x 118 cm.
Private collection, USA

Sacred Gift. 1924
Tempera on canvas. 90 x 118 cm.
State Museum of Oriental Art, Moscow

Sangacheling. 1924
Tempera on canvas. 73.5 x 117 cm.
Private collection, New York

Silhouette. 1924
Tempera on canvas. 73.5 x 117 cm.
Private collection, USA

Steps to the Himalayas. 1924
Tempera on canvas. 72 x 114.5 cm.
Private collection, USA

Suburgan of Tashiding. 1924
Tempera on canvas. 88.5 x 117 cm.
Private collection, USA

Suburgan of Tashiding. 1924
Tempera on canvas. 88.5 x 117 cm.
Private collection, USA


Maitreya 1924

Banners of the Coming One. 1926 (or end of 1925)
Tempera on canvas. 72 x 100.5 cm.
Nizhnii Novgorod State Art Museum, Russia

Power of the Caves. 1926 (or end of 1925)
Tempera on canvas. 72.5 x 101 cm.
Nizhnii Novgorod State Art Museum, Russia

Steed of Good Fortune. 1926 (or end of 1925)
Tempera on canvas. 72 x 101 cm.
Nizhnii Novgorod State Art Museum, Russia

The March of Shambhala. 1926 (or end of 1926)
(from a monochrome photograph)
Tempera. Whereabouts unknown

Walled Stronghold. 1926 (or end of 1925)
Tempera on canvas. 73 x 101 cm.
Nizhnii Novgorod State Art Museum, Russia

Whispers of the Desert. 1926 (or end of 1925)
Tempera on canvas. 72.5 x 100.5 cm.
Nizhnii Novgorod State Art Museum, Russia


Others

Waves of Mist. 1924
Tempera on canvas mounted on cardboard. 30 x 40 cm.
Nicholas Roerich Museum, New York

The Great Sacrifice. 2nd variant. 1912
For Diaghilev’s production, Théâtre des Champs-Élysées, Paris, 1913
Tempera on cardboard. 51.5 x 73 cm.
N.Roerich International Centre-Museum, Moscow

The Great Sacrifice. 1st variant. 1910 (from a reproduction)
For Diaghilev’s production, Théâtre des Champs-Élysées, Paris, 1913
Tempera and pastel on cardboard. 54 x 75 cm.
Ia.A.Umanskaia collection, Kiev

Sanctuaries and Citadels. 1926
Tempera on canvas. 66 x 99 cm.
Private collection, USA

Sanctuaries and Citadels. 1925
Tempera on canvas mounted on cardboard. 65 x 96.5 cm.
Private collection

Sanctuaries and Citadels. 1925
Tempera on canvas. 50.5 x 70.5 cm.
N.Roerich International Centre-Museum, Moscow

Sanctuaries and Citadels. 1925
Tempera on canvas. 66 x 99 cm.
Private collection, USA

Kiss to the Earth. 2nd variant. 1912
For Diaghilev’s production, Théâtre des Champs-Élysées, Paris, 1913
Tempera and pastel on cardboard. 62 x 94 cm.
State Russian Museum, St. Petersburg

Kiss to the Earth. 3rd variant. Scenery sketch. 1912
For Diaghilev’s production, Théâtre des Champs-Élysées, Paris, 1913
Watercolor and ceruse on paper. 14.7 x 19.5 cm.
I.V.Koretskaia collection, Moscow

Kiss to the Earth. 1st variant. 1912
For Diaghilev’s production, Théâtre des Champs-Élysées, Paris, 1913
Tempera on cardboard. 56 x 81 cm.
State Russian Museum, St. Petersburg

 

 
Source: http://www.roerich.org/wwp.html
 
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23 Responses to Nicholas Roerich & art (1874-1947)

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  1. Samfoonheei on Apr 7, 2018 at 12:00 pm

    Nicholas Roerich a man of multi talent , was a Russian painter, writer, archaeologist, theosophist, perceived by some in Russia as an enlightener, philosopher, and so forth. Even though he was a an artist by training and a lawyer but he was more interested in literature. He was a dedicated activist for the cause of preserving art and architecture during times of war. His paintings can be seen in several museums worldwide and had earned several awards for his works. His art collections was amazing which includes spiritual paintings and depictions of Tibet, Lama Tsongkhapa and Buddha Maitreya . Each of the paintings tells us a beautiful story which I loved to see. We are indeed fortunate to see those beautiful paintings from a great artist. Those paintings speaks a thousands words.
    Thank you Rinpoche for this interesting sharing and beautiful paintings.

  2. Stella Cheang on Nov 26, 2016 at 4:06 pm

    Thank you very much Rinpoche, for sharing with us the biography of Nicholas Roerich as well as a selection of his beautiful paintings. The captivating artwork is a representation of the life of a great explorer, philosopher, traveler and spiritualist, And I agree too that the work has a deep sense of soulfulness that goes beyond mere skin deep beauty. They are very enriching in a spiritual sense.

  3. sandra on Feb 26, 2015 at 2:03 am

    Clearly Nicholas was a very intelligent, creative, talented and well- travelled man. I love his paintings- those of the Himalayas look exquisite and very easy to do although I am sure that is not the case. I might share this article with a sister/acquaintance who is interested in art and will study it at university in the new term. I think she’d like it. Thank you Rinpoche for the extensive collection you have compiled here.

  4. Cheats Destiny on Oct 20, 2014 at 8:19 am

     No coincido en consonancia con nada en absoluto de lo
    que has blogueado. No hay documentacion ni da la impresion que te
    hayas informado con anterioridad de escribir.

  5. Dolma on Aug 15, 2014 at 9:40 pm

    Tashi Delek,
    There is a big Roerich gallery in nagar in Himachal Pradesh ( in between kullu and manali) I am tibetan born and brought up in that region and there is no doubt of Roerich envision and travelogue expressed in his arts.. I always wondered about his paints, drawings of the Himalayan landscape and his journeys of his time..
    I am new to your blog but it gave me lots of informations and I look forward reading me.
    Thank you
    Dolma

  6. Edwin Tan on May 4, 2014 at 3:29 pm

    Thank you Rinpoche, for sharing Nicholas Roerich’s artworks.

    They are all vividly painted. He is so talented in all fields and did his best to have the Pact drawn up to protect the Arts and Culture.

    I like how he is so inclined to spirituality and have many of the works done of different religions and portray them so stunningly.

    Thank you.

  7. Irene Lim on Apr 2, 2014 at 6:26 am

    Such exquisite expression of spirituality, experiences, travelogue and architectural all captured through brush and paint in canvas. Through Nicholas Roerich’s paintings, they each tell a story of a subject and from each painting it also revealed the openness, knowledge and intelligence of Nicholas Roerich.

  8. Li Kheng on Mar 31, 2014 at 2:46 pm

    Wow, wow, wow!!!

    Powerful knowledge to read about a man of vision who taught us about “cross fertilization” and the benefits of connection of differences harmoniously. Individuals like Roerich prompts to be buck up because we are supposed to the the advanced generation who is reaping the benefits of outer and inner wealth accumulated for us by our forefathers and mothers.

    How could it be that, we, people of the 21st century act with rejection to differences when, 1 century ago, Roerich has already established a pact to promoted connectivity and harmony of religion, culture, tradition and resources?

    This vision of Roerich especially strikes me because it is aligned to the vision of Tsem Rinpoche for Kechara Forest Retreat where Rinpoche intend to build a conscious community based on 7 tenets that include: embrace difference because it enriches us.

