Nicholas Roerich & art (1874-1947)

Mar 27, 2014 | Views: 2,856
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I recently stumbled upon a Nicholas Roerich Musuem website and I was very very amazed by his collection of art works. I am so surprised to see spiritual paintings and depictions of Tibet, Lama Tsongkhapa and Buddha Maitreya in his collections. I am so happy to see this and I thank the Nicholas Roerich’s Museum of New York for having his art preserved and shared online. It is a treasure of the past we can certainly learn and appreciate from. I have placed the paintings and information here to create more awareness on this great explorer, philosopher, traveler and spiritualist. For more, you must go to his websites.

Apparently Nicholas and his wife Helena Roerich were thought to be Russian superheroes. They inspired the path for spiritual growth and life similar to what in America is called “global awakening”. This is a philosophy that encompasses all peoples and faiths. They both saw through their travels, the different religions and practices, but these all pointed to the same ‘truth’ in different ways. And this different way-of-looking was also the cause for war. They opened the doors to Buddhism and the search form mysticism in their country when it was not mainstream.

Their art trails the path they explored and traveled, from the Middle Eastern land right up to the Himalayas and they continuously visited ‘Shambala’. Many people in Russia liked them for their appearance, manners, simplicity, and generosity. They were great artists, creating wonderful paintings and writings that were thought-provoking. They also were known as philosophers, speakers, teachers, scientists, patrons of the arts, public figures, and cultural workers.

Nicholas and his wife Helena conveyed their understanding and experiences in their beautiful enchanting art and writings of Eastern practices, and thoughts of the Ascended Masters. They were certainly spiritual seekers and many of Nicholas’s paintings featured hidden treasure in the mountains or in water, symbolizing the search in high places for the truth that is hidden within us.

Below I’ve shared with you his biography and also selected a few of his beautiful paintings that I thought you may appreciate and enjoy…I am definitely a fan of his mystical and magical paintings. Gazing upon them brings me to another dimension. Another time. Another reality. His art is imbued with a special blessing that comes from deep within the soul. Within ourselves. We are all looking for the Shangrila that Nicholas Roerich searched for in the vastness of Northern Asia. Through his art we glimpse something ethereal and deep.

Tsem Rinpoche

 


 

Selected Galleries of Nicholas Roerich
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One of Diaghilev’s first achievements was the founding, with Princess Maria Tenisheva and others, of the magazine The World of Art. This magazine enjoyed a relatively short life but had an important influence in Russian art circles. The magazine declared itself the enemy of the academicians, the sentimentalists, and the realists. It introduced to its readership, which was made up mostly of the intelligentsia, the vital elements of Russian artistic circles, European post-impressionism, and the modernist movement. Roerich contributed to it and sat on its editorial board. Other Russian painters involved were Alexandre Benois and Leon Bakst, who later became Roerich’s co-workers in the early days of Diaghilev’s Ballets Russes.

After finishing his university thesis, Roerich planned to set off for a year in Europe to visit the museums, exhibitions, studios, and salons of Paris and Berlin. Just before leaving he met Helena, daughter of the architect Shaposhnikov and niece of the composer Mussorgsky. There seems to have been an immediate mutual attraction, and they were soon engaged to be married. On his return from Europe their marriage took place.

Helena Roerich was an unusually gifted woman, a talented pianist, and author of many books, including The Foundations of Buddhism and a Russian translation of Helena Blavatsky’s Secret Doctrine. Her collected Letters, in two volumes, are an example of the wisdom, spiritual insight, and simple advice she shared with a multitude of correspondents — friends, foes, and co-workers alike.

Later, in New York, Nicholas and Helena Roerich founded the Agni Yoga Society, which espoused a living ethic encompassing and synthesizing the philosophies and religious teachings of all ages.

Prompted by the need to provide some income for his new household, Roerich applied for and won the position of Secretary of the School of the Society for the Encouragement of Art, later becoming its head, the first of many positions that Roerich would occupy as a teacher and spokesman for the arts.

Roerich determined to overhaul the Society and rescue it from the academic mediocrity it had foundered in for many years. He instituted a system of training in art that seems revolutionary even by today’s standards: to teach all the arts — painting, music, singing, dance, theater, and the so-called “industrial arts”, such as ceramics, painting on porcelain, pottery, and mechanical drawing — under one roof, and to give his faculty free rein to design their own curriculum.

The cross-fertilization of the arts that Roerich promoted was evidence of his inclination to harmonize, bring together, and find correspondences between apparent conflicts or opposites in all areas of life. This was a hallmark of his thinking, and one sees it demonstrated in all the disciplines he explored. He constantly sought to break down compartmentalization, and, indeed, even in his own art he defied categorization and created a universe uniquely personal. In his writings on ethics also, it can be seen that he constantly sought to connect ethical problems with scientific knowledge of the surrounding world.

It was Roerich’s gift that these “connections” appeared so natural to him and presented themselves in all life’s manifestations. And it was this talent for synthesis, which he admired in others and encouraged in the young, that enabled him to correlate the subjective with the objective, the philosophical with the scientific, Eastern wisdom with Western knowledge, and to build bridges of understanding between such apparent contradictions. He reminded us that these contradictions were often the result of man’s ignorance, and that an expanding consciousness, which each individual was duty-bound to pursue, would lead to eventual recognition of the illusoriness, or relativity, of things. As Garabed Paelian affirms in his book Nicholas Roerich: Roerich “…learned things ignored by other men; perceived relations between seemingly isolated phenomena, and unconsciously felt the presence of an unknown treasure.” Perhaps it is this “unknown treasure” that in Roerich’s paintings speaks to the viewer who is attuned to that underlying meaning, and further explains the transcendental feelings that some experience through his canvases.

In 1902, the Roerichs celebrated the birth of their first son, George, and in the summers of 1903 and 1904, they set off on an extended tour of forty cities throughout Russia. Roerich’s purpose was to contrast the styles and historical context of Russian architecture. The voyage was one of discovery, for wherever they went he was able to locate the remnants of Russia’s past — ancient monuments, churches, city walls, and castles. He found that these had, in many instances, been neglected for centuries. As an archeologist and art historian he was aware of what an important key they were to Russia’s cultural history. He determined to draw attention to the situation and somehow arrange to have them protected and preserved, and with this goal in mind painted a series of seventy-five works depicting the structures. The experience of this journey had a lasting effect, for on his return in 1904, Roerich promulgated the plan that he hoped would create protection everywhere for such cultural treasures, a plan consummated thirty-one years later in the Roerich Pact. This kind of thinking was not common in those days, and anticipated the importance that, today, most countries of the world place upon preservation of their cultural heritage.

In 1904 Roerich painted the first of his paintings on religious themes. These mostly dealt with Russian saints and legends, and included Message to Tiron, Fiery Furnace, and The Last Angel, subjects that he returned to with numerous variants in later years. The Treasure of the Angels was described by one writer: “A host of angels in white garments stand silently row after row guarding a mysterious treasure with which are bound up the destinies of the world. It is a blue black stone with an image of the crucifix cut into it, glowing with emerald hues.” The angels are an early depiction of the hierarchical Masters that peopled the heart of Roerich’s belief in a Great Brotherhood, watching over and guiding humanity in its eternal journey of evolution. The “stone” pictured by Roerich is the representation of an image that recurs in different forms in his paintings and throughout his writings. The word “treasure” figures prominently in the titles of many of Roerich’s paintings, as, for instance, in The Treasure of the Mountain and Hidden Treasure. It is clearly not material wealth that he refers to, but rather the spiritual treasures that lie buried, yet available to those with the will to unearth them.

Meanwhile Roerich’s search for archeological treasures continued. The Stone Age particularly intrigued him, and he amassed a large collection of artifacts from that era. His paintings frequently reflected this interest, as in Three Glaives in which the subject matter is archeological in nature, and relates to an ancient legend. Roerich wrote about the unusual similarity of Stone Age techniques and methods of ornamentation in far-separated regions of the globe. In comparing these correspondences, he came to instructive conclusions as to the commonality of human expression and creativity.

 

T H E  T H E A T R I C A L  Y E A R S

In 1906, in the first of many entrepreneurial efforts that were to bring Russian art and music to the attention of Europeans, Sergei Diaghilev arranged an exhibition of Russian paintings in Paris. These included sixteen works by Nicholas Roerich. The next year, Diaghilev introduced Fyodor Chaliapin to Paris audiences, along with the music of Mussorgsky, Rimsky-Korsakov, Borodin, Rachmaninov, Scriabin, Glazunov, Stravinsky, and others. In 1909 he presented Chaliapin in Rimsky-Korsakov’s Ivan the Terrible, with costumes and sets designed by Roerich. In the Polovtsian Dances from Borodin’s Prince Igor, also designed by Roerich, and in other ballets, Diaghilev introduced a corps of Russian dancers that later became famous as the Ballets Russes, which included Pavlova, Fokine, and Nijinsky. Roerich’s designs furthered his reputation for the telling depiction of ancient cultures and their practices.

Diaghilev pioneered an art form that involved the collaboration of the designer as “auteur.” Thus Alexandre Benois influenced the creation of the ballet Petrouchka, and Nicholas Roerich was the prime mover and, with Igor Stravinsky, the co-creator of the ballet Le Sacre du Printemps, or, The Rite of Spring.

At first entitled The Great Sacrifice: a Tableau of Pagan Russia, the motif for the ballet grew out of Roerich’s absorption with antiquity and, as he wrote in a letter to Diaghilev, “the beautiful cosmogony of earth and sky.” In the ballet Roerich sought to express the primitive rites of ancient man as he welcomed spring, the life-giver, and made sacrifice to Yarilo, the Sun God. It was a story unlike that of any ballet before it. Stravinsky’s score and Nijinsky’s choreography were equally unexpected, and provoked controversy that was to continue for many years.

At the opening in Paris on May 29, 1913, one of the audience described the scene: “Nothing that has ever been written about the battle of Le Sacre du Printemps has given a faint idea of what actually took place. The theater seemed to be shaken by an earthquake. It shuddered. People shouted insults, howled and whistled, drowning out the music. There was slapping and even punching…the ballet was astoundingly beautiful.”

Interpreting what could have been described as negative, barbaric behavior, Roerich later wrote: “I remember how during the first performance the audience whistled and roared so that nothing could even be heard. Who knows, perhaps at that very moment they were inwardly exultant and expressing this feeling like the most primitive of peoples. But I must say, this wild primitivism had nothing in common with the refined primitiveness of our ancestors, for whom rhythm, the sacred symbol, and refinement of gesture were great and sacred concepts.”

Sacre represented the culmination of Roerich’s collaboration with Diaghilev. He recognized in the impresario a true champion of Russian art, and after Diaghilev’s death in 1929 wrote: “We may regard the…achievement of Diaghilev as that of a great individual, but it would be still more exact to regard him as the true representative of an entire movement of synthesis, an eternally young representative of the great moment when modern art shattered so many conventions and superficialities.”

 

T H E  C L O U D S  O F  W A R

In the years immediately preceding World War I, Roerich sensed an impending cataclysm, and his paintings symbolically depicted the awful scale of the conflict he felt descending upon the world. These works marked the birth of Roerich the “prophet.”

In Battle in the Heavens Roerich used the violent contrast of light and darkness to suggest the terrible events that would soon overtake Russia and all Europe.

By this time, in his depiction of both historical and natural themes, symbolism and the use of allegory had become essential ingredients in his work. As one critic wrote: “He populated his world not with participants in transitory dramas and comedies, but with spokesmen for the most steadfast ideas about the truth of life, the millennial struggle of good and evil, the triumphal procession of a bright future for all.”

 

T R A V E L  T O  O T H E R  S H O R E S

In 1915 Roerich became ill with pneumonia, and was sent by his doctor to recuperate with his family in Sortavala, Finland. This was a period of great unrest the world over, and no less so in the lives of the Roerich family. In Roerich’s paintings of the period, such as Karelia — Eternal Expectation and The Waiting Woman the cold, austere countryside of rocks and uninhabited shores of the north seems to express a sense of poignant longing. In The Waiting Woman, her gaze is fixed on the horizon as if she awaits some sign of the return of long-gone voyagers.

By 1917 the revolution was raging in Russia and returning there would have been dangerous. The family began making plans to visit India, whose magnetic appeal had been felt increasingly during these years. This became a possibility in 1918 when Roerich was invited by a Swedish entrepreneur to exhibit his paintings in Stockholm. From there the family proceeded to London, where Sir Thomas Beecham had invited Roerich to design a new production of Prince Igor for the Covent Garden Opera.

 

A M E R I C A

Meanwhile, an invitation to come to America was extended by the Chicago Art Institute. It was accepted, and the tour opened successfully at the Kingore Gallery in New York in 1920. In addition to exhibiting over 400 paintings there and in many cities throughout the United States, Roerich designed the scenery and costumes for productions of The Snow Maiden, and Tristan and Isolde for the Chicago Opera Company. During his travels in America, Roerich painted a series in New Mexico, and the Ocean Series in Monhegan, Maine, where the family spent a summer. He responded to the spirit of enterprise he found in America and frequently wrote about the positive influence its developing technology would have on the world. Seeds were planted and the lives of individuals influenced by Roerich’s magnetism and sense of mission.

In 1921, in New York, he founded the Master Institute of United Arts, in which he planned to realize the educational concepts he had incorporated into the curriculum in St. Petersburg. He attracted a talented group of instructors. They included Deems Taylor, teaching musical theory and composition, Robert Edmund Jones and Lee Simonson, teaching theater design, and top quality instructors in courses that included all musical instruments, aspects of painting and drawing, design and illustration, sculpture, architecture, ballet, drama, journalism, and languages — and lectures were presented by noted individuals such as George Bellows, Claude Bragdon, Norman Bel Geddes, and Stark Young.

The Master Institute flourished, but it did not survive beyond 1937. While the country was in the grips of the Great Depression and the Roerich family was on expedition in the Far East, funds ran out and events caused a complete collapse of the organization that Roerich and his supporters had labored to build.