    Thank you Rinpoche for this mind-opening blog. May more read it and enjoy the message as much as I did!

  9. Ruby Khong on Mar 30, 2014 at 8:40 am

    This is an excerpt that I stumbled upon on http://www.artexpertswebsite.com/pages/artists/roerich.php. Such was Roerich’s and his family’s fascination and interest with the Himalayans and Central Asia, against all odds:

    The Roerichs – together with their son George and six friends – went on the five-year long ‘Roerich American Expedition’ that, in Roerich’s own words: “started from Sikkim through Punjab, Kashmir, Ladakh, Karakorem mountains, Khotan, Kashgar, Qara Shar, Urumchi, Irtysh, Altai Mountains, Oryot region of Mongolia, Central Gobi, Kansu, Tsaidam, Tibet.” with a detour through Siberia to Moscow in 1926. Between Summer 1927 and June 1928 the expedition was thought to be lost, since all contact from them ceased for a year. They had been attacked in Tibet and only the “Superiority of our firearms prevented bloodshed. … In spite of Tibet passports, expedition forcibly stopped by Tibetan authorities”. The Expedition was detained by the government for five months, and forced to live in tents in sub-zero conditions and meagre rations. Five men of the expedition died at this time. In March of 1928 they were allowed to leave Tibet, and trekked south to settle in India, where they founded a research center, the Himalayan Research Institute.

  10. Sean Wang on Mar 29, 2014 at 11:24 pm

    Thank you, Rinpoche for sharing with us the brilliant masterpieces by Nicholas Roerich. His art is unique and I value uniquity and individuality. The hues are vibrant with the colours of the times showing strong emotions he had towards Buddhism.

  11. Sharon Ong on Mar 28, 2014 at 11:52 pm

    Thank you for this fantastic post, Rinpoche. Admittedly, I am not well acquainted with Roerich’s works until your post. He has many gorgeous pieces but I really like those pieces that reminds me of Monet’s famous pastel hued masterpieces. I can’t help but wonder if his Mother of the World is his interpretation of Tara or Mother Mary. The fact that he painted her face partially hidden adds to the mystery. I wonder what is Rinpoche’s take on this. With folded hands.

  12. Patsy on Dec 2, 2013 at 4:42 pm

    I love all the paintings! Nicholas Roerich is such a talented painter and he expressed well his thoughts and feelings through all these beautiful and mystical masterpieces!!! Thank you, Rinpoche, for sharing.

  13. henry ooi on Dec 2, 2013 at 3:57 pm

    Beautiful and awesome works of art splendidly expressed on art materials.
    Thank you, Rinpoche, for reposting.

  14. Low KHJB on May 12, 2013 at 9:49 pm

    Thank you for the sharing Rinpoche.Nicholas Roerich style of art is indeed timeless.He must have spent a lot of time traveling to different continents to understand the world better before developing his creative inspiration to bring life to the canvas.We could see in his creations that he has a tendency to highlight the embodiment of nature and human quest of serenity through religion of various forms.
    His interpretation of Buddhism art is profound and tastefully expressed through an westerner eyes.

  15. Sharon Saw on May 11, 2013 at 11:06 pm

    Nicholas Roerich is such a prolific artist… and a spiritual one too. I love his different treatments of different scenes, which are very evocative. Religious art can be so inspiring for people’s faith. I would dearly love to travel and sketch similar scenes one day. It’s been awhile since i did that and never in Asia. The Kiss to the Earth (first variant) reminds me of Kechara Forest Retreat!

  16. Wan Wai Meng on May 2, 2013 at 12:33 am

    The paintings are so alive and beautiful each and everyone one of them, seems like animated as well.

  17. Joy on May 2, 2013 at 12:01 am

    Amazing I looooove all his paintings. I wish I could paint like that!

    Brother, let us abandon

    all that rapidly changes.

    Otherwise we will not have time

    to turn our thoughts to that

    which is changeless for all.

    To the eternal.

    Not only is he an artist that paints, he is also a poet… I do not just see an artist… I see a spiritual artisan who is expressing his spiritual journey, experiences through art, and well as they say… a picture paints a thousand words. His is truly captivating that grows on to you beyond time because it has deep meaning behind it. Nicholas manages to capture the moment of the enchanting sacred mystical land and practices of Tibetan Buddhism. Every single painting tells a different story, environments and energy. Totally adore them!

  18. uncle eddie on Apr 20, 2013 at 5:19 pm

    Nicholas and his wife, Helena were said to be spiritual seekers, using and conveying their great understanding and experiences in their knowledge of the beauty of enchanting arts to promote spirituality. That’s why it can be seen that most of their paintings were featured in hidden treasures in mountains and water, said to be symbolising the search in high places for the truth that is hidden within us. Being great artists, they always create wonderful and beautiful paintings that were thoughts provoking, coupled with a deep sense of mysticism. In them can be seen the deep sense of Drama, the urgency of a message to send or receive a mission to be performed, and a path to be travelled. They believed that peace on earth was a prerequisite to planetary survival and exhorted all fellow beings to help achieve that peace, by “uniting in the common language of Beauty and knowledge.”

  19. Lim Han Nee on Apr 19, 2013 at 11:33 pm

    Nicholas and Helena Roerich were truly the superheroes of Russia in terms of their exploration of religion,mysticism, spirituality and philosophy through art and writing(Helena). I remember having come across Helena’s book on Buddhism and was intrigued that a Russian lady could have written on Buddhism.

    The art of Nicholas Roerich is like a paean of joy, a sacred tribute to spirituality and religion. From Jesus to Buddha, Maitreya, Tsongkhapa, Krishna and Brahmaputra,Confucius and Lao Tze,this pageant of religious figures reflect Nicholas’ belief in the oneness out of this diversity.There appears to be ,however, a distinct focus on Buddhism and Tibetan Buddhism.

    His love of mountains, particularly the Himalayas,is seen in the many paintings of mountain scenes in such lovely hues. The eternal spirit seems to dwell in these paintings.

  20. Leann Lim on Apr 17, 2013 at 6:39 pm

    Thank you Rinpoche for sharing this wonderful artwork from Mr. & Ms. Roerich. All the artwork so attracted our eyes, and repeat again and again to view the painting.

    With a great inspiration & open mind they have create this greatest painting ever have.. And it’s show through art & painting it’s another way of spiritual practice, as through the painting can deeply feel their higher spiritual mind they have.

    The painting i love so much is the Mother of the world and Moses, The Leader …so impressive…

  21. Sean Wang on Apr 16, 2013 at 7:36 pm

    I really love Nicholas Roerichs work. The contrasts seem to make his masterpieces out of time and surreal. I like how he likes to paint religious figures and does not just stay with one! He sparked a great milestone in term of influence for the Buddhist path of the west. A true hero of Dharma!

  22. David Lai on Apr 15, 2013 at 7:52 pm

    I love Nicholas Roerich too! I loved how he bathe his artwork with wonderful hues that seems to evoke a different time and place. I love all of his works particularly those of Tibet, its saints and deities because his work render them in a different manner. Its interesting because his discovery of Tibet coincides with the start of the Theosophical Society of Madame Blavatsky and because of her, there was a growing interest in the spiritual traditions of Asia, particularly of Buddhism. Although this marks a remarkable milestone in the West’s discovery of Buddhism. Anyway, the artwork itself is beautiful pieces and I particularly like the March from Shambala, which I found to be a refreshing perspective from the usual 2-D rendition in traditional depiction of a deity-warrior-king

  23. Jace Chong on Apr 14, 2013 at 7:34 pm

    Thanks Rinpoche for sharing with us the brilliant artworks from Mr. and Mr.s Roerich. The paintings are very very nice!