It was not until 1949 that, under the direction of Sina Fosdick, one of the founding board members and an Institute faculty member, the institution was reborn as Nicholas Roerich Museum, in a brownstone on West 107th Street, where it has remained until the present. Many paintings from the original collection can now be seen there, and in the intervening years major works have been added, making it one of the most comprehensive collections of the artist’s work in the world.

During their stay in America the Roerichs continued to plan for the voyage to India. An orientation toward Eastern spiritual values is reflected in much of Roerich’s creative work of the time. This is seen in his Ocean Series — the three paintings, Himself Came, The Bridge of Glory, and Miracle demonstrate the spiritual power that was beginning to characterize his work. In The Bridge of Glory, Saint Sergius of Radonezh walks in contemplation before a blue bridge formed by the aurora borealis, Roerich’s metaphor for the future spiritual bridge that will connect heaven and earth.

Between 1916 and 1919 Roerich had written a collection of sixty-four blank verse poems that were published in Berlin, in Russian, under the title Flowers of Morya, and subsequently published in English as Flame in Chalice. In them we find Roerich’s inner journey charted and his commitment to spiritual search stated. These poems evoke some of the images that Roerich later used in his paintings, and in a way help us to understand the symbols and meanings that lie behind some of them.

In her essay Flowers of Morya: the Theme of Spiritual Pilgrimage in the Poetry of Nicholas Roerich, Irina Corten writes: “At the core of Roerich’s belief system is the Hindu concept of a beginningless and endless universe which manifests itself in recurring cycles of creation and dissolution of material forms caused by the pulsation of divine energy. On the human plane, this means the rise and fall of civilizations and, in terms of individual life, the reincarnation of a soul…” As Roerich, the poet, writes, in the poem About the Eternal:

Brother, let us abandon all that rapidly changes.
Otherwise we will not have time to turn our thoughts to thatwhich is changeless for all.
To the eternal.

In May, 1923, the Roerichs were at last on their way to India, where, in that ageless land, amid the snows of the Himalayan range, they sought to turn their thoughts to the Eternal.

 

I N D I A

The Roerichs landed in Bombay in December, 1923, and began a tour of cultural centers and historic sites, meeting Indian scientists, scholars, artists, and writers along the way. By the end of December they were already in Sikkim on the southern slopes of the Himalayas, and it is clear by the speed with which they reached the mountains that the Himalayas were where their interest lay.

They initiated a journey of exploration that would take them into Chinese Turkestan, Altai, Mongolia and Tibet. It was an expedition into untracked regions where they planned to study the religions, languages, customs, and culture of the inhabitants.

Roerich wrote about this first Central Asiatic Expedition in his book Heart of Asia, and he creates for the reader a vivid account of the wonder of the land and its people. However, the images are nowhere as vivid as in the five hundred or so paintings that resulted from the trek. In Kanchenjunga, Sikkim Pass, His Country, The Great Spirit of the Himalayas, and the Banners of the East series, we can see philosophical concepts and ideas giving birth to visual images, and the splendor of Northern India providing the physical setting.

In The Path, the figure of Christ leads the way along a tortuous path through crags and peaks of the Himalayas, a metaphor for the hazardous obstacles confronting the spiritual journeyer. Eastern religious figures and concepts appear in the paintings, important among these being the images of the Lord Maitreya — the Buddhist Messiah, the Kalki-Avatar of the Puranas, Rigden Jyepo of Mongolia, or the White Burkhan of Altai — all of whom are described in legends that link them with the Ruler of Shambhala, who is “destined to appear on earth for the final destruction of the wicked, the renovation of creation and the restoration of purity.”(quoted from The Theosophical Glossary, by H. P. Blavatsky)

The trek was at times arduous. Roerich tells us that thirty-five mountain passes from fourteen to twenty-one thousand feet in elevation were crossed. But these were the challenges he felt born for, believing that the rigor of the mountains helped a man to find courage and develop strength of spirit. And in spite of obstacles, wherever they went the Roerichs’ belief in the essential goodness of life and the spirituality of man was reinforced. Roerich’s Banners of the East series of nineteen paintings depicting the world’s religious teachers, Mohammed, Jesus, Moses, Confucius, and Buddha, and the Indian and Christian saints and sages, was a testimonial to the unity of religious striving and the common roots of man’s faith.

At counterpoint to these themes in Roerich’s painting is the image of Woman and her destined role in the coming era, and we can assume that what Helena Roerich wrote to a friend in 1937 reflects Nicholas’ own point of view: “…woman should realize that she herself contains all forces, and the moment she shakes off the age-old hypnosis of her seemingly lawful subjugation and mental inferiority and occupies herself with a manifold education, she will create in collaboration with man a new and better world… Cosmos affirms the greatness of woman’s creative principle. Woman is a personification of nature, and it is nature that teaches man, not man nature. Therefore, may all women realize the grandeur of their origin, and may they strive for knowledge.” (published in Letters of Helena Roerich 1935-1939, vol. II)

Nicholas Roerich depicted the great female deities in such paintings as She Who Leads, Madonna Laboris, and The Mother of the World. This latter conception, equivalent to the Lakshmi and Kali of India, is one of Roerich’s most inspiring images, rendered with majesty in deep tones of blue and violet. Helena Roerich’s contribution in the life and work of Nicholas cannot be overestimated. Their union could be best described as a lifetime collaboration in fields of mutual endeavor. Her philosophy, comprising a living ethic, was shared by Nicholas and motivated him in his work and his life. At some time in their late years an anniversary approached and he wrote in his diary: “Forty years — no less than forty. On such a long voyage, meeting many storms and dangers from without, together we overcame all obstacles. And obstacles turned into possibilities. I dedicated my books to Helena, my wife, friend, traveling companion, inspirer! Each of these concepts was tested in the fire of life. And in Petersburg, Scandinavia, England, America, and in all Asia we worked, we studied, we broadened our consciousness. Together we created, and not without reason is it said that the work should bear two names — a feminine and a masculine.”

At the end of their major expedition, in 1928, the family settled in the Kullu Valley at an elevation of 6,500 feet in the Himalayan foothills, with a magnificent view of the valley and the surrounding mountains. Here they established their home and the headquarters of the Urusvati Himalayan Research Institute, which was organized to study the results of their expedition, and of those explorations that were yet to come. The Institute’s activities included botanical and ethnological-linguistic studies, and the exploration of archeological sites. Under the direction of their father the two Roerich sons, George and Svetoslav, established a collection of medicinal herbs, and made extensive studies in botany and ancient medical lore, as well as in Tibetan and Chinese pharmacopoeia.

In the following year, on a trip back to New York for the opening of the Roerich Museum’s new premises, Roerich raised an issue that had been close to his heart for many years. Using the Red Cross as an example, he proposed a treaty for the protection of cultural treasures during times of both war and peace — a proposal he had unsuccessfully tried to promote in 1914. In consultation with lawyers versed in international law, he drafted a Pact, and suggested that a flag would be flown over all places under its protection. This flag he called the Banner of Peace. The design of the Banner shows three spheres surrounded by a circle, in magenta color on a white background. Of the many national and individual interpretations of this symbol, the most usual are perhaps those of Religion, Art and Science as aspects of Culture, which is the surrounding circle; or of past, present, and future achievements of humanity guarded within the circle of Eternity. The symbol can be seen in the seal of Tamerlane, in Tibetan, Caucasian, and Scandinavian jewelry, and on Byzantine and Roman artifacts. The image of the Strasbourg Madonna is adorned with it. It can be seen in many of Roerich’s paintings, most notably Madonna Oriflamma, in which Woman is depicted as the carrier and defender of the Banner. In this sign and the motto, Pax Cultura, that accompanies it, is symbolized Roerich’s vision for humanity. As he wrote: “Let us be united — you will ask in what way? You will agree with me: in the easiest way, to create a common and sincere language. Perhaps in Beauty and Knowledge.” Roerich’s efforts to promulgate such a treaty resulted, finally, on April 15, 1935, in the signing by the nations of the Americas — members of the Pan American Union — of The Roerich Pact, in the White House in Washington. This is a treaty still in force. Many individuals, groups, and associations around the world continue to promote awareness of the Pact, the Banner, and their underlying principles.

It is in his Himalayan paintings that one most easily finds evidence of the loftiness of spirit and sense of mission that led Roerich to attempt the tasks he set for himself. In them can be seen the sense of drama, the urgency of a message to send or receive, a traveler to greet, a mission to perform, a path to travel. The towering mountains stand for the spiritual goals that humanity must set for itself. Roerich urges people on to their spiritual destiny and reminds them of their duty to prepare for the New Era in which Rigden Jyepo will gather his army and under the Banner of Light defeat the host of darkness. Roerich the warrior was already armed and mounted; he sought to muster his army for the battle, and bid that their breastplates bear the word “culture.”

The pursuit of refinement and beauty was sacred for Roerich. He believed that although earthly temples and artifacts may perish, the thought that brings them into existence does not die but is part of an eternal stream of consciousness — man’s aspirations nourished by his directed will and by the energy of thought. Finally, he believed that peace on Earth was a prerequisite to planetary survival and the continuing process of spiritual evolution, and he exhorted his fellow man to help achieve that peace by uniting in the common language of Beauty and Knowledge.

Nicholas Roerich died in Kullu on December 13, 1947. His body was cremated and its ashes buried on a slope facing the mountains he loved and portrayed in many of his nearly seven thousand works.

Or view the video on the server at:
http://video.tsemtulku.com/videos/NicholasRoerichDocumentary.mp4

 


 

MANJU KAK ON NICHOLAS ROERICH

Nicholas Roerich’s influence and legacy in the fields of art, exploration and spirituality cannot be underestimated. There have been a number of books written about his life and works, and one of them is edited by award winning writer Manju Kak. She is an author, critic, and art and cultural historian. She holds a Ph.D. in Art History from the National Museum, New Delhi, and has worked as a Visiting Professor at learning institutions all over the world, including in the UK, and Hong Kong. It is in the book entitled ‘Nicholas Roerich – A Quest & A Legacy’ that the 21 scholarly articles give details about Nicholas being an artist and spiritual thinker. The book seeks to answer the controversies surrounding him from various perspectives, showcasing his brilliance in an illuminating manner.

NicholasRoerichBook

 

Or view the video on the server at:
http://video.tsemtulku.com/videos/ManjuKakOnNicholasRoerich.mp4

Manju Kak was interviewed about the book by journalist Sunil Sethi, and explains her fascination with Himalayan ethnography and culture, as well as what makes Nicholas Roerich and his work so special.

 


 

Nicholas Roerich (1874 – 1947)

Tsong-Kha-Pa. Drawing. 1924

Maitreya. Album leaf. 1932

 

Hidden Treasure. From “Heroica” suite. 1917.
Oil tempera on canvas. 48.5 x 76.5 cm

Bridge of Glory 1923.
Tempera on canvas. 82 x 163 cm

Drops of Life. From “Sikkim” series. 1924.
Tempera on canvas. 74 x 117.5 cm

Mother of the World. 1930s
Tempera on canvas mounted on cardboard. 98 x 65.5 cm

Path to Tibet. 1925
Tempera on canvas mounted on cardboard. 30.5 x 40.5 cm.
Nicholas Roerich Museum, New York

Krishna. From “Kulu” series. 1929
Tempera on canvas. 74 x 118 cm

St. Panteleimon the Healer. 1931
Tempera on canvas. 44.5 x 78.5 cm

The Greatest and Holiest of Tangla. 1932
Tempera on canvas. 61.5 x 97 cm.
Nicholas Roerich Museum, New York

Himalayas. 1933
Tempera on canvas. 74.5 x 118 cm.
Nicholas Roerich Museum, New York

Most Sacred (Treasure of the Mountain). 1933
Tempera on canvas. 73.5 x 117 cm.
Nicholas Roerich Museum, New York

Mount of Five Treasures (Two Worlds).
From “Holy Mountains” series. 1933
Tempera on canvas. 47 x 79 cm

Path to Shambhala. 1933.
Tempera on canvas. 46.5 x 78.5 cm

Tibet. Himalayas. 1933.
Tempera on canvas. 74 x 117 cm

Great Spirit of the Himalayas. 1934
Tempera on canvas. 76.5 x 103 cm.
Nicholas Roerich Museum, New York

Kanchenjunga. 1936
Tempera on canvas. 60.5 x 99 cm.
Nicholas Roerich Museum, New York

Star of the Hero. 1936.
Variant of “Star of the Hero” (1932)
Tempera on canvas. 92 x 122 cm

Tempera on canvas mounted on cardboard. 98 x 65.5 cm

Overseas Guests. 1901
Oil on canvas. 85 x 112.5 cm.
State Tretyakov Gallery, Moscow

Building the Ships. 1903
Oil on canvas. 108 x 142.5 cm.
State Museum of Oriental Art, Moscow

Uglich. Monastery of the Resurrection. 1904
From “Studies from journey through old Russian towns”.
Oil on panel. 46 x 83 cm.
State Russian Museum, St. Petersburg

Slavs on the Dnieper. 1905
Tempera on cardboard. 67 x 89 cm.
State Russian Museum, St. Petersburg

Treasure of the Angels. Mural design. 1905
Oil on canvas. 321.5 x 367 cm.
Private collection

Polovtsian Camp. Décor for Borodin’s opera “Prince Igor”. 1908 (from a reproduction)
For Diaghilev’s production, Théâtre Châtelet, Paris, 1909
Pastel, gouache, charcoal on paper mounted on cardboard. 52 x 70.5 cm
State Tretyakov Gallery, Moscow

Idols (Pagan Russia). 1910 (begun in 1901) (from a reproduction)
Tempera on canvas. 157.5 x 170 cm.
Whereabouts unknown

Battle in the Heavens. 1912
Tempera on cardboard. 66 x 95 cm.
State Russian Museum, St. Petersburg

Kiss to the Earth. 2nd variant.
Décor for Stravinsky’s ballet “Le Sacre du Printemps”. 1912
For Diaghilev’s production, Théâtre des Champs-Élysées, Paris, 1913
Tempera and pastel on cardboard. 62 x 94 cm.
State Russian Museum, St. Petersburg

Décor for Ostrovsky’s play “Snegurochka”. 1912
For Ostrovsky’s play; Reineke Russian Theatre, St.Petersburg, 1912
Tempera on cardboard. 56 x 70 cm.
State Russian Museum, St. Petersburg

Cry of the Serpent. 1914
Tempera on panel. 84 x 98 cm.
Pskov History and Art Museum, Russia

Procopius the Blessed Prays for the Unknown Travelers. 1914.
Tempera on cardboard. 70 x 105 cm.
State Russian Museum, St. Petersburg

Birds of the Morning (Messengers of Morn). 1917
Oil tempera on canvas. 49 x 77 cm.
Private collection

Holy Island. 1917.
Tempera on canvas. 49 x 77 cm.
State Russian Museum, St. Petersburg

Knight of the Evening.
From “Eques Æternus” suite. 1918
Oil tempera on panel. 44.5 x 72.5 cm.
University of North Carolina, Charlotte, USA

Karelia landscape (Lake Ladoga). 1918 .
Oil tempera on panel. 47 x 84 cm.
Private collection, USA

Red Mountains. Santa Fe. 1921 .
Tempera on cardboard. 45.5 x 77 cm.
N.Roerich International Centre-Museum, Moscow

Monhegan, Maine. From “Ocean” series. 1922
Tempera on cardboard. 54.5 x 81 cm.
N.Roerich International Centre-Museum, Moscow

And We Open the Gates. From “Sancta” series. 1922
Tempera on canvas. 71 x 101.5 cm.
N.Roerich International Centre-Museum, Moscow

The Miracle. From “Messiah” series. 1923
Tempera on canvas. 74 x 209.5 cm.
State Museum of Oriental Art, Moscow

She Who Leads. From “His Country” series. 1924
Tempera on canvas. 89 x 116.5 cm.
N.Roerich International Centre-Museum, Moscow

Buddha, the Conqueror.
From “Banners of the East” series. 1925
Tempera on canvas. 73.5 x 118 cm.
Private collection, Moscow

Maitreya, the Conqueror.
From “Maitreya” suite. 1926 (or end of 1925)
Tempera on canvas. 73 x 101 cm.
Nizhnii Novgorod State Art Museum, Russia

Steed of Good Fortune.
From “Maitreya” suite. 1926 (or end of 1925)
Tempera on canvas. 72 x 101 cm.
Nizhnii Novgorod State Art Museum, Russia

Command of Rigden Djapo. 1926–27
Tempera on canvas. 61 x 120 cm.
Private collection, Moscow

Rocks of the Buddhist Caves. 1927 or 1928
Tempera on canvas mounted on cardboard. 29 x 40 cm.
Private collection, USA

Shekar Dzong. 1928
Tempera on canvas. 76 x 142 cm.
Private collection, Moscow

Flowers of Timur. 1931 .
Tempera on canvas. 75 x 118 cm.
State Museum of Oriental Art, Moscow

Devidar Narsinga. 1932 .
Tempera on canvas. 74 x 117 cm.
Allahabad Museum, India

Stronghold of Tibet. 1932
Tempera on canvas. 46.5 x 79 cm.
State Museum of Art, Riga, Latvia

All ridge. 1924
Himalayan Mountains

Descent into Hell. 1933
Tempera on canvas. 61 x 50 cm.
State Museum of Oriental Art, Moscow

St. Sergius Chapel. 1936.
Tempera on canvas. 61 x 99.5 cm.
State Museum of Art, Riga, Latvia

Himalayas. 1936
Tempera on cardboard. 30.5 x 45.5 cm.
State Museum of Art, Riga, Latvia

Compassion. 1936
Tempera on canvas. 61.5 x 92.5 cm.
State Museum of Art, Riga, Latvia

Mongolia. 1937 or 1938
Tempera on canvas. 92 x 123 cm.
State Museum of Oriental Art, Moscow

Voice of Mongolia. 1937
Tempera on canvas. 45.5 x 78.5 cm.
State Museum of Oriental Art, Moscow

Changthang. Northern Tibet. 1939
Tempera on canvas. 61 x 91.5 cm.
State Museum of Oriental Art, Moscow

Message to Tiron. 1940 .
Tempera on canvas. 76 x 124 cm.
State Museum of Oriental Art, Moscow

Northern Midnight. 1940
Tempera on canvas. 76 x 123 cm.
State Russian Museum, St. Petersburg

Awaiting One. 1941 Variant of “They Are Waiting” (1917)
Tempera on canvas. 62 x 123 cm.
State Russian Museum, St. Petersburg

Gesar Khan. 1941 .
Tempera on canvas. 91 x 152.5 cm.
Private collection, Moscow

Beneficial Herbs (Vasilisa the Beautiful). 1941
Tempera on canvas. 76 x 121.5 cm.
State Museum of Oriental Art, Moscow

Boris and Gleb. 1942
Tempera on canvas. 61 x 123 cm.
State Russian Museum, St. Petersburg

Prince Igor’s Campaign. 1942
Tempera on canvas. 62 x 122 cm.
State Russian Museum, St. Petersburg

Lao Tze. 1943
Tempera on canvas. 38 x 122 cm.
State Museum of Oriental Art, Moscow

Song of Shambhala. 1943
Tempera on canvas. 79 x 137 cm.
State Museum of Oriental Art, Moscow

Mountain Lake. Baralacha Pass. 1944
Tempera on canvas. 61 x 123 cm.
State Russian Museum, St. Petersburg

Beda the Preacher. 1945
Tempera on canvas. 71.5 x 130 cm.
State Art Museum, Novosibirsk, Russia

Brahmaputra. 1945
Tempera on canvas. 41 x 103 cm.
State Museum of Oriental Art, Moscow

Krishna. 1946
Tempera on canvas. 79 x 154 cm.
State Russian Museum, St. Petersburg

Abode of Gesar. 1947
Tempera on canvas. 61 x 102 cm.
State Museum of Oriental Art, Moscow

Command of the Master. 1947 Last work of the artist.
Variant of “Command of the Master” (1931)
Tempera on canvas. 84 x 153 cm.
State Museum of Oriental Art, Moscow

Hidden Treasure. 1947 Variant of “Hidden Treasure” (1917) Tempera on canvas.
91 x 150 cm. State Museum of Oriental Art, Moscow

Lhasa. 1947
Tempera on canvas. 92 x 154 cm.
State Russian Museum, St. Petersburg

Lights on the Ganges. 1947
Tempera on canvas. 82 x 137 cm.
State Russian Museum, St. Petersburg

In Thought. 1946
Tempera on canvas. 60.5 x 103 cm.
State Museum of Oriental Art, Moscow

Himalayas. c. 1936–47
Tempera on cardboard. 28 x 44 cm.


Banner of the East

Buddha, the Conqueror. 1925
Tempera on canvas. 73.5 x 118 cm.
Private collection, Moscow

Confucius, the Just One. 1925
Tempera on canvas. 73.5 x 117 cm.
Bolling collection, USA

Dorje, the Daring One. 1925
Tempera on canvas. 74 x 117.5 cm.
Nicholas Roerich Museum, New York

En-no-Gyoja, the Friend of the Travelers. 1925
Tempera on canvas. 74 x 118 cm.
Private collection, Russia

Lao Tze. 1924
Tempera on canvas. 73.5 x 117 cm.
Bolling collection, USA

Milarepa, the One Who Harkened. 1925
Tempera on canvas. 73.5 x 117.5 cm.
Nicholas Roerich Museum, New York

Mohammed on Mount Hira. 1925
Tempera on canvas. 73 x 117 cm.
Private collection, Moscow

Moses, the Leader. 1925 Tempera on canvas. 73.5 x 119.5 cm.
Private collection, Russia

Nagarjuna, the Conqueror of the Serpent. 1925
Tempera on canvas. 73.5 x 117.5 cm.
N.Roerich International Centre-Museum, Moscow

Oirot, the Messenger of the White Burkhan. 1925
Tempera on canvas. 73 x 117 cm.
N.Roerich International Centre-Museum, Moscow

Padma Sambhava. 1924
Tempera on canvas. 74 x 117 cm.
Nicholas Roerich Museum, New York

The Chalice of Christ. 1925
Tempera on canvas. 75 x 117 cm.
Private collection, Moscow

The Serpent of Wisdom. 1924
Tempera on canvas. 74 x 117 cm.
Private collection, Moscow

Tsong-Kha-Pa. 1924 (from a reproduction)
Tempera on canvas. 73.5 x 117 cm.
Private collection


Buddhist Art

Wular Lake.
From “Lakes and Gilgit Path” series. 1925
Tempera and charcoal on paper mounted on cardboard. 25 x 35.5 cm
Private collection, New York

The Holies.
From “Tibetan Path” series. 1924 (from a monotone print)
Tempera. 31 x 47 cm.
Private collection, New York

The Holies.
From “Tibetan Path” series. 1924
Private collection

NR066 Temple of Naggar.
From “Kulu” series. 1929
Tempera on canvas. 74.5 x 118 cm.
Private collection, USA

Song of the Waterfall. Décorative panel.
From “Dreams of Wisdom” series. 1920
Tempera on canvas. 235 x 122 cm.
Nicholas Roerich Museum, New York

Pir Panjal.
From the series of the same title. 1925
Tempera on canvas mounted on cardboard. 65.5 x 98 cm.
Nicholas Roerich Museum, New York

Path to Kailas.
From “Holy Mountains” series. 1933
Tempera on canvas. 46.5 x 79 cm.
Nicholas Roerich Museum, New York

Nag Lake.
From “Lakes and Gilgit Path” series. 1925
Tempera on canvas. 47 x 79.5 cm.
Private collection

Mount of Five Treasures (Two Worlds).
From “Holy Mountains” series. 1933
Tempera on canvas. 47 x 79 cm.
Nicholas Roerich Museum, New York

Himalayas.
From “Holy Mountains” series. 1933
Tempera on canvas. 47 x 79 cm.
State Museum of Oriental Art, Moscow

Gobshi.
From “Tibetan Path” series. 1924
Tempera on canvas mounted on cardboard. 31 x 47.5 cm
N.Roerich International Centre-Museum, Moscow

Bharagarh Fort.
From “Kulu” series. 1929
Tempera on canvas mounted on cardboard. 32 x 41.5 cm.
Nicholas Roerich Museum, New York

Gumran.
From “Lahul” series. 1932
Tempera on canvas. 47 x 79.5 cm.
State Museum of Oriental Art, Moscow

Arjuna.
From “Kulu” series. 1929
Tempera on canvas. 74.5 x 118 cm.
N.Roerich International Centre-Museum, Moscow

Dal Lake.
From “Lakes and Gilgit Path” series. 1925
Tempera on canvas. 62.5 x 81.5 cm.
Private collection

Palden Lhamo.
1932. Tempera on canvas. 81.4×127 cm.
Nicholas Roerich Museum, New York


Major Collection

Bhagavan. 1931
Tempera on canvas. 45 x 79 cm

Compassion. 1936
Tempera on canvas. 61.5 x 92.5 cm

Fujiyama. 1936
Tempera on cardboard. 30.5 x 45.5 cm

Ladakh. 1937
Tempera on cardboard. 31 x 46 cm

Lake of the Nagas. Kashmir. 1937
Tempera on cardboard. 31 x 46 cm

Madonna Laboris. Study. 1936
Tempera on cardboard. 31 x 46 cm

Maitreya. Album leaf. 1932
Tempera on paper. 25 x 36.5 cm

Maitreya. Album leaf. 1932
Tempera on paper. 25 x 36.5 cm

Om Mani Padme Hum. 1932
Tempera on canvas. 45 x 79 cm

On the Heights (Tumo). 1936
Tempera on canvas. 92 x 122 cm

St. Sergius Chapel. 1936
Tempera on canvas. 61 x 99.5 cm

Stronghold of Tibet. 1932
Tempera on canvas. 46.5 x 79 cm

The Path. 1936
Tempera on canvas. 91.5 x 122 cm

Tibet. Evening. 1937
Tempera on cardboard. 31 x 46 cm

Tsong-Kha-Pa. Drawing. 1924
Black chalk, gouache on paper. 51 x 32 cm


His Country 1924

Book of Wisdom. 1924
Tempera on canvas. 88.5 x 117 cm.
Bolling collection, USA

He Who Hastens. 1924
Tempera on canvas. 89.5 x 116.5 cm.
Nicholas Roerich Museum, New York

Higher than the Mountains. 1924
Tempera on canvas. 73.5 x 117 cm.
Private collection, Russia

Lower than the Depths. 1924
Tempera on canvas. 90 x 115.5 cm.
Private collection

“Remember” 1924
Tempera on canvas. 87.5 x 117.5 cm.
Nicholas Roerich Museum, New York

She Who Leads. 1924
Tempera on canvas. 89 x 116.5 cm.
N.Roerich International Centre-Museum, Moscow

Treasure of the World. 1924
Tempera on canvas. 88.5 x 116.5 cm.
Nicholas Roerich Museum, New York


Sikkim 1924

Drops of Life. 1924
Tempera on canvas. 74 x 117.5 cm.
Nicholas Roerich Museum, New York

Himalayas. 1924
Tempera on canvas. 73 x 116 cm.
Private collection, USA

Mother of Tourfan. 1924
Tempera on canvas.
Private collection, USA

Namtse. 1924
Tempera on canvas. 73 x 116 cm.
Private collection, USA

Pemayangtse. 1924 (from a monochrome photograph)
Tempera on canvas.
Whereabouts unknown

Red Lama. 1924
Tempera on canvas. 73.5 x 142 cm.
Private collection, USA

Rinchenpong. 1924
Tempera on canvas. 73.5 x 118 cm.
Private collection, USA

Sacred Gift. 1924
Tempera on canvas. 90 x 118 cm.
State Museum of Oriental Art, Moscow

Sangacheling. 1924
Tempera on canvas. 73.5 x 117 cm.
Private collection, New York

Silhouette. 1924
Tempera on canvas. 73.5 x 117 cm.
Private collection, USA

Steps to the Himalayas. 1924
Tempera on canvas. 72 x 114.5 cm.
Private collection, USA

Suburgan of Tashiding. 1924
Tempera on canvas. 88.5 x 117 cm.
Private collection, USA