    I am surprised to read that they have such open mind during that era. They must had a fruitful mind trip after visiting so many places and got to know about different cultures and living.

    The painting that I like the most is Palden Lhamo =)

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This is the blog of H.E. Tsem Rinpoche. Please respect this space. We request that all participants here are respectful of H.E. Tsem Rinpoche and his organisation, Kechara.

Be polite

Avoid the use of language or attitudes which may be offensive to others. If someone is disrespectful to you, ignore them instead of arguing with them.

Please be advised that anyone who contravenes these guidelines may be banned from the chatroom. Banning is at the complete discretion of the administrator of this blog. Should anyone wish to make an appeal or complaint about the behaviour of someone in the chatroom, please copy paste the relevant chat in an email to us at care@kechara.com and state the date and time of the respective conversation.

Please let this be a conducive space for discussions, both light and profound.

KECHARA FOREST RETREAT PROGRESS UPDATES

Here is the latest news and pictorial updates, as it happens, of our upcoming forest retreat project.

The Kechara Forest Retreat is a unique holistic retreat centre focused on the total wellness of body, mind and spirit. This is a place where families and individuals will find peace, nourishment and inspiration in a natural forest environment. At Kechara Forest Retreat, we are committed to give back to society through instilling the next generation with universal positive values such as kindness and compassion.

For more information, please read here (english), here (chinese), or the official site: retreat.kechara.com.

Noticeboard

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  • S.Prathap
    Tuesday, Sep 24. 2019 04:33 PM
    Gyeongsng is one of the the eight provinces in Korea and boasts huge mountain ranges,beautiful parks and amazing islands.Gyeongsang sounds like a very beautiful and spiritual pace for visit.It looks like more than just beautiful landscape with so many attractions to offer to local and tourist.Thank you very much for sharing beautiful article with us.

    Read more : https://bit.ly/2meElsJ
  • Yee Yin
    Tuesday, Sep 24. 2019 03:46 PM
    This is a very nice teaching on karma, cause and effect. When we are kind and loving, we will naturally attract people who are the same. Sometimes we only treat people who are nice to us nicely. For people who we don’t like, we don’t show them the same kindness. If we really want to practice what Buddha Shakyamuni has taught, we have to change this attitude. We should always be nice to people regardless how they treat us.

    When we are kind to people, it should be without an agenda. Being kind is our nature, it should not be with conditions. If we always talk about world peace, this is how we can contribute towards it. Be kind and be nice.

    https://www.tsemrinpoche.com/tsem-tulku-rinpoche/inspiration-worthy-words/what-is-your-choice.html
  • nicholas
    Tuesday, Sep 24. 2019 02:39 PM
    In the morning of 17 November 2013, Joanna suddenly experienced sharp pains and her water broke, alarmingly with traces of blood. She was immediately admitted into the hospital for emergency checkup and delivery. Joanna was in pain throughout the night and continuously recited Dharmapala Setrap’s mantra and prayed to Rinpoche for a smooth and safe delivery for both mother and child. Outside the delivery room, Joanna’s family members also recited Setrap’s mantra non-stop, seeking his blessings and protection while Kechara’s Puja House Team performed an emergency Setrap Puja for both Joanna and her baby.

    Finally at 11.50pm, Joanna collapsed with an asthma attack and the doctors decided to perform an emergency cesarean. As the doctor prepared to make the first incision, the baby’s head miraculously started to emerge and shortly after, baby Jamyang was born. Worryingly, his body was turned purplish due to the long labour but thanks to the blessings of the Guru and Three Jewels, he recovered very quickly.

    Read more about Jamyang at http://bit.ly/2lhasb9
  • nicholas
    Tuesday, Sep 24. 2019 02:27 PM
    We were at Whole Foods Market buying items for offerings. Rinpoche likes Whole Foods because it sells organic groceries which are kind to the earth and help people to lead a more compassionate lifestyle. With a wide range of vegetarian and vegan items, the store also provides Rinpoche with the opportunity to get interesting items for making offerings. Rinpoche always encourages us to make abundant offerings, especially of things we ourselves enjoy, because we need to generate a great amount of merit to support our spiritual practice. This is a topic Rinpoche has spoken frequently about in the past, for example in this teaching: https://www.tsemrinpoche.com/tsem-tulku-rinpoche/buddhas-dharma/floating-market-dharma-sharing-on-offerings.html

    As we were having lunch, Rinpoche spotted an elderly gentleman out in the cold soliciting donations for homeless veterans. Rinpoche watched him for a while, and saw he was greeting every single person with a smile and a very pleasant manner. Touched by his dedication to the less fortunate, Rinpoche immediately asked us to buy a hot coffee and pastry for him. We went outside and Rinpoche gave him the drink and pastry, and had a nice conversation with him. That is when we found out he is in his early 70s! The man said he had been fundraising for 2.5 years now, ever since his younger brother (who was a veteran) passed away in the hospital. After speaking for a little while, Rinpoche made a donation to the charity and bought some Christmas items from him. The man thanked him profusely and said Rinpoche was the nicest person he has ever met.

    http://bit.ly/2mKu8ob
  • nicholas
    Tuesday, Sep 24. 2019 02:20 PM
    Tsem Rinpoche is always on the lookout for needy people on the streets, be it beggars or poor street sellers…Rinpoche will buy food for them, or buy their merchandise in bulk to help those who are poor but sincere so that they can go home early and rest.

    This is the kind of love we should have for others instead of only focusing on our own pleasures.

    http://bit.ly/2kI8wbj
  • nicholas
    Tuesday, Sep 24. 2019 02:10 PM
    Tsem Rinpoche was travelling in Willow Creek, Northern California a few weeks ago. We were there to take in the various sights and areas that Rinpoche had been reading about since he was a child. It was a very exciting trip for everyone, especially for Rinpoche, because for many years now Rinpoche had spoken about Bigfoot and now there he was, in the epicenter of the Bigfoot world!

    One of the places we had to visit whilst in Willow Creek was the birthplace of the famous Bigfoot burger. Rinpoche was pretty insistent that we visit the Early Bird restaurant before we left the Willow Creek area. As soon as we entered, we realised why the insistence. Rinpoche walked in and immediately connected with the owner. Rinpoche then explained Green Tara and her practice to Ms. LeeAnn who was open, accepting and listened intently to everything Rinpoche said. Rinpoche ended the conversation by gifting LeeAnn with the Green Tara tsa tsa that you see in Rinpoche’s hands in this picture.

    Wherever Rinpoche goes, he always aims to give out at least one Buddha image during his outing, so that people can connect with the Three Jewels, whether it is through a tsa tsa, statue or pendant. For this reason, Rinpoche’s car always has a box of gifts on standby, full of books and other Dharma items, ready to be given away.

    http://bit.ly/2kMD77M
  • Yee Yin
    Tuesday, Sep 24. 2019 12:45 PM
    As more people are aware of how animals are cruelly killed, how much resources are wasted to keep the animals, more people have made a choice to change to a vegan diet. Another reason is that people are also more aware of how meat is harmful to our health.