Suburgan of Tashiding. 1924
Tempera on canvas. 88.5 x 117 cm.
Private collection, USA


Maitreya 1924

Banners of the Coming One. 1926 (or end of 1925)
Tempera on canvas. 72 x 100.5 cm.
Nizhnii Novgorod State Art Museum, Russia

Power of the Caves. 1926 (or end of 1925)
Tempera on canvas. 72.5 x 101 cm.
Nizhnii Novgorod State Art Museum, Russia

Steed of Good Fortune. 1926 (or end of 1925)
Tempera on canvas. 72 x 101 cm.
Nizhnii Novgorod State Art Museum, Russia

The March of Shambhala. 1926 (or end of 1926)
(from a monochrome photograph)
Tempera. Whereabouts unknown

Walled Stronghold. 1926 (or end of 1925)
Tempera on canvas. 73 x 101 cm.
Nizhnii Novgorod State Art Museum, Russia

Whispers of the Desert. 1926 (or end of 1925)
Tempera on canvas. 72.5 x 100.5 cm.
Nizhnii Novgorod State Art Museum, Russia


Others

Waves of Mist. 1924
Tempera on canvas mounted on cardboard. 30 x 40 cm.
Nicholas Roerich Museum, New York

The Great Sacrifice. 2nd variant. 1912
For Diaghilev’s production, Théâtre des Champs-Élysées, Paris, 1913
Tempera on cardboard. 51.5 x 73 cm.
N.Roerich International Centre-Museum, Moscow

The Great Sacrifice. 1st variant. 1910 (from a reproduction)
For Diaghilev’s production, Théâtre des Champs-Élysées, Paris, 1913
Tempera and pastel on cardboard. 54 x 75 cm.
Ia.A.Umanskaia collection, Kiev

Sanctuaries and Citadels. 1926
Tempera on canvas. 66 x 99 cm.
Private collection, USA

Sanctuaries and Citadels. 1925
Tempera on canvas mounted on cardboard. 65 x 96.5 cm.
Private collection

Sanctuaries and Citadels. 1925
Tempera on canvas. 50.5 x 70.5 cm.
N.Roerich International Centre-Museum, Moscow

Sanctuaries and Citadels. 1925
Tempera on canvas. 66 x 99 cm.
Private collection, USA

Kiss to the Earth. 2nd variant. 1912
For Diaghilev’s production, Théâtre des Champs-Élysées, Paris, 1913
Tempera and pastel on cardboard. 62 x 94 cm.
State Russian Museum, St. Petersburg

Kiss to the Earth. 3rd variant. Scenery sketch. 1912
For Diaghilev’s production, Théâtre des Champs-Élysées, Paris, 1913
Watercolor and ceruse on paper. 14.7 x 19.5 cm.
I.V.Koretskaia collection, Moscow

Kiss to the Earth. 1st variant. 1912
For Diaghilev’s production, Théâtre des Champs-Élysées, Paris, 1913
Tempera on cardboard. 56 x 81 cm.
State Russian Museum, St. Petersburg

 

 
Source: http://www.roerich.org/wwp.html
 
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23 Responses to Nicholas Roerich & art (1874-1947)

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  1. Samfoonheei on Apr 7, 2018 at 12:00 pm

    Nicholas Roerich a man of multi talent , was a Russian painter, writer, archaeologist, theosophist, perceived by some in Russia as an enlightener, philosopher, and so forth. Even though he was a an artist by training and a lawyer but he was more interested in literature. He was a dedicated activist for the cause of preserving art and architecture during times of war. His paintings can be seen in several museums worldwide and had earned several awards for his works. His art collections was amazing which includes spiritual paintings and depictions of Tibet, Lama Tsongkhapa and Buddha Maitreya . Each of the paintings tells us a beautiful story which I loved to see. We are indeed fortunate to see those beautiful paintings from a great artist. Those paintings speaks a thousands words.
    Thank you Rinpoche for this interesting sharing and beautiful paintings.

  2. Stella Cheang on Nov 26, 2016 at 4:06 pm

    Thank you very much Rinpoche, for sharing with us the biography of Nicholas Roerich as well as a selection of his beautiful paintings. The captivating artwork is a representation of the life of a great explorer, philosopher, traveler and spiritualist, And I agree too that the work has a deep sense of soulfulness that goes beyond mere skin deep beauty. They are very enriching in a spiritual sense.

  3. sandra on Feb 26, 2015 at 2:03 am

    Clearly Nicholas was a very intelligent, creative, talented and well- travelled man. I love his paintings- those of the Himalayas look exquisite and very easy to do although I am sure that is not the case. I might share this article with a sister/acquaintance who is interested in art and will study it at university in the new term. I think she’d like it. Thank you Rinpoche for the extensive collection you have compiled here.

  4. Cheats Destiny on Oct 20, 2014 at 8:19 am

     No coincido en consonancia con nada en absoluto de lo
    que has blogueado. No hay documentacion ni da la impresion que te
    hayas informado con anterioridad de escribir.

  5. Dolma on Aug 15, 2014 at 9:40 pm

    Tashi Delek,
    There is a big Roerich gallery in nagar in Himachal Pradesh ( in between kullu and manali) I am tibetan born and brought up in that region and there is no doubt of Roerich envision and travelogue expressed in his arts.. I always wondered about his paints, drawings of the Himalayan landscape and his journeys of his time..
    I am new to your blog but it gave me lots of informations and I look forward reading me.
    Thank you
    Dolma

  6. Edwin Tan on May 4, 2014 at 3:29 pm

    Thank you Rinpoche, for sharing Nicholas Roerich’s artworks.

    They are all vividly painted. He is so talented in all fields and did his best to have the Pact drawn up to protect the Arts and Culture.

    I like how he is so inclined to spirituality and have many of the works done of different religions and portray them so stunningly.

    Thank you.

  7. Irene Lim on Apr 2, 2014 at 6:26 am

    Such exquisite expression of spirituality, experiences, travelogue and architectural all captured through brush and paint in canvas. Through Nicholas Roerich’s paintings, they each tell a story of a subject and from each painting it also revealed the openness, knowledge and intelligence of Nicholas Roerich.

  8. Li Kheng on Mar 31, 2014 at 2:46 pm

    Wow, wow, wow!!!

    Powerful knowledge to read about a man of vision who taught us about “cross fertilization” and the benefits of connection of differences harmoniously. Individuals like Roerich prompts to be buck up because we are supposed to the the advanced generation who is reaping the benefits of outer and inner wealth accumulated for us by our forefathers and mothers.

    How could it be that, we, people of the 21st century act with rejection to differences when, 1 century ago, Roerich has already established a pact to promoted connectivity and harmony of religion, culture, tradition and resources?

    This vision of Roerich especially strikes me because it is aligned to the vision of Tsem Rinpoche for Kechara Forest Retreat where Rinpoche intend to build a conscious community based on 7 tenets that include: embrace difference because it enriches us.

    Thank you Rinpoche for this mind-opening blog. May more read it and enjoy the message as much as I did!

  9. Ruby Khong on Mar 30, 2014 at 8:40 am

    This is an excerpt that I stumbled upon on http://www.artexpertswebsite.com/pages/artists/roerich.php. Such was Roerich’s and his family’s fascination and interest with the Himalayans and Central Asia, against all odds:

    The Roerichs – together with their son George and six friends – went on the five-year long ‘Roerich American Expedition’ that, in Roerich’s own words: “started from Sikkim through Punjab, Kashmir, Ladakh, Karakorem mountains, Khotan, Kashgar, Qara Shar, Urumchi, Irtysh, Altai Mountains, Oryot region of Mongolia, Central Gobi, Kansu, Tsaidam, Tibet.” with a detour through Siberia to Moscow in 1926. Between Summer 1927 and June 1928 the expedition was thought to be lost, since all contact from them ceased for a year. They had been attacked in Tibet and only the “Superiority of our firearms prevented bloodshed. … In spite of Tibet passports, expedition forcibly stopped by Tibetan authorities”. The Expedition was detained by the government for five months, and forced to live in tents in sub-zero conditions and meagre rations. Five men of the expedition died at this time. In March of 1928 they were allowed to leave Tibet, and trekked south to settle in India, where they founded a research center, the Himalayan Research Institute.

  10. Sean Wang on Mar 29, 2014 at 11:24 pm

    Thank you, Rinpoche for sharing with us the brilliant masterpieces by Nicholas Roerich. His art is unique and I value uniquity and individuality. The hues are vibrant with the colours of the times showing strong emotions he had towards Buddhism.

  11. Sharon Ong on Mar 28, 2014 at 11:52 pm

    Thank you for this fantastic post, Rinpoche. Admittedly, I am not well acquainted with Roerich’s works until your post. He has many gorgeous pieces but I really like those pieces that reminds me of Monet’s famous pastel hued masterpieces. I can’t help but wonder if his Mother of the World is his interpretation of Tara or Mother Mary. The fact that he painted her face partially hidden adds to the mystery. I wonder what is Rinpoche’s take on this. With folded hands.

  12. Patsy on Dec 2, 2013 at 4:42 pm

    I love all the paintings! Nicholas Roerich is such a talented painter and he expressed well his thoughts and feelings through all these beautiful and mystical masterpieces!!! Thank you, Rinpoche, for sharing.

  13. henry ooi on Dec 2, 2013 at 3:57 pm

    Beautiful and awesome works of art splendidly expressed on art materials.
    Thank you, Rinpoche, for reposting.

  14. Low KHJB on May 12, 2013 at 9:49 pm

    Thank you for the sharing Rinpoche.Nicholas Roerich style of art is indeed timeless.He must have spent a lot of time traveling to different continents to understand the world better before developing his creative inspiration to bring life to the canvas.We could see in his creations that he has a tendency to highlight the embodiment of nature and human quest of serenity through religion of various forms.
    His interpretation of Buddhism art is profound and tastefully expressed through an westerner eyes.

  15. Sharon Saw on May 11, 2013 at 11:06 pm

    Nicholas Roerich is such a prolific artist… and a spiritual one too. I love his different treatments of different scenes, which are very evocative. Religious art can be so inspiring for people’s faith. I would dearly love to travel and sketch similar scenes one day. It’s been awhile since i did that and never in Asia. The Kiss to the Earth (first variant) reminds me of Kechara Forest Retreat!

  16. Wan Wai Meng on May 2, 2013 at 12:33 am

    The paintings are so alive and beautiful each and everyone one of them, seems like animated as well.

  17. Joy on May 2, 2013 at 12:01 am

    Amazing I looooove all his paintings. I wish I could paint like that!

    Brother, let us abandon

    all that rapidly changes.

    Otherwise we will not have time

    to turn our thoughts to that

    which is changeless for all.

    To the eternal.

    Not only is he an artist that paints, he is also a poet… I do not just see an artist… I see a spiritual artisan who is expressing his spiritual journey, experiences through art, and well as they say… a picture paints a thousand words. His is truly captivating that grows on to you beyond time because it has deep meaning behind it. Nicholas manages to capture the moment of the enchanting sacred mystical land and practices of Tibetan Buddhism. Every single painting tells a different story, environments and energy. Totally adore them!

  18. uncle eddie on Apr 20, 2013 at 5:19 pm

    Nicholas and his wife, Helena were said to be spiritual seekers, using and conveying their great understanding and experiences in their knowledge of the beauty of enchanting arts to promote spirituality. That’s why it can be seen that most of their paintings were featured in hidden treasures in mountains and water, said to be symbolising the search in high places for the truth that is hidden within us. Being great artists, they always create wonderful and beautiful paintings that were thoughts provoking, coupled with a deep sense of mysticism. In them can be seen the deep sense of Drama, the urgency of a message to send or receive a mission to be performed, and a path to be travelled. They believed that peace on earth was a prerequisite to planetary survival and exhorted all fellow beings to help achieve that peace, by “uniting in the common language of Beauty and knowledge.”

  19. Lim Han Nee on Apr 19, 2013 at 11:33 pm

    Nicholas and Helena Roerich were truly the superheroes of Russia in terms of their exploration of religion,mysticism, spirituality and philosophy through art and writing(Helena). I remember having come across Helena’s book on Buddhism and was intrigued that a Russian lady could have written on Buddhism.

    The art of Nicholas Roerich is like a paean of joy, a sacred tribute to spirituality and religion. From Jesus to Buddha, Maitreya, Tsongkhapa, Krishna and Brahmaputra,Confucius and Lao Tze,this pageant of religious figures reflect Nicholas’ belief in the oneness out of this diversity.There appears to be ,however, a distinct focus on Buddhism and Tibetan Buddhism.

    His love of mountains, particularly the Himalayas,is seen in the many paintings of mountain scenes in such lovely hues. The eternal spirit seems to dwell in these paintings.

  20. Leann Lim on Apr 17, 2013 at 6:39 pm

    Thank you Rinpoche for sharing this wonderful artwork from Mr. & Ms. Roerich. All the artwork so attracted our eyes, and repeat again and again to view the painting.

    With a great inspiration & open mind they have create this greatest painting ever have.. And it’s show through art & painting it’s another way of spiritual practice, as through the painting can deeply feel their higher spiritual mind they have.

    The painting i love so much is the Mother of the world and Moses, The Leader …so impressive…

  21. Sean Wang on Apr 16, 2013 at 7:36 pm

    I really love Nicholas Roerichs work. The contrasts seem to make his masterpieces out of time and surreal. I like how he likes to paint religious figures and does not just stay with one! He sparked a great milestone in term of influence for the Buddhist path of the west. A true hero of Dharma!

  22. David Lai on Apr 15, 2013 at 7:52 pm

    I love Nicholas Roerich too! I loved how he bathe his artwork with wonderful hues that seems to evoke a different time and place. I love all of his works particularly those of Tibet, its saints and deities because his work render them in a different manner. Its interesting because his discovery of Tibet coincides with the start of the Theosophical Society of Madame Blavatsky and because of her, there was a growing interest in the spiritual traditions of Asia, particularly of Buddhism. Although this marks a remarkable milestone in the West’s discovery of Buddhism. Anyway, the artwork itself is beautiful pieces and I particularly like the March from Shambala, which I found to be a refreshing perspective from the usual 2-D rendition in traditional depiction of a deity-warrior-king

  23. Jace Chong on Apr 14, 2013 at 7:34 pm

    Thanks Rinpoche for sharing with us the brilliant artworks from Mr. and Mr.s Roerich. The paintings are very very nice!

    I am surprised to read that they have such open mind during that era. They must had a fruitful mind trip after visiting so many places and got to know about different cultures and living.

    The painting that I like the most is Palden Lhamo =)

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KECHARA FOREST RETREAT PROGRESS UPDATES

Here is the latest news and pictorial updates, as it happens, of our upcoming forest retreat project.

The Kechara Forest Retreat is a unique holistic retreat centre focused on the total wellness of body, mind and spirit. This is a place where families and individuals will find peace, nourishment and inspiration in a natural forest environment. At Kechara Forest Retreat, we are committed to give back to society through instilling the next generation with universal positive values such as kindness and compassion.

For more information, please read here (english), here (chinese), or the official site: retreat.kechara.com.

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  • Lin Mun
    Tuesday, May 22. 2018 10:02 PM
    Every human is unique in their own way. It’s an interesting article to learn about human behaviour and how our mind function. Psychopath is apparently inherent brain. If so I wonder can drugs help them? While psychopath can be good or evil then how can we help those who are evil? I believe we some how we inherited certain behaviour from our previous imprint and therefore portraying it in this life. I guess it about understanding ourselves better, accept and keep transforming to be better.

    http://www.tsemrinpoche.com/tsem-tulku-rinpoche/current-affairs/why-some-dont-think-of-the-long-term-damage.html
  • Stella Cheang
    Tuesday, May 22. 2018 09:37 PM

    Li Gotami is an extraordinary woman with incredible talents. She documented Tibet and Buddhism at the time and space where it remained out of reach to the world at large. Her work left us with valuable books, art and photographs. It was the same period of time when acclaimed contributors to Tibetan Buddhism, like Lama Anagarika, Walter Evans-Went, John Blofeld actively unveiled Tibet from a religion and cultural perspective. Thank you for this informative sharing.

    http://www.tsemrinpoche.com/tsem-tulku-rinpoche/inspiration-worthy-words/li-gotami-the-woman-who-dedicated-her-life-to-the-arts.html#comments
  • Samfoonheei
    Tuesday, May 22. 2018 06:52 PM
    Is very heart breaking to read about the way the practitioners been treated and sufferings felt by the Tibetan people who lack religious freedom to practise how and what they want. The unfairness, discrimination and so forth since the ban on Dorje Shugden instituted by the Tibetan Leadership (CTA). Despite there is enough evidence showing that there is a ban on Dorje Shugden practice yet many supporters of the Tibetan leadership continue to insist that there is no ban. If there is no ban, why is H.H Dalai Lama imposing rules on Dorje Shugden’s practitioners. Dorje Shugden practitioners are denied medical care, education, services, employment and so forth. Its really sad, they have suffered for too many years, the ban should end for the better furture.
    May H.H. the Dalai Lama please lift the ban on Dorje Shugden.
    Thank you Rinpoche for this sharing.

    http://www.tsemrinpoche.com/tsem-tulku-rinpoche/dorje-shugden/the-dalai-lama-speaks-clearly-about-the-dorje-shugden-ban.html
  • Samfoonheei
    Tuesday, May 22. 2018 06:51 PM
    Interesting description of a great Master……….Lama Yeshe by his student Champa Legshe. Lama Yeshe received the teachings of both sutra and tantra from a long line of erudite masters such as Kyabje Trijang Rinpoche, Kyabje Ling Rinpoche to name a few. Through his establishment of Kopan Monastery, in Kathmandu, he started spreading Buddhism among the westerners. Described by his student as humble, down to earth caring and loving teacher, friendly and many goodness of a highly respected attained Lama for his different approach and modern interpretation of Buddhism. From what I understand after reading Champa Legshe description , Lama Yeshe is definitely a great teacher . And Rinpoche has all the qualities and characteristics as Lama Yeshe … caring, loving, jovial, good- humoured, way of teaching Dharma to his students.
    Thank you Rinpoche for this sharing.

    http://www.tsemrinpoche.com/tsem-tulku-rinpoche/great-lamas-masters/lama-yeshe-the-great-mahasiddha.html
  • Lin Mun
    Monday, May 21. 2018 10:12 PM
    The ban on Dorje Shugden practitioners are so apparent in those places. And how can the CTA said there is no ban and discrimination? They are creating so much fear among the people which we can clearly see in the videos. Question is being a committed government, they should take care of the welfare of everyone regardless of their belief, race and colours. There should be no discrimination and segregation among the communities. I hope the ban will be lifted and the people in “Little Tibet” can regain their basic human rights that is freedom of religion very soon.

    http://www.tsemrinpoche.com/tsem-tulku-rinpoche/dorje-shugden/they-said-no.html
  • Samfoonheei
    Monday, May 21. 2018 01:48 PM
    Great news for Tibet befriending China. Time has changed and finally the Tibetans leadership has made the right choice to amend ties between the two countries. China has transformed itself becoming the largest economy in the world in no time. The world economy is rapidly changing, China’s economy will become more significant and will surpass America soon. Many countries in the world is making friend with China. With this meeting Tibet and China’s friendship in long term will benefits both sides. In time may HH Dalai Lama have dialogue with China to solved the controversy on the Dorje Shugden ban for the benefits of the people . Dorje Shugden has nothing to do with China. Because of the Tibetan Leadership political agenda, many has suffered and divided. Its more than a year since the workshops ,nothing has improved. Do hope both countries friendship will continue to pave way for more meetings. May HH Dalai Lama then solve the long controversy.
    Thank you Rinpoche for this sharing.

    http://www.tsemrinpoche.com/tsem-tulku-rinpoche/dorje-shugden/the-importance-of-tibet-befriending-china.html
  • Samfoonheei
    Monday, May 21. 2018 01:46 PM
    Even though it’s a old post, which I came across , still it’s a wonderful moment many had invited home this beautiful Setrap statues. Dharmapala Setrap is the enmanation of buddha Amithaba and highly enlightened beings. For 600 years hundreds of thousands of great masters, lamas and practitioners have since relied on Setrap as their principle protector. Rejoice to those who have invited one as family protector.
    Thank you Rinpoche for bringing this Powerful Dharmapala Setrap to Malaysia.

    http://www.tsemrinpoche.com/tsem-tulku-rinpoche/buddhas-dharma/more-people-invite-setrap.html
  • Lin Mun
    Sunday, May 20. 2018 10:12 PM
    Rejoice for Hecelus to engage in retreat during school holidays. What a great way to spend instead of indulging in video games, movies and hanging out with friends. I am sure he will inspire more teenager to engage in retreat as this is a cool way to spend their holiday too.

    http://www.tsemrinpoche.com/tsem-tulku-rinpoche/letters-cards-gifts/hecelus-wants-to-do-more.html
  • Samfoonheei
    Sunday, May 20. 2018 01:30 PM
    Our faith and religion is our choice. We choose what we want to practice . That’s our choice. We should respect each other choice and should not be biased, segregate, discriminate or hurt any one of a different faith to have a better environment to live in. Those who believe in Dorje Shugden should be treated equally and respected as others too. Politics is politics and has nothing to do with religion. Once mixed it s become harmful to another and used by another for political agenda. Tibetan leadership(CTA) should stopped contradicting itself and discriminating based on faith, for the benefit of Tibetan people. The ban instituted by the Tibetan Leadership (CTA) has created disharmony and disunity among their communities. There are more than enough evidence to prove that there is no religious freedom or true democracy and discrimination against Shugden people within. May the ban on Dorje Shugden be lifted soon and they have the freedom and rights to practice freely.

    http://www.tsemrinpoche.com/tsem-tulku-rinpoche/buddhas-dharma/dorje-shugden-people.html
  • Samfoonheei
    Sunday, May 20. 2018 01:28 PM
    The Tibetans in exile….. after leaving Tibet does not seem to improve much all these years in India. Since the establishment of the Tibetan leardership nothing was done for the welfare of the Tibetan people. The situation now is still the same as before. More and more Tibetans are speaking up and moving out or back to look for better jobs opportunities else where. The Tibetan Leadership has caused Shugden practitioners much suffering and hardship ,all these years . It is heartfelt to see situation like these, the Tibetans are being torn apart and divided . Even after 50 years, there is nothing that has changed and the CTA did not amend the ties between the CTA and China. Time has changed for the better everywhere, the CTA must change. Thank you Tibet Lover for your comment, hopefully more people will speak up against the wrong-doings done by CTA . May the Tibetans living in exiles have a peaceful and happy solution solved someday. May the ban on Dorje Shugden be lifted soon

    http://www.tsemrinpoche.com/tsem-tulku-rinpoche/current-affairs/tibetan-refugee-youth-speaking-up.html
  • Lin Mun
    Saturday, May 19. 2018 07:28 PM
    All religions emphasis love, compassion and peace. If there are violence imposed, I believe it most probably are the wrong view of the practitioners. Hence it is NOT right to impose violence in the name of moral principle. Having the right understanding is very important to mold a peaceful and harmony world. For a start we as individual have to understand, accept and practise it in our daily life. No point talking and not putting it into action.

    http://www.tsemrinpoche.com/tsem-tulku-rinpoche/current-affairs/violence-in-the-name-of-moral-principle-is-very-sad-the-dalai-lama.html#comment-785925
  • Lin Mun
    Saturday, May 19. 2018 07:21 PM
    While HH Dalai Lama may has his view about Four Faced Mahakala and Setrap, the Buddhist or non Buddhist practitioners should weigh the comment and learn up about the subject before forming an agreement or disagreement. Mahakala and Setrap are enlightened dharma protectors that have been propitiate by many high lamas, tulkus for few hundred years. It will be strange if one were to say that their belief and practise were actually wrong. Mahakala is the emanation of Manjushri and Setrap is emanation of Buddha Amitabha. So how can both Mahakala and Setrap be wrong.

    Dalai Lama may have state his comment due to certain reason which we may not understand now but ultimately, we should not follow the comment blindly without investigation and debate.

    http://www.tsemrinpoche.com/tsem-tulku-rinpoche/buddhas-dharma/dalai-lamas-controversial-thoughts-about-four-faced-mahakala-and-setrap.html
  • Samfoonheei
    Saturday, May 19. 2018 06:49 PM
    Came across this old post …..very interesting could not have imagine HH Dalai Lama has lead a prayers at White House. As Christianity is the main religion in US. The US Senate has opened each session with a prayer from various faith, that shows an open fair-minded of US accepting and tolerance in all faiths and religion. World peace can be achieve only that they live together with mutual religious tolerance and respects.

    http://www.tsemrinpoche.com/tsem-tulku-rinpoche/current-affairs/h-h-the-14th-dalai-lama-to-lead-prayers-in-the-senate.html
  • Samfoonheei
    Saturday, May 19. 2018 06:46 PM
    All religions are basically the same that all religions basically teach the same that’s for sure. They seem to all be saying the same thing in different ways. All religions teach the practice of loving kindness, compassion, caring, respectful and tolerance within each other. HH Dalai Lama spoke powerfully in a keynote address at an interfaith Conference sharing his views on how to tackle global challenges like climate change and corruption. When we observe good faith and justice toward all nations we will live harmoniously and peacefully. Great religious acceptance and tolerance, a very necessary aspect in keeping peace and harmony.

    http://www.tsemrinpoche.com/tsem-tulku-rinpoche/current-affairs/violence-in-the-name-of-moral-principle-is-very-sad-the-dalai-lama.html
  • amisha
    Saturday, May 19. 2018 06:38 AM
    For Samfoonheei – KABAR BAIK

    Saya telah berpikir bahwa semua perusahaan pinjaman online curang sampai saya bertemu dengan perusahaan pinjaman Suzan yang meminjamkan uang tanpa membayar lebih dulu.

    Nama saya Amisha, saya ingin menggunakan media ini untuk memperingatkan orang-orang yang mencari pinjaman internet di Asia dan di seluruh dunia untuk berhati-hati, karena mereka menipu dan meminjamkan pinjaman palsu di internet.

    Saya ingin membagikan kesaksian saya tentang bagaimana seorang teman membawa saya ke pemberi pinjaman asli, setelah itu saya scammed oleh beberapa kreditor di internet. Saya hampir kehilangan harapan sampai saya bertemu kreditur terpercaya ini bernama perusahaan Suzan investment. Perusahaan suzan meminjamkan pinjaman tanpa jaminan sebesar 600 juta rupiah (Rp600.000.000) dalam waktu kurang dari 48 jam tanpa tekanan.

    Saya sangat terkejut dan senang menerima pinjaman saya. Saya berjanji bahwa saya akan berbagi kabar baik sehingga orang bisa mendapatkan pinjaman mudah tanpa stres. Jadi jika Anda memerlukan pinjaman, hubungi mereka melalui email: (Suzaninvestment@gmail.com) Anda tidak akan kecewa mendapatkan pinjaman jika memenuhi persyaratan.