    It is nice to know a supermarket that specialises in vegan products has opened its door to give people a healthier choice. Not only more supermarkets like this are opening, but more companies are also investing in producing plant-based products to replace meat. Some of the plant-based products have a texture and even a taste of meat. This will entice people to change their diet.

    https://www.tsemrinpoche.com/tsem-tulku-rinpoche/animals-vegetarianism/vegan-supermarket.html
  • Samfoonheei
    Tuesday, Sep 24. 2019 11:28 AM
    Interesting ……first time coming across this home made mosquito repellent recipe. Due to the tropical climate, in many urban and rural places there’s many cases of mosquitos that are harmful. To have this remedies will be wonderful as a protection. No harm trying this mosquito repellent after all. People have been looking for alternatives to synthetic mosquito repellents may find that this home made repellents effective in protecting them from bites. Mosquito bites often result in a small bump that can be itchy ,uncomfortable and can be deadly at times.
    Thank you Rinpoche for this sharing.

    https://www.tsemrinpoche.com/tsem-tulku-rinpoche/etc/home-made-mosquito-repellent.html
  • Samfoonheei
    Tuesday, Sep 24. 2019 11:27 AM
    Amazing ……incense. It is believed that, Ganden Khenpa incense was originally grown naturally around the sacred Ganden Monastery in Tibet. Almost every Tibetan household burns these Ganden Khenpa incense as it has a slightly bitter aroma, with a hint of mint. Burning this incense will somehow bringing the blessings of Lord Tsongkapa into your home, life and environment. It was founded by the great master Tsongkhapa and is an effective remedy for colds and flu and to purify polluted atmosphere.Wow…. it also beneficial remedies for rheumatism, arthritis, swelling, when soaked in hot bath, it reduces swelling in joints, and promotes blood circulation.
    Thank you Rinpoche and Bradley Kassian for this wonderful sharing.

    https://www.tsemrinpoche.com/tsem-tulku-rinpoche/etc/amazing-ganden-khempa.html
  • Samfoonheei
    Tuesday, Sep 24. 2019 11:26 AM
    Having a Dharma centre anywhere will surely benefit many sentient beings and the teachings of Buddha will spread then. To have such a centre, is where we can learn the whole path to liberation. Dharma centre is where Dharma will be preserved for the benefit of future generations. A powerful place for everyone to practice, develop, grow and contribute to the society.
    Kechara Forest Retreat has come a long way to where it is now. We have to thank Rinpoche and those involved. With Rinpoche compassion, guidance, inspiration of our guru, Tsem Rinpoche Kechara had seen grown from a small place to a retreat centre now.
    May Kechara continue to flourish and expand further with the second phase and third phase projects.
    Thank you Rinpoche for this sharing.

    https://www.tsemrinpoche.com/tsem-tulku-rinpoche/etc/dharma-centres.html
  • Sofi
    Monday, Sep 23. 2019 08:18 PM
    Mokele-Mbembe: The Last Living Dinosaur | 摩克拉姆贝贝: 地球上仅存的恐龙

    Dinosaur still in existence? This creature has been a mystery until current times where many search parties still had no luck in finding the truth of them.

    Read more here and share with us what you think: http://bit.ly/MokeleMbembe
  • Sofi
    Monday, Sep 23. 2019 07:56 PM
    Mount Wutai – The Earthly Abode of Lord Manjushri

    Of the places on this earth that Manjushri chooses to reside on, Wu Tai Shan has been closely associated with his beneficial wisdom energy for centuries. Hundreds and thousands of practitioners have made their way there to engage in practices. Everyone in their lifetime should do their best to go on pilgrimage to this holy abode of the Wisdom Buddha Manjushri, and to request Lord Manjushri’s blessings in their practice.

    Read more on this holy pilgrimage place here: http://bit.ly/MountWutai
  • nicholas
    Monday, Sep 23. 2019 04:58 PM
    A few years ago, I think in 2005, His Eminence Tsem Rinpoche and a few of us went to Kathmandu, Nepal to buy Buddha statues for our outlets in Malaysia, it was around July and it was a rainy season in Nepal, so it rained almost daily during the daytime and it made the shopping trip somewhat troublesome, because the statue shops in Nepal are mostly in Boudanath and it was not a covered shopping mall, you have to go from shop to shop in the rain. We were staying in Hyatt Regency Kathmandu then and it was raining quite heavily as we were waiting at the lobby for the taxis to bring us to Boudanath, Rinpoche commented that it was another tiresome rainy day, and he said to us “You guys wait here, I am going to talk to my friends”, then Rinpoche left the seat, walked towards the hotel entrance, and start staring at the gloomy sky while mumbling something. The few of us who looked at each other, and all turned to stared at Rinpoche, this lasted for about 5 minutes, then Rinpoche walked back to us and said “It’s ok now, I just talked to them and they are OK with it, we can leave soon.” True enough, in about 5 minutes, the downpour turned into drizzle, and we hopped into the taxis, by the time the taxis were speeding along the bustling streets of Kathmandu, the rain stopped completely.

    http://bit.ly/2m9CLIr
  • nicholas
    Monday, Sep 23. 2019 04:48 PM
    This is a warehouse full of Buddhist and non-Buddhist items, it is huge, but it is not the merchandise for any online shop, these are GIFTS, to be given out for free, these are His Eminence Tsem Rinpoche’s gifts to the world.

    Tsem Rinpoche first came to Malaysia 23 years ago, with only two suitcases of his monk robes, toiletries, Dharma books, and some protection chakras and talisman to give away to people, that’s all, no sponsor, no friends, no …students, no nothing. But Rinpoche has Dharma knowledge, kindness and compassion, and generosity, and he always gives, in the beginning he could only afford to give away Dharma books, protection talisman, “cheap” plastic Buddha statues to people that he met, but he continued to give, as much as he could, no matter how little he had.

    Read more about Rinpoche’s warehouse at http://bit.ly/2l01e2J
  • nicholas
    Monday, Sep 23. 2019 04:40 PM
    Rinpoche has been consistently assisting the underprivileged even at a time when he himself did not have very much. In Gaden Monastery, Rinpoche was well known to visit elderly Tibetan laypeople who were without families, to bring them food, gifts and spend some time with them. Rinpoche also raised funds for various social welfare initiatives, for example the Gaden Shartse Clinic as well as this community hall and nursery school in the local Tibetan refugee settlement who erected a sign as a token of appreciation for Rinpoche’s assistance.

    Read more about how Rinpoche helps people around him at http://bit.ly/2kNHIXq

1 · 2 · 3 · 4 · 5 · »

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Animal Care Fund
  Bigfoot, Yeti, Sasquatch

The Unknown

The Known and unknown are both feared,
Known is being comfortable and stagnant,
The unknown may be growth and opportunities,
One shall never know if one fears the unknown more than the known.
Who says the unknown would be worse than the known?
But then again, the unknown is sometimes worse than the known. In the end nothing is known unless we endeavour,
So go pursue all the way with the unknown,
because all unknown with familiarity becomes the known.
~Tsem Rinpoche

Photos On The Go

Click on the images to view the bigger version. And scroll down and click on "View All Photos" to view more images.
Third picture-Standing Manjushri Statue at Chowar, Kirtipur, Nepal.
Height: 33ft (10m)
2 months ago
Third picture-Standing Manjushri Statue at Chowar, Kirtipur, Nepal. Height: 33ft (10m)
Second picture-Standing Manjushri Statue at Chowar, Kirtipur, Nepal.
Height: 33ft (10m)
2 months ago
Second picture-Standing Manjushri Statue at Chowar, Kirtipur, Nepal. Height: 33ft (10m)
First picture-Standing Manjushri Statue at Chowar, Kirtipur, Nepal.
Height: 33ft (10m)
2 months ago
First picture-Standing Manjushri Statue at Chowar, Kirtipur, Nepal. Height: 33ft (10m)
The first title published by Kechara Comics is Karuna Finds A Way. It tells the tale of high-school sweethearts Karuna and Adam who had what some would call the dream life. Everything was going great for them until one day when reality came knocking on their door. Caught in a surprise swindle, this loving family who never harmed anyone found themselves out of luck and down on their fortune. Determined to save her family, Karuna goes all out to find a solution. See what she does- https://bit.ly/2LSKuWo
2 months ago
The first title published by Kechara Comics is Karuna Finds A Way. It tells the tale of high-school sweethearts Karuna and Adam who had what some would call the dream life. Everything was going great for them until one day when reality came knocking on their door. Caught in a surprise swindle, this loving family who never harmed anyone found themselves out of luck and down on their fortune. Determined to save her family, Karuna goes all out to find a solution. See what she does- https://bit.ly/2LSKuWo
Very powerful story! Tibetan Resistance group Chushi Gangdruk reveals how Dalai Lama escaped in 1959- https://bit.ly/2S9VMGX
2 months ago
Very powerful story! Tibetan Resistance group Chushi Gangdruk reveals how Dalai Lama escaped in 1959- https://bit.ly/2S9VMGX
At Kechara Forest Retreat land we have nice fresh spinach growing free of chemicals and pesticides. Yes!
3 months ago
At Kechara Forest Retreat land we have nice fresh spinach growing free of chemicals and pesticides. Yes!
See beautiful pictures of Manjushri Guest House here- https://bit.ly/2WGo0ti
3 months ago
See beautiful pictures of Manjushri Guest House here- https://bit.ly/2WGo0ti
Beginner’s Introduction to Dorje Shugden~Very good overview https://bit.ly/2QQNfYv
3 months ago
Beginner’s Introduction to Dorje Shugden~Very good overview https://bit.ly/2QQNfYv
Fresh eggplants grown on Kechara Forest Retreat\'s land here in Malaysia
4 months ago
Fresh eggplants grown on Kechara Forest Retreat's land here in Malaysia
Most Venerable Uppalavanna – The Chief Female Disciple of Buddha Shakyamuni - She exhibited many supernatural abilities gained from meditation and proved to the world females and males are equal in spirituality- https://bit.ly/31d9Rat
4 months ago
Most Venerable Uppalavanna – The Chief Female Disciple of Buddha Shakyamuni - She exhibited many supernatural abilities gained from meditation and proved to the world females and males are equal in spirituality- https://bit.ly/31d9Rat
Thailand’s ‘Renegade’ Yet Powerful Buddhist Nuns~ https://bit.ly/2Z1C02m
4 months ago
Thailand’s ‘Renegade’ Yet Powerful Buddhist Nuns~ https://bit.ly/2Z1C02m
Mahapajapati Gotami – the first Buddhist nun ordained by Lord Buddha- https://bit.ly/2IjD8ru
4 months ago
Mahapajapati Gotami – the first Buddhist nun ordained by Lord Buddha- https://bit.ly/2IjD8ru
The Largest Buddha Shakyamuni in Russia | 俄罗斯最大的释迦牟尼佛画像- https://bit.ly/2Wpclni
4 months ago
The Largest Buddha Shakyamuni in Russia | 俄罗斯最大的释迦牟尼佛画像- https://bit.ly/2Wpclni
Sacred Vajra Yogini
4 months ago
Sacred Vajra Yogini
Dorje Shugden works & archives - a labour of commitment - https://bit.ly/30Tp2p8
4 months ago
Dorje Shugden works & archives - a labour of commitment - https://bit.ly/30Tp2p8
Mahapajapati Gotami, who was the first nun ordained by Lord Buddha.
4 months ago
Mahapajapati Gotami, who was the first nun ordained by Lord Buddha.
Mahapajapati Gotami, who was the first nun ordained by Lord Buddha. She was his step-mother and aunt. Buddha\'s mother had passed away at his birth so he was raised by Gotami.
4 months ago
Mahapajapati Gotami, who was the first nun ordained by Lord Buddha. She was his step-mother and aunt. Buddha's mother had passed away at his birth so he was raised by Gotami.
Another nun disciple of Lord Buddha\'s. She had achieved great spiritual abilities and high attainments. She would be a proper object of refuge. This image of the eminent bhikkhuni (nun) disciple of the Buddha, Uppalavanna Theri.
4 months ago
Another nun disciple of Lord Buddha's. She had achieved great spiritual abilities and high attainments. She would be a proper object of refuge. This image of the eminent bhikkhuni (nun) disciple of the Buddha, Uppalavanna Theri.
Wandering Ascetic Painting by Nirdesha Munasinghe
4 months ago
Wandering Ascetic Painting by Nirdesha Munasinghe
High Sri Lankan monks visit Kechara to bless our land, temple, Buddha and Dorje Shugden images. They were very kind-see pictures- https://bit.ly/2HQie2M
4 months ago
High Sri Lankan monks visit Kechara to bless our land, temple, Buddha and Dorje Shugden images. They were very kind-see pictures- https://bit.ly/2HQie2M
This is pretty amazing!

First Sri Lankan Buddhist temple opened in Dubai!!!
4 months ago
This is pretty amazing! First Sri Lankan Buddhist temple opened in Dubai!!!
My Dharma boy (left) and Oser girl loves to laze around on the veranda in the mornings. They enjoy all the trees, grass and relaxing under the hot sun. Sunbathing is a favorite daily activity. I care about these two doggies of mine very much and I enjoy seeing them happy. They are with me always. Tsem Rinpoche