    Anda juga bisa menghubungi saya: (Ammisha1213@gmail.com) jika Anda memerlukan bantuan atau informasi lebih lanjut

1 · 2 · 3 · 4 · 5 · »

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  Bigfoot, Yeti, Sasquatch

The Unknown

The Known and unknown are both feared,
Known is being comfortable and stagnant,
The unknown may be growth and opportunities,
One shall never know if one fears the unknown more than the known.
Who says the unknown would be worse than the known?
But then again, the unknown is sometimes worse than the known. In the end nothing is known unless we endeavour,
So go pursue all the way with the unknown,
because all unknown with familiarity becomes the known.
~Tsem Rinpoche

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There are many very interesting articles on Bigfoot/yeti/sasquatch as well as videos. Please enjoy yourselves: http://www.tsemrinpoche.com/tsem-tulku-rinpoche/category/yeti-bigfoot-sasquatch
6 days ago
There are many very interesting articles on Bigfoot/yeti/sasquatch as well as videos. Please enjoy yourselves: http://www.tsemrinpoche.com/tsem-tulku-rinpoche/category/yeti-bigfoot-sasquatch
Environment is stronger because when you are in a spiritual environment with other spiritual brothers and sisters, the chance to learn and transform is much higher. If we rely on our own willpower and go at it alone to practice spirituality, very small chance we can succeed. Because most of the time we don\'t have the willpower and our willpower does not sustain us. That is why we have monasteries where clusers of people live together spiritually to enhance each other and the whole for thousands of years. That is why we have spiritual communities like Findhorn and Kechara Forest Retreat so that we are in a spiritual environment and being in this type of environment encourages us to grow inwardly. It gives us strength and support and in turn we give others strength and support. Tsem Rinpoche
1 week ago
Environment is stronger because when you are in a spiritual environment with other spiritual brothers and sisters, the chance to learn and transform is much higher. If we rely on our own willpower and go at it alone to practice spirituality, very small chance we can succeed. Because most of the time we don't have the willpower and our willpower does not sustain us. That is why we have monasteries where clusers of people live together spiritually to enhance each other and the whole for thousands of years. That is why we have spiritual communities like Findhorn and Kechara Forest Retreat so that we are in a spiritual environment and being in this type of environment encourages us to grow inwardly. It gives us strength and support and in turn we give others strength and support. Tsem Rinpoche
I like this White Tara image. It is very basic but has an appeal in this style of art.
1 week ago
I like this White Tara image. It is very basic but has an appeal in this style of art.
He was so excited to bring this sacred statue home to install in his family shrine.......
2 weeks ago
He was so excited to bring this sacred statue home to install in his family shrine.......
Daily do your prayers/mantra to Lord Manjushri as it\'s a powerful blessing on a daily basis. It is so important to have sharp mind, good memory and quick wisdom and Manjushri can bestow this. I have heard many tell me that Manjushri\'s practice is very effective. We must also do Manjushri\'s intensive retreats at least twice a year. It would be very beneficial. Sacred mantra of Manjushri: Om Ah-Ra Ba-za Na-Dhi
2 weeks ago
Daily do your prayers/mantra to Lord Manjushri as it's a powerful blessing on a daily basis. It is so important to have sharp mind, good memory and quick wisdom and Manjushri can bestow this. I have heard many tell me that Manjushri's practice is very effective. We must also do Manjushri's intensive retreats at least twice a year. It would be very beneficial. Sacred mantra of Manjushri: Om Ah-Ra Ba-za Na-Dhi
It is nice to see a friend in Nepal receiving a beautiful Bhagwan Dorje Shugden gift from myself. I wish him well always. Tsem Rinpoche
2 weeks ago
It is nice to see a friend in Nepal receiving a beautiful Bhagwan Dorje Shugden gift from myself. I wish him well always. Tsem Rinpoche
What my mom shared with me as a young boy that I carry with me till now. She was very caring and giving when she was well: http://www.tsemrinpoche.com/?p=160069
2 weeks ago
What my mom shared with me as a young boy that I carry with me till now. She was very caring and giving when she was well: http://www.tsemrinpoche.com/?p=160069
A beautiful painting of the enlightened protector Dorje Shugden in the very rich tradition of Aztec art of South America. I wanted to commission something in this rich tradition which is filled with spiritual journeys into other worlds, magic, purification, the supernatural, astral visitations, gods and other dimensions and it has manifested. I have successfully combined the divinity of Tibet with the rich artistic tradition of the Aztecs. The artist we had is amazing. We have many more beautiful art pieces here for you to enjoy and download: http://www.tsemrinpoche.com/?p=144924

Remember those wonderful Carlos Castaneda books? I use to read them many years back in my room back in New Jersey as a kid. His learning journey with Don Juan was amazing! Those books inspired my commissioning of this beautiful Aztec Dorje Shugden. May you be blessed. Tsem Rinpoche
2 weeks ago
A beautiful painting of the enlightened protector Dorje Shugden in the very rich tradition of Aztec art of South America. I wanted to commission something in this rich tradition which is filled with spiritual journeys into other worlds, magic, purification, the supernatural, astral visitations, gods and other dimensions and it has manifested. I have successfully combined the divinity of Tibet with the rich artistic tradition of the Aztecs. The artist we had is amazing. We have many more beautiful art pieces here for you to enjoy and download: http://www.tsemrinpoche.com/?p=144924 Remember those wonderful Carlos Castaneda books? I use to read them many years back in my room back in New Jersey as a kid. His learning journey with Don Juan was amazing! Those books inspired my commissioning of this beautiful Aztec Dorje Shugden. May you be blessed. Tsem Rinpoche
H.H. the Dalai Lama’s sudden change of mind about China-backed Panchen Lama is incredible and stunning. His Holiness\'s new stance will bring more harmony, peace and understanding. I thank His Holiness the Dalai Lama very much for this. Humbly, Tsem Rinpoche (Please read here: http://www.tsemrinpoche.com/?p=159261)
4 weeks ago
H.H. the Dalai Lama’s sudden change of mind about China-backed Panchen Lama is incredible and stunning. His Holiness's new stance will bring more harmony, peace and understanding. I thank His Holiness the Dalai Lama very much for this. Humbly, Tsem Rinpoche (Please read here: http://www.tsemrinpoche.com/?p=159261)
Sculpture demigoddesses Singhini (lioness goddess) on the upper terrace in front of Nyatapola temple in Bhaktapur, Nepal.
1 month ago
Sculpture demigoddesses Singhini (lioness goddess) on the upper terrace in front of Nyatapola temple in Bhaktapur, Nepal.
How fortunate I am to be sitting in my room, with a rosary in my hand reciting the mantra given to me by my compassionate guru and to meditate in developing a compassionate heart and purifying my karmas. How fortunate I am to be able to spend my time in such a meaningful manner. Tsem Rinpoche
2 months ago
How fortunate I am to be sitting in my room, with a rosary in my hand reciting the mantra given to me by my compassionate guru and to meditate in developing a compassionate heart and purifying my karmas. How fortunate I am to be able to spend my time in such a meaningful manner. Tsem Rinpoche
Comic drawn by Tendor, a prominent Free Tibet activist-Every Tibetan knows that although His Holiness the Dalai Lama says he is retired from politics, he is in full control of the Tibetan government in exile. No member of the government will dare carry out any decisions without His Holiness\' approval. He is retired for the sake of the west so he does not look like a dictator.~Tenzin Damchoe
3 months ago
Comic drawn by Tendor, a prominent Free Tibet activist-Every Tibetan knows that although His Holiness the Dalai Lama says he is retired from politics, he is in full control of the Tibetan government in exile. No member of the government will dare carry out any decisions without His Holiness' approval. He is retired for the sake of the west so he does not look like a dictator.~Tenzin Damchoe
It would be wonderful if everyone can recite these two mantras 100k each focusing on Shakyamuni Buddha and His powerful healing energies. Not collectively but each person 100k each of each mantra. Praise to Shakyamuni the Sage who showed us a permanent way to bliss.
3 months ago
It would be wonderful if everyone can recite these two mantras 100k each focusing on Shakyamuni Buddha and His powerful healing energies. Not collectively but each person 100k each of each mantra. Praise to Shakyamuni the Sage who showed us a permanent way to bliss.
In Tibet Shannan area Riwoche Ling Monastery, devotees are putting Tsem Rinpoche\'s photo inside the cabinet together with the Buddha he loves - Dorje Shugden
在西藏山南日乌曲林寺,信徒们把詹杜固仁波切的法照和他最敬爱的多杰雄登护法像摆在一起
3 months ago
In Tibet Shannan area Riwoche Ling Monastery, devotees are putting Tsem Rinpoche's photo inside the cabinet together with the Buddha he loves - Dorje Shugden 在西藏山南日乌曲林寺,信徒们把詹杜固仁波切的法照和他最敬爱的多杰雄登护法像摆在一起
Please read this..thank you.
3 months ago
Please read this..thank you.
A beautiful Dorje Shugden depicted in Druid and newage style. There are many more here and free downloads in high file: http://www.tsemrinpoche.com/?p=144924
3 months ago
A beautiful Dorje Shugden depicted in Druid and newage style. There are many more here and free downloads in high file: http://www.tsemrinpoche.com/?p=144924
Here, His Holiness Kyabje Trijang Rinpoche (left), one of the tutors of His Holiness the Dalai Lama, confers one of the many countless tantric initiations on the Dalai Lama (right). You can see a young Dalai Lama bowing in this picture with Trijang Rinpoche blessing him. Trijang Rinpoche is therefore undoubtedly the Dalai Lama’s tantric master. A great master at that. Tsem Rinpoche
4 months ago
Here, His Holiness Kyabje Trijang Rinpoche (left), one of the tutors of His Holiness the Dalai Lama, confers one of the many countless tantric initiations on the Dalai Lama (right). You can see a young Dalai Lama bowing in this picture with Trijang Rinpoche blessing him. Trijang Rinpoche is therefore undoubtedly the Dalai Lama’s tantric master. A great master at that. Tsem Rinpoche
This is a very sacred statue of Buddha Chenresig (Avalokitesvara/Kuan Yin) that manifested many miracles in North India. Read and see more pictures and understand the background here: http://www.tsemrinpoche.com/?p=153802
4 months ago
This is a very sacred statue of Buddha Chenresig (Avalokitesvara/Kuan Yin) that manifested many miracles in North India. Read and see more pictures and understand the background here: http://www.tsemrinpoche.com/?p=153802
Wonderful updated version of The Promise book is out! Please get your copy. Much more new information included.
4 months ago
Wonderful updated version of The Promise book is out! Please get your copy. Much more new information included.
\"Bhagavani, source of all wonders, Vasudhara, Goddess of splendour and fortune, bestower of auspicious mental desires; homage to the Goddess Wish-fulfilling Wheel.\" (Sakya liturgical verse).
4 months ago
"Bhagavani, source of all wonders, Vasudhara, Goddess of splendour and fortune, bestower of auspicious mental desires; homage to the Goddess Wish-fulfilling Wheel." (Sakya liturgical verse).
Beautiful and sacred Vajra Yogini in Pharping, Nepal. The caretaker said it was owned by the Great Marpa the translator who was the guru of Milarepa. Wow.
4 months ago
Beautiful and sacred Vajra Yogini in Pharping, Nepal. The caretaker said it was owned by the Great Marpa the translator who was the guru of Milarepa. Wow.
In the Lankavatara Sutra, Lord Buddha says: \"For innumerable reasons, the Bodhisattva, whose nature is compassion, is not to  any meat. Thus Mahamati, whenever there is the evolution of living beings, let people cherish the thought of kinship with them, and thinking that all beings are [to be loved as if they were] and only child, let them refrain from eating meat.  Mahamati, meat is not eaten by anybody for any reason, there will be no destroyer of life. Thus, Mahamati, meat-eating I have not permitted to anyone, I do not permit, I will not permit.\"