Always be kind to animals and eat vegetarian- https://bit.ly/2Psp8h2
4 months ago
My Dharma boy (left) and Oser girl loves to laze around on the veranda in the mornings. They enjoy all the trees, grass and relaxing under the hot sun. Sunbathing is a favorite daily activity. I care about these two doggies of mine very much and I enjoy seeing them happy. They are with me always. Tsem Rinpoche Always be kind to animals and eat vegetarian- https://bit.ly/2Psp8h2
After you left me Mumu, I was alone. I have no family or kin. You were my family. I can\'t stop thinking of you and I can\'t forget you. My bond and connection with you is so strong. I wish you were by my side. Tsem Rinpoche
4 months ago
After you left me Mumu, I was alone. I have no family or kin. You were my family. I can't stop thinking of you and I can't forget you. My bond and connection with you is so strong. I wish you were by my side. Tsem Rinpoche
This story is a life-changer. Learn about the incredible Forest Man of India | 印度“森林之子”- https://bit.ly/2Eh4vRS
4 months ago
This story is a life-changer. Learn about the incredible Forest Man of India | 印度“森林之子”- https://bit.ly/2Eh4vRS
Part 2-Beautiful billboard in Malaysia of a powerful Tibetan hero whose life serves as a great inspiration- https://bit.ly/2UltNE4
4 months ago
Part 2-Beautiful billboard in Malaysia of a powerful Tibetan hero whose life serves as a great inspiration- https://bit.ly/2UltNE4
Part 1-Beautiful billboard in Malaysia of a powerful Tibetan hero whose life serves as a great inspiration- https://bit.ly/2UltNE4
4 months ago
Part 1-Beautiful billboard in Malaysia of a powerful Tibetan hero whose life serves as a great inspiration- https://bit.ly/2UltNE4
The great Protector Manjushri Dorje Shugden depicted in the beautiful Mongolian style. To download a high resolution file: https://bit.ly/2Nt3FHz
4 months ago
The great Protector Manjushri Dorje Shugden depicted in the beautiful Mongolian style. To download a high resolution file: https://bit.ly/2Nt3FHz
The Mystical land of Shambhala is finally ready for everyone to feast their eyes and be blessed. A beautiful post with information, art work, history, spirituality and a beautiful book composed by His Holiness the 6th Panchen Rinpoche. ~ https://bit.ly/309MHBi
5 months ago
The Mystical land of Shambhala is finally ready for everyone to feast their eyes and be blessed. A beautiful post with information, art work, history, spirituality and a beautiful book composed by His Holiness the 6th Panchen Rinpoche. ~ https://bit.ly/309MHBi
Beautiful pictures of the huge Buddha in Longkou Nanshan- https://bit.ly/2LsBxVb
5 months ago
Beautiful pictures of the huge Buddha in Longkou Nanshan- https://bit.ly/2LsBxVb
The reason-Very interesting thought- https://bit.ly/2V7VT5r
5 months ago
The reason-Very interesting thought- https://bit.ly/2V7VT5r
NEW Bigfoot cafe in Malaysia! Food is delicious!- https://bit.ly/2VxdGau
5 months ago
NEW Bigfoot cafe in Malaysia! Food is delicious!- https://bit.ly/2VxdGau
DON\'T MISS THIS!~How brave Bonnie survived by living with a herd of deer~ https://bit.ly/2Lre2eY
5 months ago
DON'T MISS THIS!~How brave Bonnie survived by living with a herd of deer~ https://bit.ly/2Lre2eY
Global Superpower China Will Cut Meat Consumption by 50%! Very interesting, find out more- https://bit.ly/2V1sJFh
5 months ago
Global Superpower China Will Cut Meat Consumption by 50%! Very interesting, find out more- https://bit.ly/2V1sJFh
You can download this beautiful Egyptian style Dorje Shugden Free- https://bit.ly/2Nt3FHz
5 months ago
You can download this beautiful Egyptian style Dorje Shugden Free- https://bit.ly/2Nt3FHz
Beautiful high file for print of Lord Manjushri. May you be blessed- https://bit.ly/2V8mwZe
5 months ago
Beautiful high file for print of Lord Manjushri. May you be blessed- https://bit.ly/2V8mwZe
Mongolian (Oymiakon) Shaman in Siberia, Russia. That is his real outfit he wears. Very unique. TR
5 months ago
Mongolian (Oymiakon) Shaman in Siberia, Russia. That is his real outfit he wears. Very unique. TR
Find one of the most beautiful temples in the world in Nara, Japan. It is the 1,267 year old Todai-ji temple that houses a 15 meter Buddha Vairocana statue who is a cosmic and timeless Buddha. Emperor Shomu who sponsored this beautiful temple eventually abdicated and ordained as a Buddhist monk. Very interesting history and story. One of the places everyone should visit- https://bit.ly/2VgsHhK
5 months ago
Find one of the most beautiful temples in the world in Nara, Japan. It is the 1,267 year old Todai-ji temple that houses a 15 meter Buddha Vairocana statue who is a cosmic and timeless Buddha. Emperor Shomu who sponsored this beautiful temple eventually abdicated and ordained as a Buddhist monk. Very interesting history and story. One of the places everyone should visit- https://bit.ly/2VgsHhK
Manjusri Kumara (bodhisattva of wisdom), India, Pala dynesty, 9th century, stone, Honolulu Academy of Arts
5 months ago
Manjusri Kumara (bodhisattva of wisdom), India, Pala dynesty, 9th century, stone, Honolulu Academy of Arts
Silver Manjusri figure from Ngemplak Semongan (Indonesia). Apparently during the Shailendra Dynasty, Mahayana Buddhism was very strong in Indonesia. This Dynasty promoted Mahayana Buddhism and Manjushri was a principal Buddha of worship.
5 months ago
Silver Manjusri figure from Ngemplak Semongan (Indonesia). Apparently during the Shailendra Dynasty, Mahayana Buddhism was very strong in Indonesia. This Dynasty promoted Mahayana Buddhism and Manjushri was a principal Buddha of worship.
In Buddhism: The Importance of Having a Clean Room- https://bit.ly/2ZgrbKS
5 months ago
In Buddhism: The Importance of Having a Clean Room- https://bit.ly/2ZgrbKS
There is an area near Lumbini, Nepal, they have sightings of Yeti for hundreds of years. So they have signages in the area with Yeti artwork to highlight this. Interesting. TR
5 months ago
There is an area near Lumbini, Nepal, they have sightings of Yeti for hundreds of years. So they have signages in the area with Yeti artwork to highlight this. Interesting. TR
Photos of footprints (Yeti) are from a high altitude pass (Darwa Pass) connecting Gangotri valley to Yamunotri valley through old pilgrim route.
5 months ago
Photos of footprints (Yeti) are from a high altitude pass (Darwa Pass) connecting Gangotri valley to Yamunotri valley through old pilgrim route.
Beautiful picture. Rare. Three holy beings.
5 months ago
Beautiful picture. Rare. Three holy beings.
May 1, 2019-I really enjoy this picture of these visitors visiting Dorje Shugden\'s grotto in Kechara Forest Retreat today. They look happy, light and blessed after doing their prayers to Dorje Shugden. I wanted to share this picture.- https://bit.ly/2UltNE4
5 months ago
May 1, 2019-I really enjoy this picture of these visitors visiting Dorje Shugden's grotto in Kechara Forest Retreat today. They look happy, light and blessed after doing their prayers to Dorje Shugden. I wanted to share this picture.- https://bit.ly/2UltNE4
A postcard of my great grand aunt Princess Nirgidma of Torghut-Tsem Rinpoche
5 months ago
A postcard of my great grand aunt Princess Nirgidma of Torghut-Tsem Rinpoche
Rei Kawakubo – Grand Dame of ‘Hiroshima Chic’- https://bit.ly/2Vz4N06
5 months ago
Rei Kawakubo – Grand Dame of ‘Hiroshima Chic’- https://bit.ly/2Vz4N06
Just now, this beautiful grape and orange infused water drink with a blue glass was brought in for me. I was amazed at the colors. Tsem Rinpoche
5 months ago
Just now, this beautiful grape and orange infused water drink with a blue glass was brought in for me. I was amazed at the colors. Tsem Rinpoche
We have to look in and change from within to find the way out of all that makes us unhappy.~Tsem Rinpoche 

www.tsemrinpoche.com
5 months ago
We have to look in and change from within to find the way out of all that makes us unhappy.~Tsem Rinpoche http://www.tsemrinpoche.com
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Videos On The Go

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  • Always be kind to animals-They deserve to live just like us.
    2 months ago
    Always be kind to animals-They deserve to live just like us.
    Whales and dolphins playing with each other in the Pacific sea. Nature is truly incredible!
  • Bodha stupa July 2019-
    2 months ago
    Bodha stupa July 2019-
    Rainy period
  • Cute Tara girl having a snack. She is one of Kechara Forest Retreat’s resident doggies.
    3 months ago
    Cute Tara girl having a snack. She is one of Kechara Forest Retreat’s resident doggies.
  • Your Next Meal!
    4 months ago
    Your Next Meal!
    Yummy? Tasty? Behind the scenes of the meat on your plates. Meat is a killing industry.
  • This is Daw
    4 months ago
    This is Daw
    This is what they do to get meat on tables, and to produce belts and jackets. Think twice before your next purchase.
  • Don’t Take My Mummy Away!
    4 months ago
    Don’t Take My Mummy Away!
    Look at the poor baby chasing after the mother. Why do we do that to them? It's time to seriously think about our choices in life and how they affect others. Be kind. Don't break up families.
  • They do this every day!
    4 months ago
    They do this every day!
    This is how they are being treated every day of their lives. Please do something to stop the brutality. Listen to their cries for help!
  • What happened at Fair Oaks Farm?
    4 months ago
    What happened at Fair Oaks Farm?
    The largest undercover dairy investigation of all time. See what they found out at Fair Oaks Farm.
  • She’s going to spend her whole life here without being able to move correctly. Like a machine. They are the slaves of the people and are viewed as a product. It’s immoral. Billions of terrestrial animals die annually. Billions. You can’t even imagine it. And all that because people don’t want to give up meat, even though there are so many alternatives. ~ Gabriel Azimov
    4 months ago
    She’s going to spend her whole life here without being able to move correctly. Like a machine. They are the slaves of the people and are viewed as a product. It’s immoral. Billions of terrestrial animals die annually. Billions. You can’t even imagine it. And all that because people don’t want to give up meat, even though there are so many alternatives. ~ Gabriel Azimov
  • Our Malaysian Prime Minister Dr. Mahathir speaks so well, logically and regarding our country’s collaboration with China for growth. It is refreshing to listen to Dr. Mahathir’s thoughts. He said our country can look to China for many more things such as technology and so on. Tsem Rinpoche
    5 months ago
    Our Malaysian Prime Minister Dr. Mahathir speaks so well, logically and regarding our country’s collaboration with China for growth. It is refreshing to listen to Dr. Mahathir’s thoughts. He said our country can look to China for many more things such as technology and so on. Tsem Rinpoche
  • This is the first time His Holiness Dalai Lama mentions he had some very serious illness. Very worrying. This video is captured April 2019.
    5 months ago
    This is the first time His Holiness Dalai Lama mentions he had some very serious illness. Very worrying. This video is captured April 2019.
  • Beautiful Monastery in Hong Kong
    5 months ago
    Beautiful Monastery in Hong Kong
  • This dog thanks his hero in such a touching way. Tsem Rinpoche
    5 months ago
    This dog thanks his hero in such a touching way. Tsem Rinpoche
  • Join Tsem Rinpoche in prayer for H.H. Dalai Lama’s long life~ https://www.youtube.com/watch?v=gYy7JcveikU&feature=youtu.be
    5 months ago
    Join Tsem Rinpoche in prayer for H.H. Dalai Lama’s long life~ https://www.youtube.com/watch?v=gYy7JcveikU&feature=youtu.be
  • These people going on pilgrimage to a holy mountain and prostrating out of devotion and for pilgrimage in Tibet. Such determination for spiritual practice. Tsem Rinpoche
    6 months ago
    These people going on pilgrimage to a holy mountain and prostrating out of devotion and for pilgrimage in Tibet. Such determination for spiritual practice. Tsem Rinpoche
  • Beautiful new casing in Kechara for Vajra Yogini. Tsem Rinpoche
    6 months ago
    Beautiful new casing in Kechara for Vajra Yogini. Tsem Rinpoche
  • Get ready to laugh real hard. This is Kechara’s version of “Whatever Happened to Baby Jane!” We have some real talents in this video clip.
    6 months ago
    Get ready to laugh real hard. This is Kechara’s version of “Whatever Happened to Baby Jane!” We have some real talents in this video clip.
  • Recitation of Dorje Dermo‘s mantra or the Dharani of Glorious Vajra Claws. This powerful mantra is meant to destroy all obstacles that come in our way. Beneficial to play this mantra in our environments.
    6 months ago
    Recitation of Dorje Dermo‘s mantra or the Dharani of Glorious Vajra Claws. This powerful mantra is meant to destroy all obstacles that come in our way. Beneficial to play this mantra in our environments.
  • Beautiful
    6 months ago
    Beautiful
    Beautiful sacred Severed Head Vajra Yogini from Tsem Rinpoche's personal shrine.
  • My little monster cute babies Dharma and Oser. Take a look and get a cute attack for the day! Tsem Rinpoche
    6 months ago
    My little monster cute babies Dharma and Oser. Take a look and get a cute attack for the day! Tsem Rinpoche
  • Plse watch this short video and see how all sentient beings are capable of tenderness and love. We should never hurt animals nor should we eat them. Tsem Rinpoche
    6 months ago
    Plse watch this short video and see how all sentient beings are capable of tenderness and love. We should never hurt animals nor should we eat them. Tsem Rinpoche
  • Cruelty of some people have no limits and it’s heartbreaking. Being kind cost nothing. Tsem Rinpoche
    7 months ago
    Cruelty of some people have no limits and it’s heartbreaking. Being kind cost nothing. Tsem Rinpoche
  • SUPER ADORABLE and must see
    8 months ago
    SUPER ADORABLE and must see
    Tsem Rinpoche's dog Oser girl enjoying her snack in her play pen.
  • Cute!
    9 months ago
    Cute!
    Oser girl loves the balcony so much. - https://www.youtube.com/watch?v=RTcoWpKJm2c
  • Uncle Wong
    9 months ago
    Uncle Wong
    We were told by Uncle Wong he is very faithful toward Dorje Shugden. Dorje Shugden has extended help to him on several occasions and now Uncle Wong comes daily to make incense offerings to Dorje Shugden. He is grateful towards the help he was given.
  • Tsem Rinpoche’s Schnauzer Dharma boy fights Robot sphere from Arkonide!
    9 months ago
    Tsem Rinpoche’s Schnauzer Dharma boy fights Robot sphere from Arkonide!
  • Cute baby owl found and rescued
    9 months ago
    Cute baby owl found and rescued
    We rescued a lost baby owl in Kechara Forest Retreat.
  • Nice cups from Kechara!!
    9 months ago
    Nice cups from Kechara!!
    Dorje Shugden people's lives matter!
  • Enjoy a peaceful morning at Kechara Forest Retreat
    9 months ago
    Enjoy a peaceful morning at Kechara Forest Retreat
    Chirping birds and other forest animals create a joyful melody at the Vajrayogini stupa in Kechara Forest Retreat (Bentong, Malaysia).
  • His Holiness Kyabje Trijang Rinpoche makes offering of khata to Dorje Shugden.
    9 months ago
    His Holiness Kyabje Trijang Rinpoche makes offering of khata to Dorje Shugden.
    Trijang Rinpoche never gave up his devotion to Dorje Shugden no matter how much Tibetan government in exile pressured him to give up. He stayed loyal inspiring so many of us.
  • This topic is so hot in many circles right now.
    2 yearss ago
    This topic is so hot in many circles right now.
    This video is thought-provoking and very interesting. Watch! Thanks so much to our friends at LIVEKINDLY.
  • Chiropractic CHANGES LIFE for teenager with acute PAIN & DEAD LEG.
    2 yearss ago
    Chiropractic CHANGES LIFE for teenager with acute PAIN & DEAD LEG.
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    2 yearss ago
    BEAUTIFUL PLACE IN NEW YORK STATE-AMAZING.
  • Leonardo DiCaprio takes on the meat Industry with real action.
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    Leonardo DiCaprio takes on the meat Industry with real action.
  • Do psychic mediums have messages from beyond?
    2 yearss ago
    Do psychic mediums have messages from beyond?
  • Lovely gift for my 52nd Birthday. Tsem Rinpoche
    2 yearss ago
    Lovely gift for my 52nd Birthday. Tsem Rinpoche
  • This 59-year-old chimpanzee was refusing food and ready to die until...
    2 yearss ago
    This 59-year-old chimpanzee was refusing food and ready to die until...
    she received “one last visit from an old friend” 💔💔
  • Bigfoot sighted again and made it to the news.
    2 yearss ago
    Bigfoot sighted again and made it to the news.
  • Casper is such a cute and adorable. I like him.
    2 yearss ago
    Casper is such a cute and adorable. I like him.
  • Dorje Shugden Monastery Amarbayasgalant  Mongolia's Ancient Hidden Gem
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    Dorje Shugden Monastery Amarbayasgalant Mongolia's Ancient Hidden Gem
  • Don't you love Hamburgers? See how 'delicious' it is here!
    2 yearss ago
    Don't you love Hamburgers? See how 'delicious' it is here!
  • Such a beautiful and powerful message from a person who knows the meaning of life. Tsem Rinpoche
    2 yearss ago
    Such a beautiful and powerful message from a person who knows the meaning of life. Tsem Rinpoche
  • What the meat industry figured out is that you don't need healthy animals to make a profit.
    2 yearss ago
    What the meat industry figured out is that you don't need healthy animals to make a profit.
    Sick animals are more profitable... farms calculate how close to death they can keep animals without killing them. That's the business model. How quickly they can be made to grow, how tightly they can be packed, how much or how little can they eat, how sick they can get without dying... We live in a world in which it's conventional to treat an animal like a block of wood. ~ Jonathan Safran Foer
  • This video went viral and it's a must watch!!
    2 yearss ago
    This video went viral and it's a must watch!!
  • SEE HOW THIS ANIMAL SERIAL KILLER HAS NO ISSUE BLUDGEONING THIS DEFENSELESS BEING.
    2 yearss ago
    SEE HOW THIS ANIMAL SERIAL KILLER HAS NO ISSUE BLUDGEONING THIS DEFENSELESS BEING.
    This happens daily in slaughterhouse so you can get your pork and Bak ku teh. Stop eating meat.