4 months ago
In the Lankavatara Sutra, Lord Buddha says: "For innumerable reasons, the Bodhisattva, whose nature is compassion, is not to any meat. Thus Mahamati, whenever there is the evolution of living beings, let people cherish the thought of kinship with them, and thinking that all beings are [to be loved as if they were] and only child, let them refrain from eating meat. Mahamati, meat is not eaten by anybody for any reason, there will be no destroyer of life. Thus, Mahamati, meat-eating I have not permitted to anyone, I do not permit, I will not permit."
At times I have to be a trendsetter in spirituality as opposed to just being a follower and that is why I take chances and try. I may not be liked always for it, but I have to do it. In this way I have been introducing Dorje Shugden to the world. I know Shugden is good and will help so many and that is why I do it.
4 months ago
At times I have to be a trendsetter in spirituality as opposed to just being a follower and that is why I take chances and try. I may not be liked always for it, but I have to do it. In this way I have been introducing Dorje Shugden to the world. I know Shugden is good and will help so many and that is why I do it.
Courage is doing something you know the majority will not agree with and perhaps even some will scorn you for it, but you do it anyway because you know it\'s right and will benefit people at the cost of your own reputation. That\'s how I feel when I share Dorje Shugden\'s practice with the world.
4 months ago
Courage is doing something you know the majority will not agree with and perhaps even some will scorn you for it, but you do it anyway because you know it's right and will benefit people at the cost of your own reputation. That's how I feel when I share Dorje Shugden's practice with the world.
Courage is doing something you know the majority will not agree with and perhaps even some will scorn you for it, but you do it anyway because you know it\'s right and you are true to yourself.
4 months ago
Courage is doing something you know the majority will not agree with and perhaps even some will scorn you for it, but you do it anyway because you know it's right and you are true to yourself.
At times I have to be a trendsetter in spirituality as opposed to just being a follower and that is why I take chances and try. I may not be liked always for it, but I have to do it. In this way I have been introducing Dorje Shugden to the world. I know Shugden is good and will help so many and that is why I do it.
4 months ago
At times I have to be a trendsetter in spirituality as opposed to just being a follower and that is why I take chances and try. I may not be liked always for it, but I have to do it. In this way I have been introducing Dorje Shugden to the world. I know Shugden is good and will help so many and that is why I do it.
Courage is doing something you know the majority will not agree with and perhaps even some will scorn you for it, but you do it anyway because you know it\'s right and you are true to yourself.
4 months ago
Courage is doing something you know the majority will not agree with and perhaps even some will scorn you for it, but you do it anyway because you know it's right and you are true to yourself.
Courage is doing something you know the majority will not agree with and perhaps even some will scorn you for it, but you do it anyway because you know it\'s right and will benefit people at the cost of your own reputation. That\'s how I feel when I share Dorje Shugden\'s practice with the world.
4 months ago
Courage is doing something you know the majority will not agree with and perhaps even some will scorn you for it, but you do it anyway because you know it's right and will benefit people at the cost of your own reputation. That's how I feel when I share Dorje Shugden's practice with the world.
Beautiful Buddha built in Sarnath, India. Sarnath was the place where Lord Buddha first starting teaching the sacred Dharma. Tsem Rinpoche
5 months ago
Beautiful Buddha built in Sarnath, India. Sarnath was the place where Lord Buddha first starting teaching the sacred Dharma. Tsem Rinpoche
 This is so good. I need to remember this and not allow people to do this to me anymore. Being kind is one thing, but when they are doing it and it harms, it is not a matter of kindness anymore but taking advantage.
5 months ago
This is so good. I need to remember this and not allow people to do this to me anymore. Being kind is one thing, but when they are doing it and it harms, it is not a matter of kindness anymore but taking advantage.
Incredible Lama Thubten Phurbu and His Activities - http://www.tsemrinpoche.com/?p=150927
6 months ago
Incredible Lama Thubten Phurbu and His Activities - http://www.tsemrinpoche.com/?p=150927
Huffington Post has just released their SECOND EXPOSÉ of the Dorje Shugden issue. You can read about it here: http://www.tsemrinpoche.com/?p=151328
6 months ago
Huffington Post has just released their SECOND EXPOSÉ of the Dorje Shugden issue. You can read about it here: http://www.tsemrinpoche.com/?p=151328
Please read what Kyabje Trijang Choktrul Rinpoche says about people\'s religion.
6 months ago
Please read what Kyabje Trijang Choktrul Rinpoche says about people's religion.
A gorgeous Dorje Shugden painted in traditional art style of China. Chinese art has flourished for over 5,000 years and highly sought after. This form of Dorje Shugden is sitting on a seat as you see painted in his chapel (Trode Khangsar) in Lhasa, Tibet. Dorje Shugden can be on a seat or Lion.  More downloads here.  http://www.tsemrinpoche.com/tsem-tulku-rinpoche/downloads/buddha-images.html
6 months ago
A gorgeous Dorje Shugden painted in traditional art style of China. Chinese art has flourished for over 5,000 years and highly sought after. This form of Dorje Shugden is sitting on a seat as you see painted in his chapel (Trode Khangsar) in Lhasa, Tibet. Dorje Shugden can be on a seat or Lion. More downloads here. http://www.tsemrinpoche.com/tsem-tulku-rinpoche/downloads/buddha-images.html
Dear friends, The Dorje Shugden oracle of Gaden Shartse Monastery was authorized and blessed by both Kyabje Trijang Rinpoche and Kyabje Zong Rinpoche. He was a favorite among high lamas for his smooth trances and clear prophecies. This video is a one-of-a-kind where you see the Choyang Dulzin Kuten oracle take trance of the peaceful form of Dorje Shugden wearing the robes of a high lama giving teachings, blessings and transmissions. Very sacred and rare video. https://www.youtube.com/watch?v=pawS1TMOe8k
6 months ago
Dear friends, The Dorje Shugden oracle of Gaden Shartse Monastery was authorized and blessed by both Kyabje Trijang Rinpoche and Kyabje Zong Rinpoche. He was a favorite among high lamas for his smooth trances and clear prophecies. This video is a one-of-a-kind where you see the Choyang Dulzin Kuten oracle take trance of the peaceful form of Dorje Shugden wearing the robes of a high lama giving teachings, blessings and transmissions. Very sacred and rare video. https://www.youtube.com/watch?v=pawS1TMOe8k
Beautiful contemporary art piece of Dorje Shugden for free high res download here:  http://www.tsemrinpoche.com/tsem-tulku-rinpoche/downloads/buddha-images.html
6 months ago
Beautiful contemporary art piece of Dorje Shugden for free high res download here: http://www.tsemrinpoche.com/tsem-tulku-rinpoche/downloads/buddha-images.html
The Huffington Post extensively covers the Dorje Shugden issue. I had no idea that this article was being written. I was not contacted, not asked for an interview or asked for any comments, and then it was published and my students alerted me to it. So it was a very, very pleasant and encouraging surprise to read such balanced coverage from such a reputable news website. You can read it here: http://www.tsemrinpoche.com/?p=149806
6 months ago
The Huffington Post extensively covers the Dorje Shugden issue. I had no idea that this article was being written. I was not contacted, not asked for an interview or asked for any comments, and then it was published and my students alerted me to it. So it was a very, very pleasant and encouraging surprise to read such balanced coverage from such a reputable news website. You can read it here: http://www.tsemrinpoche.com/?p=149806
དེ་རིང་ང་ཁྱེད་རང་ཚོ་མཉམ་དུ་བོད་མིའི་ཆབ་སྲིད་ནང་གི་བློ་མགུ་ནུས་པའི་མངོན་འགྱུར་ཞིག་ཞུའི་ཡིན། གང་དག་བོད་པའི་སྤྱི་ཚོགས་ནང་ཆོས་ལུགས་ཁྱད་པར། དབྱེ་འབྱེད། ཕྱོགས་རིས་ཐོག་ལ་གང་འདྲ་སྟངས་འཛིན་བྱེད་དགོས་ཀྱི་སྐོར་ངེས་གཏན་སྣུན་ཤུགས་བྱེད་ཐུབ། http://www.tsemrinpoche.com/tsem-tulku-rinpoche/dorje-shugden/tibetan-mp-tenpa-yarphel-speaks-up-against-nechung-tibetan.html
6 months ago
དེ་རིང་ང་ཁྱེད་རང་ཚོ་མཉམ་དུ་བོད་མིའི་ཆབ་སྲིད་ནང་གི་བློ་མགུ་ནུས་པའི་མངོན་འགྱུར་ཞིག་ཞུའི་ཡིན། གང་དག་བོད་པའི་སྤྱི་ཚོགས་ནང་ཆོས་ལུགས་ཁྱད་པར། དབྱེ་འབྱེད། ཕྱོགས་རིས་ཐོག་ལ་གང་འདྲ་སྟངས་འཛིན་བྱེད་དགོས་ཀྱི་སྐོར་ངེས་གཏན་སྣུན་ཤུགས་བྱེད་ཐུབ། http://www.tsemrinpoche.com/tsem-tulku-rinpoche/dorje-shugden/tibetan-mp-tenpa-yarphel-speaks-up-against-nechung-tibetan.html
བོད་པའི་དབུ་ཁྲིད་ཚོའི་རྡོ་རྗེ་ཤུགས་ལྡན་བསྟེན་མཁན་ཚོར་མ་ཉེས་ཁ་ཡོག་གི་བརྙན་ཕྲིན་གསར་པ། http://www.tsemrinpoche.com/tsem-tulku-rinpoche/dorje-shugden/tibetan-leaderships-new-anti-shugden-video-tibetan.html
6 months ago
བོད་པའི་དབུ་ཁྲིད་ཚོའི་རྡོ་རྗེ་ཤུགས་ལྡན་བསྟེན་མཁན་ཚོར་མ་ཉེས་ཁ་ཡོག་གི་བརྙན་ཕྲིན་གསར་པ། http://www.tsemrinpoche.com/tsem-tulku-rinpoche/dorje-shugden/tibetan-leaderships-new-anti-shugden-video-tibetan.html
(Drepung) Dear friends, In the effort to be creative about something as holy and beneficial as Dorje Shugden, we\'ve come out with these new and realistic depictions. One is Dorje Shugden visiting the Potala Palace and the other is Dorje Shugden arising from Drepung Monastery where he lived in Zimkhang Gangma Ladrang as a high lama. Please enjoy and be blessed. Sincerely, Tsem Rinpoche (High resolution downloads: http://www.tsemrinpoche.com/tsem-tulku-rinpoche/downloads/buddha-images.html )
6 months ago
(Drepung) Dear friends, In the effort to be creative about something as holy and beneficial as Dorje Shugden, we've come out with these new and realistic depictions. One is Dorje Shugden visiting the Potala Palace and the other is Dorje Shugden arising from Drepung Monastery where he lived in Zimkhang Gangma Ladrang as a high lama. Please enjoy and be blessed. Sincerely, Tsem Rinpoche (High resolution downloads: http://www.tsemrinpoche.com/tsem-tulku-rinpoche/downloads/buddha-images.html )
Dear friends, In the effort to be creative about something as holy and beneficial as Dorje Shugden, we\'ve come out with these new and realistic depictions. One is Dorje Shugden visiting the Potala Palace and the other is Dorje Shugden arising from Drepung Monastery where he lived in Zimkhang Gangma Ladrang as a high lama. Please enjoy and be blessed. Sincerely, Tsem Rinpoche (High resolution downloads: http://www.tsemrinpoche.com/tsem-tulku-rinpoche/downloads/buddha-images.html )
6 months ago
Dear friends, In the effort to be creative about something as holy and beneficial as Dorje Shugden, we've come out with these new and realistic depictions. One is Dorje Shugden visiting the Potala Palace and the other is Dorje Shugden arising from Drepung Monastery where he lived in Zimkhang Gangma Ladrang as a high lama. Please enjoy and be blessed. Sincerely, Tsem Rinpoche (High resolution downloads: http://www.tsemrinpoche.com/tsem-tulku-rinpoche/downloads/buddha-images.html )
I had this painting commissioned. Please read more here on this great master-
 http://www.tsemrinpoche.com/?p=146195
7 months ago
I had this painting commissioned. Please read more here on this great master- http://www.tsemrinpoche.com/?p=146195
How can all the high lamas of Tibet and all the protectors not be able to defeat Dorje Shugden? This is food for thought: https://www.youtube.com/watch?v=4Bj0254UG-Y
7 months ago
How can all the high lamas of Tibet and all the protectors not be able to defeat Dorje Shugden? This is food for thought: https://www.youtube.com/watch?v=4Bj0254UG-Y
致全世界的华人:这是我一份小小的心意:一幅富有古中国传统艺术的作品。希望你们会喜欢! http://bit.ly/2zLOjnK
7 months ago
致全世界的华人:这是我一份小小的心意:一幅富有古中国传统艺术的作品。希望你们会喜欢! http://bit.ly/2zLOjnK
“One has not only a legal but a moral responsibility to obey just laws. Conversely, one has a moral responsibility to disobey unjust laws.”