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CHAT PICTURES

Teachers & students do prostration before the start of dharma class. Lin Mun KSDS
3 days ago
Teachers & students do prostration before the start of dharma class. Lin Mun KSDS
Teenage dharma class in Gompa Kechara House. Lin Mun KSDS
3 days ago
Teenage dharma class in Gompa Kechara House. Lin Mun KSDS
Teacher Kien shared about Rinpoche’s biography from the Promise book. Lin Mun KSDS
3 days ago
Teacher Kien shared about Rinpoche’s biography from the Promise book. Lin Mun KSDS
Learning about altar set up during dharma class. Lin Mun KSDS
3 days ago
Learning about altar set up during dharma class. Lin Mun KSDS
Children learn to make water offering to Buddha. Lin Mun KSDS
3 days ago
Children learn to make water offering to Buddha. Lin Mun KSDS
Currently the youngest student in dharma class :) Lin Mun KSDS
3 weeks ago
Currently the youngest student in dharma class :) Lin Mun KSDS
Nice lotus sit done by the youngest class students. Lin Mun KSDS
3 weeks ago
Nice lotus sit done by the youngest class students. Lin Mun KSDS
Teacher Jayce is teaching dharma to student of age 11-12 years old . Lin Mun MSDS
3 weeks ago
Teacher Jayce is teaching dharma to student of age 11-12 years old . Lin Mun MSDS
Students enjoyed the light exercise session. Lin Mun KSDS
3 weeks ago
Students enjoyed the light exercise session. Lin Mun KSDS
Some simple exercise before we finish our dharma class. Lin Mun KSDS
3 weeks ago
Some simple exercise before we finish our dharma class. Lin Mun KSDS
Teacher Grace giving some ideas on activities to Wen Yue. Lin Mun KSDS
3 weeks ago
Teacher Grace giving some ideas on activities to Wen Yue. Lin Mun KSDS
The children were so excited to wait for the next quiz question. Lin Mun KSDS
4 weeks ago
The children were so excited to wait for the next quiz question. Lin Mun KSDS
Children will do prostration and recite Manjushri mantra before start of dharma class. Lin Mun KSDS
4 weeks ago
Children will do prostration and recite Manjushri mantra before start of dharma class. Lin Mun KSDS
Throwback - Participants were so attentive when colouring tsa tsa. Lin Mun KSDS
4 weeks ago
Throwback - Participants were so attentive when colouring tsa tsa. Lin Mun KSDS
Maya painting Vajrayogini tsa tsa at the kid’s corner during Wesak day. Lin Mun KSDS
4 weeks ago
Maya painting Vajrayogini tsa tsa at the kid’s corner during Wesak day. Lin Mun KSDS
Throwback- Family visiting KFR on the auspicious Wesak Day. Lin Mun KSDS
4 weeks ago
Throwback- Family visiting KFR on the auspicious Wesak Day. Lin Mun KSDS
Join us on Saturday, 24th August 2019 in celebrating International Dorje Shugden Day with an evening of auspicious and powerful pujas for abundance, prosperity, longevity and wish-fulfilment! PROGRAMME 4:00pm – Prayer Flag Puja & Lhasang Smoke Offering Ritual 5:30pm – Free vegetarian dinner 6:30pm – Gyenze Increasing Fire Puja 9:00pm – End Collectively, these pujas are a celebration of Dorje Shugden’s blessings and are highly beneficial for all sponsors and attendees. There’s really no better place to celebrate Dorje Shugden Day than in Kechara Forest Retreat, which is home to the world’s largest Dorje Shugden statue. MORE INFO: kecharaforestretreat.com/dorjeshugdenday
1 month ago
Join us on Saturday, 24th August 2019 in celebrating International Dorje Shugden Day with an evening of auspicious and powerful pujas for abundance, prosperity, longevity and wish-fulfilment! PROGRAMME 4:00pm – Prayer Flag Puja & Lhasang Smoke Offering Ritual 5:30pm – Free vegetarian dinner 6:30pm – Gyenze Increasing Fire Puja 9:00pm – End Collectively, these pujas are a celebration of Dorje Shugden’s blessings and are highly beneficial for all sponsors and attendees. There’s really no better place to celebrate Dorje Shugden Day than in Kechara Forest Retreat, which is home to the world’s largest Dorje Shugden statue. MORE INFO: kecharaforestretreat.com/dorjeshugdenday
Teacher Jayce explained the good value from Rinpoche’s teachings. Alice, KSDS
1 month ago
Teacher Jayce explained the good value from Rinpoche’s teachings. Alice, KSDS
“Be kind to animals.” Let your kids join the monthly Animal Liberation at Kechara House, Sunwaymas.
1 month ago
“Be kind to animals.” Let your kids join the monthly Animal Liberation at Kechara House, Sunwaymas.
Chern Chern learnt dharma and show the good attitudes to others. Alice, KSDS
1 month ago
Chern Chern learnt dharma and show the good attitudes to others. Alice, KSDS
Encourage the kids to express their feelings and at the same instill the dharma to them. Alice, KSDS
1 month ago
Encourage the kids to express their feelings and at the same instill the dharma to them. Alice, KSDS
Teacher Grace taught the participants for the DIY candles. Alice , KSDS
1 month ago
Teacher Grace taught the participants for the DIY candles. Alice , KSDS
Children recite Migtsema and Manjushri mantra before the start of dharma class. Lin Mun KSDS
1 month ago
Children recite Migtsema and Manjushri mantra before the start of dharma class. Lin Mun KSDS
Student do full prostration before the start of dharma class. Lin Mun KSDS
1 month ago
Student do full prostration before the start of dharma class. Lin Mun KSDS
Wen Yue led students to do key chain as part of art and craft activity. Lin Mun KSDS
1 month ago
Wen Yue led students to do key chain as part of art and craft activity. Lin Mun KSDS
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