~ Martin Luther King, Jr.
7 months ago
“One has not only a legal but a moral responsibility to obey just laws. Conversely, one has a moral responsibility to disobey unjust laws.” ~ Martin Luther King, Jr.
Download for free this high res photo of Lord Shugden: http://www.tsemrinpoche.com/tsem-tulku-rinpoche/downloads/buddha-images.html
7 months ago
Download for free this high res photo of Lord Shugden: http://www.tsemrinpoche.com/tsem-tulku-rinpoche/downloads/buddha-images.html
Whatever we can do to spread the teachings of our Guru, we should do so.
7 months ago
Whatever we can do to spread the teachings of our Guru, we should do so.
 These three (Dharma, Oser and Mumu) are super adorable.
7 months ago
These three (Dharma, Oser and Mumu) are super adorable.
Click on "View All Photos" above to view more images

Videos On The Go

Please click on the images to watch video
  • Monthly Dorje Shugden Puja Performed at Nagu Monastery, Dechen, Yunnan, China for Tsem Rinpoche
    1 week ago
    Monthly Dorje Shugden Puja Performed at Nagu Monastery, Dechen, Yunnan, China for Tsem Rinpoche
  • His Holiness Kyabje Zong Rinpoche with his student Venerable Geshe Kelsang Gyatso
    2 months ago
    His Holiness Kyabje Zong Rinpoche with his student Venerable Geshe Kelsang Gyatso
    His Holiness Kyabje Zong Rinpoche of Gaden Shartse Monastery was one of the teachers of Venerable Geshe Kelsang Gyatso. Here in this beautiful video is Geshe Kelsang Gyatso showing his centre to Kyabje Zong Rinpoche, then proceeding to sit down to receive teachings. For more information, please go to http://www.tsemrinpoche.com/tsem-tulku-rinpoche/category/kyabje-zong-rinpoche
  • Super neat footage of Patty the Bigfoot!
    2 months ago
    Super neat footage of Patty the Bigfoot!
    In 1967, Bob Gimlin and Roger Patterson stumbled across an incredible sight whilst out in Bluff Creek, in the California wilderness. At a creek which had been freshly washed-out by recent floods, they witnessed a female Bigfoot swiftly traverse the rugged landscape. Since their filmed encounter with the Bigfoot, who has since been nicknamed Patty, many have disputed the authenticity of their recording but no one has been able to successfully prove that it is a fake. Credits for this video goes to entirely to windvale for the original footage.
  • Adorable Tibetan kids wishing Happy New Year 2018
    3 months ago
    Adorable Tibetan kids wishing Happy New Year 2018
    The children and their little well-wishing voices are adorable!! It is a must listen. They recite prayers to Dorje Shugden to invoke blessings for everyone for the New Year 2018! At one point, they sprinkle some of the drink into the air as per tradition as an offering to Dorje Shugden. Shugden's practice in Tibet has been strong for four hundred years and is continuing to grow. Happy New Year (Losar) to everyone. May everyone have peace. Sarva Mangalam!
  • Dogs are super intelligent. This dog was trained as a service dog to help his owner who suffers from seizures. It even goes to the extent whereby he will lie under her head when she has a seizure, to protect her head from banging on the floor.
    3 months ago
    Dogs are super intelligent. This dog was trained as a service dog to help his owner who suffers from seizures. It even goes to the extent whereby he will lie under her head when she has a seizure, to protect her head from banging on the floor.
  • Beautiful Tibetan children wishing Happy New Year!
    3 months ago
    Beautiful Tibetan children wishing Happy New Year!
  • Ven Lobsang Jigme of Tsem Monastery in Yara, Tibet is passing out pictures of Tsem Rinpoche to the locals.
    3 months ago
    Ven Lobsang Jigme of Tsem Monastery in Yara, Tibet is passing out pictures of Tsem Rinpoche to the locals.
  • (3) Khenpo Lobdroe blessing the public at Magon Monastery in Drayab.
    3 months ago
    (3) Khenpo Lobdroe blessing the public at Magon Monastery in Drayab.
  • (2) The trance took place in Drayab Magon Monastery.
    3 months ago
    (2) The trance took place in Drayab Magon Monastery.
  • (1) Young monk taking trance of Dorje Shugden in Drayab, Chamdo Tibet.
    3 months ago
    (1) Young monk taking trance of Dorje Shugden in Drayab, Chamdo Tibet.
  • A new megastar in Bollywood! Must see!!
    3 months ago
    A new megastar in Bollywood! Must see!!
  • This is very inspirational
    5 months ago
    This is very inspirational
  • A Mother’s Love
    6 months ago
    A Mother’s Love
    A mother's love is made up of a deep sense of care, of sacrifice and pain as a mother's heart is always with her children. Watch this touching video.
  • Dorje Shugden & Ministers
    6 months ago
    Dorje Shugden & Ministers
    Dorje Shugden and his two ministers, Kache Marpo and Namka Barzin. Vajrasecrets.com
  • Cham Dance
    6 months ago
    Cham Dance
    Cham is sacred dance. A dance that enacts the life story of a holy being. By participating in Cham, one is blessed to see the sacred life story of a being celebrated. This is a cham on Dorje Shugden. It\\\'s a short clip but interesting none-the-less. Tsem Rinpoche
  • The great Gautama Siddhartha meditating intensely is protected by the King of Nagas during heavy rains
    6 months ago
    The great Gautama Siddhartha meditating intensely is protected by the King of Nagas during heavy rains
    The King of Nagas knows this great being Siddhartha will soon become the Buddha. By offering his own body as shelter to the Buddha to be, he honours the state of enlightenment which will be won and gains merit for himself for his future lives although he is a naga now. The pre-eminent Buddha is an object of perfect offering gaining great merits for all beings. Tsem Rinpoche
  • This topic is so hot in many circles right now.
    7 months ago
    This topic is so hot in many circles right now.
    This video is thought-provoking and very interesting. Watch! Thanks so much to our friends at LIVEKINDLY.
  • Chiropractic CHANGES LIFE for teenager with acute PAIN & DEAD LEG.
    7 months ago
    Chiropractic CHANGES LIFE for teenager with acute PAIN & DEAD LEG.
  • BEAUTIFUL PLACE IN NEW YORK STATE-AMAZING.
    7 months ago
    BEAUTIFUL PLACE IN NEW YORK STATE-AMAZING.
  • Leonardo DiCaprio takes on the meat Industry with real action.
    7 months ago
    Leonardo DiCaprio takes on the meat Industry with real action.
  • Do psychic mediums have messages from beyond?
    7 months ago
    Do psychic mediums have messages from beyond?
  • Lovely gift for my 52nd Birthday. Tsem Rinpoche
    7 months ago
    Lovely gift for my 52nd Birthday. Tsem Rinpoche
  • This 59-year-old chimpanzee was refusing food and ready to die until...
    7 months ago
    This 59-year-old chimpanzee was refusing food and ready to die until...
    she received “one last visit from an old friend” 💔💔
  • Bigfoot sighted again and made it to the news.
    7 months ago
    Bigfoot sighted again and made it to the news.
  • Casper is such a cute and adorable. I like him.
    7 months ago
    Casper is such a cute and adorable. I like him.
  • Dorje Shugden Monastery Amarbayasgalant  Mongolia's Ancient Hidden Gem
    7 months ago
    Dorje Shugden Monastery Amarbayasgalant Mongolia's Ancient Hidden Gem
  • Don't you love Hamburgers? See how 'delicious' it is here!
    7 months ago
    Don't you love Hamburgers? See how 'delicious' it is here!
  • Such a beautiful and powerful message from a person who knows the meaning of life. Tsem Rinpoche
    7 months ago
    Such a beautiful and powerful message from a person who knows the meaning of life. Tsem Rinpoche
  • What the meat industry figured out is that you don't need healthy animals to make a profit.
    7 months ago
    What the meat industry figured out is that you don't need healthy animals to make a profit.
    Sick animals are more profitable... farms calculate how close to death they can keep animals without killing them. That's the business model. How quickly they can be made to grow, how tightly they can be packed, how much or how little can they eat, how sick they can get without dying... We live in a world in which it's conventional to treat an animal like a block of wood. ~ Jonathan Safran Foer
  • This video went viral and it's a must watch!!
    7 months ago
    This video went viral and it's a must watch!!
  • SEE HOW THIS ANIMAL SERIAL KILLER HAS NO ISSUE BLUDGEONING THIS DEFENSELESS BEING.
    8 months ago
    SEE HOW THIS ANIMAL SERIAL KILLER HAS NO ISSUE BLUDGEONING THIS DEFENSELESS BEING.
    This happens daily in slaughterhouse so you can get your pork and Bak ku teh. Stop eating meat.
  • Beautiful Buddha being sculpted from clay.
    8 months ago
    Beautiful Buddha being sculpted from clay.
  • After a while, you are are numb and you just keep doing it. You don’t know what you are doing and you don’t see it for what it really is. Tsem Rinpoche
    8 months ago
    After a while, you are are numb and you just keep doing it. You don’t know what you are doing and you don’t see it for what it really is. Tsem Rinpoche
    Please share this as much as possible. Please care. Please help: http://www.patreon.com/weanimals
  • OSER GIRL IS SO SMART AND CUTE AND EVERYONE LOVES HER
    8 months ago
    OSER GIRL IS SO SMART AND CUTE AND EVERYONE LOVES HER
  • It is a very painful process before the animals are finally dead.
    8 months ago
    It is a very painful process before the animals are finally dead.
  • If slaughterhouses had glass walls, everyone would be a vegetarian.
    8 months ago
    If slaughterhouses had glass walls, everyone would be a vegetarian.
  • Take a look at what singer Nicki Minaj did.
    8 months ago
    Take a look at what singer Nicki Minaj did.
  • Animals are enslaved to do a human’s job, this must stop.
    8 months ago
    Animals are enslaved to do a human’s job, this must stop.
  • This is how the chickens are killed in the farm, they die a very horrible death.
    8 months ago
    This is how the chickens are killed in the farm, they die a very horrible death.
  • America likes to police the world but their own record of civil rights is not on track. Watch this video from people of color in the US.
    8 months ago
    America likes to police the world but their own record of civil rights is not on track. Watch this video from people of color in the US.
  • Important video to watch and learn.
    8 months ago
    Important video to watch and learn.
  • Bigfoot’s voice captured on tape.
    8 months ago
    Bigfoot’s voice captured on tape.
  • Amazing video that you will not regret watching.
    8 months ago
    Amazing video that you will not regret watching.
  • Norma Jean
    9 months ago
    Norma Jean
    These are the heartbreaking scenes we see over and over again, that we share in the hopes of telling the stories of those who otherwise would have suffered and vanished from this earth without a trace. This is Norma Jean. Free for a little over five months, she knew more happiness than millions of her sisters ever will. But she couldn’t escape the fate genetically programmed into her as an egg producing machine. She seemed more lethargic than usual this morning, so we brought her inside to administer fluids and antibiotics in the hopes of pulling her through until we could get her in to see our vet. She couldn’t hang on. She died this evening shortly after this video was taken, severely infected from the rotting egg yolk adhered to various organs throughout her abdominal cavity. Like virtually every single one of her sisters, caged or free range, rescued or not, she paid the ultimate price for eggs (from FB)
  • If you want to change the world, start of by making your bed
    9 months ago
    If you want to change the world, start of by making your bed
    If you want to change the world, measure a person by the size of their heart

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CHAT PICTURES

The collection from surplus food helps prevent food wastage; we redistribute to the needy families. Thank you to Tesco for this surplus food and also grateful to the volunteers for helping!!! Vivian @ Kechara Soup Kitchen
2 days ago
The collection from surplus food helps prevent food wastage; we redistribute to the needy families. Thank you to Tesco for this surplus food and also grateful to the volunteers for helping!!! Vivian @ Kechara Soup Kitchen
Mr. Cheah Fook Wan has offered lights and incense on behalf of KISG in Ipoh. So Kin Hoe (KISG)
3 days ago
Mr. Cheah Fook Wan has offered lights and incense on behalf of KISG in Ipoh. So Kin Hoe (KISG)
KISG has carried out prayer recitations to Mother Tara in Ipoh today. So Kin Hoe (KISG)
3 days ago
KISG has carried out prayer recitations to Mother Tara in Ipoh today. So Kin Hoe (KISG)
The close bonding between teacher and students in Sunday Dharma Class. Lin Mun KSDS
4 days ago
The close bonding between teacher and students in Sunday Dharma Class. Lin Mun KSDS
Teacher Kien leading the prayer session before we start the class lesson. Lin Mun KSDS
4 days ago
Teacher Kien leading the prayer session before we start the class lesson. Lin Mun KSDS
Teacher Alice share the guidelines and lay out the class rules before start of lesson. Lin Mun
4 days ago
Teacher Alice share the guidelines and lay out the class rules before start of lesson. Lin Mun
Andrea and Chloe always very participating during the Q&A session. Lin Mun KSDS
4 days ago
Andrea and Chloe always very participating during the Q&A session. Lin Mun KSDS
Animal liberation is held every 2nd week of the month in Kechara House. Sunday Dharma School students will also join this meritorious session. Lin Mun KSDS
4 days ago
Animal liberation is held every 2nd week of the month in Kechara House. Sunday Dharma School students will also join this meritorious session. Lin Mun KSDS
Dedication will be done after the dharma lessons and activities were ended. Alice Tay, KSDS
4 days ago
Dedication will be done after the dharma lessons and activities were ended. Alice Tay, KSDS
Teacher Kien is very passionate to help the students in art decorations. Alice Tay, KSDS
4 days ago
Teacher Kien is very passionate to help the students in art decorations. Alice Tay, KSDS
Teacher Asyley asked students to pay close attention to the video teaching. Alice Tay, KSDS
4 days ago
Teacher Asyley asked students to pay close attention to the video teaching. Alice Tay, KSDS
Teacher Alice explained the classroom rules to the children. Alice Tay, KSDS
4 days ago
Teacher Alice explained the classroom rules to the children. Alice Tay, KSDS
KSDS students learn to use mala during Manjushri mantra recitation. Alice Tay, KSDS
4 days ago
KSDS students learn to use mala during Manjushri mantra recitation. Alice Tay, KSDS
Thank you for your kind food sponsorship Jade Choong and happy birthday to you! Thank you for doing this on your birthday! Bring a lot of meaning and joy to everyone on the streets. The clients love it especially when we are serving fruit juice! Vivian @ Kechara Soup Kitchen
5 days ago
Thank you for your kind food sponsorship Jade Choong and happy birthday to you! Thank you for doing this on your birthday! Bring a lot of meaning and joy to everyone on the streets. The clients love it especially when we are serving fruit juice! Vivian @ Kechara Soup Kitchen
133kg of vegetables were redistributed to 41 families in Orang Asli village here in Bentong yesterday. Vivian @ Kechara Soup Kitchen
7 days ago
133kg of vegetables were redistributed to 41 families in Orang Asli village here in Bentong yesterday. Vivian @ Kechara Soup Kitchen
Majlis Pelancaran Bulan Bermakna, launch Tesco Food Drive for the holy month of Ramadan to be channelled to our food bank and Food Aid Foundation to be redistributed to the poor families. Vivian @ Kechara Soup Kitchen
1 week ago
Majlis Pelancaran Bulan Bermakna, launch Tesco Food Drive for the holy month of Ramadan to be channelled to our food bank and Food Aid Foundation to be redistributed to the poor families. Vivian @ Kechara Soup Kitchen
Photo from antoinette kass
1 week ago
Photo from antoinette kass
Learn, Play, Grow together at Kechara Sunday Dharma School. Every Sunday 9am to 10.30am. Come Come join us!!!We have alot of Fun By Asyley Chia KSDS
1 week ago
Learn, Play, Grow together at Kechara Sunday Dharma School. Every Sunday 9am to 10.30am. Come Come join us!!!We have alot of Fun By Asyley Chia KSDS
Learn, Play, Grow together at Kechara Sunday Dharma School. Every Sunday 9am to 10.30am. Come Come join us!!!We have alot of Fun By Asyley Chia KSDS
1 week ago
Learn, Play, Grow together at Kechara Sunday Dharma School. Every Sunday 9am to 10.30am. Come Come join us!!!We have alot of Fun By Asyley Chia KSDS
Learn, Play, Grow together at Kechara Sunday Dharma School. Every Sunday 9am to 10.30am. Come Come join us!!!We have alot of Fun By Asyley Chia KSDS
1 week ago
Learn, Play, Grow together at Kechara Sunday Dharma School. Every Sunday 9am to 10.30am. Come Come join us!!!We have alot of Fun By Asyley Chia KSDS
Learn, Play, Grow together at Kechara Sunday Dharma School. Every Sunday 9am to 10.30am. Come Come join us!!!We have alot of Fun By Asyley Chia KSDS
1 week ago
Learn, Play, Grow together at Kechara Sunday Dharma School. Every Sunday 9am to 10.30am. Come Come join us!!!We have alot of Fun By Asyley Chia KSDS
Learn, Play, Grow together at Kechara Sunday Dharma School. Every Sunday 9am to 10.30am. Come Come join us!!!We have alot of Fun By Asyley Chia KSDS
1 week ago
Learn, Play, Grow together at Kechara Sunday Dharma School. Every Sunday 9am to 10.30am. Come Come join us!!!We have alot of Fun By Asyley Chia KSDS
感激师父尊贵的詹杜古仁波切谛造一切, 让我们有机会凑在一起, 在那么舒适的环境下,一起学习佛法, 一起游戏作乐,一起提升自己。 感恩一切,感恩有你。By Asyley Chia KSDS
1 week ago
感激师父尊贵的詹杜古仁波切谛造一切, 让我们有机会凑在一起, 在那么舒适的环境下,一起学习佛法, 一起游戏作乐,一起提升自己。 感恩一切,感恩有你。By Asyley Chia KSDS
Special dedication to All the lovely Mommy from the Lovely Children Happy Mother's day.By Asyley Chia KSDS
1 week ago
Special dedication to All the lovely Mommy from the Lovely Children Happy Mother's day.By Asyley Chia KSDS
The best teachers teach from the heart ,not from the book. Thank you to all the beautiful KSDS Teachers.by Asyley Chia KSDS
1 week ago
The best teachers teach from the heart ,not from the book. Thank you to all the beautiful KSDS Teachers.by Asyley Chia KSDS
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